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Aliyah Kahn ist eine kleine Trickbetrügerin, die ihrem Gewerbe auf den Straßen von London nachgeht, indem sie Touristen das Geld aus der Tasche zieht. Ihr loses Mundwerk und ihre Aufsässigkeit haben sie nicht nur um ihren Platz an einem renommierten College gebracht, sondern bringen sie auch heute noch regelmäßig in Teufels Küche. Zu allem Überfluss hat sie sich mit einer vermeintlich sicheren Geschäftsidee auf die falschen Leute verlassen und steht jetzt bei mächtigen und sehr gefährlichen Leuten mit einer Viertelmillion Pfund in der Kreide.

They call him father, liberator, warlord, Slave King, Reaper. But he feels a boy as he falls toward the war-torn planet, his armor red, his army vast, his heart heavy. It is the tenth year of war and the thirty-third of his life. A decade ago Darrow was the hero of the revolution he believed would break the chains of the Society. But the Rising has shattered everything: Instead of peace and freedom, it has brought endless war. Now he must risk all he has fought for on one last desperate mission. Darrow still believes he can save everyone, but can he save himself?

From Brandon Sanderson—author of the #1 New York Times bestselling Stormlight Archive and its fourth massive installment, Rhythm of War—comes a new hefty novella, Dawnshard. Taking place between Oathbringer and Rhythm of War, this tale (like Edgedancer before it) gives often-overshadowed characters their own chance to shine.

The apocalypse is approaching as his Doom Points tick up and John is finding it harder and harder to keep it together. His deepening knowledge of magic seems to be helping but as a hidden society creeps out of the shadows, intent on throwing the world into chaos, it may not be enough.

Après le succès du premier opus, pénétrez à nouveau dans l'univers des rêves. Cette adaptation audio de « la plus grande épopée de l'histoire des comics » se poursuit dans "The Sandman : Acte II". Sébastien Desjours revient prêter sa voix à Morphée, le Roi des songes, dans la suite du « meilleur best-seller audio » d'après le New York Times. Plongez dans un monde de mythes, d'imagination et de terreur inspiré des célèbres comics DC et des romans graphiques écrits par Neil Gaiman, qui interprète le narrateur dans la version originale.

Considéré par le Los Angeles Times Magazine comme "la plus grande épopée de l'histoire des comics", "The Sandman" a révolutionné l'univers des comics et a amorcé un phénomène culturel mondial avec son univers sombre et littéraire, rempli d'horreur et de fantasy. Audible et DC sont heureux de présenter la toute première production audio des romans graphiques de DC acclamé par le New York Times écrit par le célèbre auteur Neil Gaiman.

Carla Lemarchant was a child of five when her mother was accused and convicted of poisoning her father, the famous painter Amyas Crale. After Caroline Crale dies in prison, Carla is sent to live with her uncle and aunt in Canada. Only on her 21st birthday does Carla learn of her family history when she reads a letter written by Caroline before her death, in which she denies murdering her husband. But if her mother didn't kill Amyas Crale, who did?

Chosen from birth to usher in a new era, Poppy’s life has never been her own. The life of the Maiden is solitary. Never to be touched. Never to be looked upon. Never to be spoken to. Never to experience pleasure. Waiting for the day of her Ascension, she would rather be with the guards, fighting back the evil that took her family, than preparing to be found worthy by the gods. But the choice has never been hers.

Some of the most stirring scenes Shakespeare ever wrote resonate powerfully in this dramatic radio production. Tortured madness, pure evil and the fatal struggle for power grip the listener until the final, shockingly tragic conclusion. Starring Corin Redgrave as King Lear, with Justine Waddell as Cordelia, Robert Glenister as Edgar, Geraldine James as Goneril and Kika Markham as Regan.

Quand Ellen Ripley retourne enfin sur Terre, c'est pour découvrir que LV-426, la planète sur laquelle l'équipage du Nostromo est pour la première fois entré en contact avec les terribles/monstrueux Xenomorphes, a été rebaptisée Acheron. Protégés par un régiment de Marines coloniaux, les colons essaient de terraformer la planète balayée par les tempêtes. Au-delà des conditions de vie extrêmes et des combats journaliers imposés par ce nouveau monde, l'espoir et l'humanité demeurent.

Bryce Quinlan and Hunt Athalar are trying to get back to normal—they may have saved Crescent City, but with so much upheaval in their lives lately, they mostly want a chance to relax. Slow down. Figure out what the future holds. The Asteri have kept their word so far, leaving Bryce and Hunt alone. But with the rebels chipping away at the Asteri's power, the threat the rulers pose is growing. As Bryce, Hunt, and their friends get pulled into the rebels' plans, the choice becomes clear.

I’m a Gemini. Impulsive. Curious. Headstrong. A twin. Heir to a throne I know nothing about. And it turns out, I’m Fae. But of course there’s a catch—all I have to do to claim my birth right is prove that I’m the most powerful supernatural in the whole of Solaria. And sure, technically that’s true as I’m the daughter of the Savage King. But the bit they didn’t put in the brochure was that every single Fae in this Kingdom would claim my throne if they could.

Alice und was sie im Wundern fand erzählt von einer fesselnden Reise, über Selbstfindung, Emanzipation und die Macht der eigenen Stimme. Das Hörspiel entführt seine Hörer:innen in eine fantastische Welt voller Klang und Wahnsinn.

Darrow would have lived in peace, but his enemies brought him war. The Gold overlords demanded his obedience, hanged his wife, and enslaved his people. But Darrow is determined to fight back. Risking everything to transform himself and breach Gold society, Darrow has battled to survive the cutthroat rivalries that breed Society’s mightiest warriors, climbed the ranks, and waited patiently to unleash the revolution that will tear the hierarchy apart from within. Finally, the time has come.

Yumi has spent her entire life in strict obedience, granting her the power to summon the spirits that bestow vital aid upon her society?but she longs for even a single day as a normal person. Painter patrols the dark streets dreaming of being a hero?a goal that has led to nothing but heartache and isolation, leaving him always on the outside looking in. In their own ways, both of them face the world alone.

The Ivy House team is shaping up, but there are still holes to be filled, and a magical summons outstanding. Jessie needs a teacher. Someone who can fit in with the whacky Ivy House crew. And that was going just fine...until she gets a request to host a powerful, neighboring mage. A teacher isn't going to be enough.

Après le succès fulgurant à l’audio que connaît la saga "The Sandman", considérée comme « la plus grande épopée de l'histoire des comics » par le Los Angeles Times Magazine, retrouvez l'univers fantastique et sombre des romans graphiques DC écrits par Neil Geiman dans "The Sandman : Acte III".

John has failed. The apocalypse has come. But it's been awfully quiet for an apocalypse. After stopping Kythov the Eyeless, John and the gang barely managed to stabilize the world’s mana supply, only sort of poisoning the world in the process. With a farm to run, a valley to develop, and a mysterious door to another dimension to study, John is going to have his hands full. Even worse, despite the apparent peace, turmoil stirs and ancient threats have begun to surface.

Die 17-jährige Cécile lebt an der Côte d'Azur bei ihrem Vater Raymond, den sie gehörig an der Nase herumführt. Ihre Idylle wird jedoch gestört: Anne Larson, eine Freundin ihrer toten Mutter, will Raymond heiraten und Céciles bisher so sorgloses Leben gewaltig umkrempeln. Aus Protest schmiedet sie einen Plan, um Anne von ihrem Vater fernzuhalten. Doch auch wenn dieser zunächst erfolgreich scheint, ahnt Cécile nicht, dass die Folgen sie ihr Leben lang plagen werden.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.