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Na melhor tradição do novo jornalismo, Adriano Wilkson constrói uma história vibrante e dramática, cheia de personagens de carne e osso (e músculos) inesquecíveis, em que o ringue onde as batalhas se desenrolam se torna uma alegoria dos percalços que a vida impõe a milhões de brasileiros. Acácio Pequeno precisa evaporar de seu corpo cerca de três litros de água para ter acesso à luta mais importante de sua carreira.

In this audio, you'll find practical writing strategies, techniques, and exercises to kick-start your book writing journey. We understand that everyone has their own unique story to tell, and our goal is to help you bring that story to life. With the help of AI tools, such as ChatGPT, we'll show you how to tap into your imagination and transform your ideas into captivating prose.

Caring or careless? In this powerful and moving essay, Micheline Lee tells the story of the National Disability Insurance Scheme, a transformative social change that ran into problems. For some users it has been “the only lifeboat in the ocean,” but for others it has meant still more exclusion. Lee explains what happened, showing that the NDIS, for all its good intentions, has not understood people with disabilities well enough. While government thought the market could do its job, a caring society cannot be outsourced.

Em meio a uma torrente de populismo e desinformação, sete nomes da imprensa refletem sobre os desafios do jornalismo no Brasil.

From one of Australia's leading Indigenous journalists comes a collection of fierce and powerful essays proving why the media need to believe Black witnesses and showcasing ways that journalism can be used to hold the powerful to account and make the world a more equitable place. Black Witness is the essential collection of First Nations journalism that we need right now – and always have.

Since 1844, the Globe and Mail and its predecessor, George Brown’s Globe, have chronicled Canada: as a colony, a dominion, and a nation. To mark the paper’s 180th anniversary, Globe writers explored thirty issues and events in which the national newspaper has influenced the course of the country: Confederation, settler migrations, regional tensions, tussles over language, religion, and race. The essays reveal a tapestry of progress, conflict, and still-incomplete reconciliation.

Dejó muy claro Gabriel García Márquez que el periodismo siempre fue su principal pasión, la más perdurable y por la que quiso ser recordado: «No quiero que se me recuerde por Cien años de soledad, ni por el premio Nobel, sino por el periódico. [...] Nací periodista y hoy me siento más reportero que nunca. Lo llevo en la sangre, me tira».

Despierta, que no te engañen. Así sufre la censura un periodista en España. Así te apartan por considerarte incómodo. Cloacas, bulos, intercambio de favores muy burdos, complots entre el poder político y el económico. Así controlan tus noticias. Así es como la propaganda se carga la información. Intoxican a la opinión pública, acceden a tus datos más íntimos, te subastan en el mercado de la mentira. Así te polarizan para distraerte.

In News for the Rich, White, and Blue, Nikki Usher recasts the challenges facing journalism in terms of place, power, and inequality. Drawing on more than a decade of field research, she illuminates how journalists decide what becomes news and how news organizations strategize about the future. Usher shows how newsrooms remain places of power, largely white institutions growing more elite as journalists confront a shrinking job market.

These Foolish Things captivatingly charts Dylan's life: from his peripatetic childhood and late adolescence in 1970s London - a city then alive with possibility - to his award-winning tenure at what would become one of the most dynamic magazines of its era, GQ.

Max Hastings grew up with romantic dreams of a life amongst warriors. But after his failure as a parachute soldier in Cyprus in 1963, he became a journalist instead. Before he was thirty he had reported conflicts in Northern Ireland, Biafra, Vietnam, Cambodia, the Middle East, Cyprus, Rhodesia, India and a string of other trouble spots. His final effort was as a war correspondent during the Falklands War. Going to the Wars is a story of his experiences reporting from these battlefields. It is also the story of a self-confessed coward: a writer with heroic ambitions.

In February 2002 Max Hastings retired from his position as a 'Fleet Street' Editor. His is an enormously illustrious career which started in 1985, when he was offered the Editorship of a national institution – the Daily Telegraph – in a surprise move by its owners. This memoir tells the story of what happened to him, and to a great newspaper, over the next decade. It is all here: the rows with prime ministers, the coverage of great events including the end of the Cold War, the fall of Thatcher, the rise of New Labour and Tony Blair, the Gulf War, and the tribulations of the Royal Family.

Cien años de odio desembocan en tres asesinatos en una aldea de trece casas.

Com experiência extensa no jornalismo, Ricardo Viveiros traz uma escrita que deixa transparecer seu olhar perspicaz para os fatos e do qual o ouvinte não sai ileso. De modo amplo e didático, a obra nos leva a entender o cenário no qual a população brasileira dividiu-se entre os “contra” e os “a favor”.

Just before the small-time bootlegger Max Gerlach died, he tried to reveal his secret: he was the inspiration for the mysterious Jay Gatsby. It’s a nice story, but was he telling the truth? Veteran reporter Joe Nocera and producer Poppy Damon investigate this century-old literary mystery and uncover untold secrets about the Great American Novel.

By the 1970s, the country’s oldest continuously published newspaper had fallen on hard times, just like its nearly bankrupt hometown. When the New York Post was sold to a largely unknown Australian named Rupert Murdoch in 1976, staffers hoped it would be the start of a new golden age for the paper. Now, after the nearly fifty years Murdoch has owned the tabloid, American culture reflects what Murdoch first started in the 1970s: a celebrity-focused, noisy, one-sided media empire that reached its zenith with Fox News.

Through many decades of groundbreaking journalism, John Simpson has become not only one of the most recognisable and trusted British personalities, but has transferred his skill to books with multiple bestselling success. With this book he turns his eye to how Great Britain has been transformed by its free press down the years. He shows how, while the press likes to pretend it's independent, they have enjoyed the power they have over the events they report and have at times exercised it irresponsibly.

In 1967, by accident, Melba Tolliver was the first Black American to anchor network news. Going on to report and anchor for WABC-TV Eyewitness News, WNBC, and News 12 Long Island, Tolliver became known for her human-interest stories starring everyday people—but she also covered celebrities, musicians and politicians, from Stevie Wonder to Robert Kennedy. Packed with telling detail, Accidental Anchorwoman fills in the backstory of a life that has deeply influenced modern journalism.

Drawing on their unrivalled access throughout the Labour party, the Times and Sunday Times investigative duo behind Left Out now present the explosive inside story of Labour’s transformation and general election under Starmer. This is the definitive telling of a momentous time for the party: either their election as the first Labour government since the Blair/Brown era, or a catastrophic mishandling of a huge lead in the opinion polls. Either way, the story centres on Starmer's relentless and single-minded pursuit of power, and on the inevitable turmoil and carnage.

In one of her escapades as a reporter for Joseph Pulitzer's New York World, the renowned Nellie Bly feigned insanity in 1889 and slipped, undercover, behind the grim walls of Blackwell's Island mental asylum. She emerged ten days later with a vivid tale about life in a madhouse. Her asylum articles merged sympathy and sensationalism, highlighting a developing professional identity—that of the American newspaperwoman.