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In a medium oversaturated by male protagonists, it’s difficult for female comic book fans to find good representation. Wonder Woman is the exception, acting as a female powerhouse in the DC Comic Universe, and one of the best displays of feminism that comics have to offer. Unfortunately, Wonder Woman 84 paled in comparison to its predecessor. Throughout this audiobook, we’ll go over what went wrong, and what messages Wonder Woman 84 sent to it’s female audience.

For No Reason at All: The Changing Narrative of the First World War in American Film discusses a variety of Great War-themed films made from 1915 to the present, tracing the changing approaches to the conflict over time.

Improvisation is a form of performance in which the players have no script. Free of conventional methods and constraints, improv gives filmmakers and actors complete freedom to explore characters and relationships and capture genuine authenticity on camera. In Improv for Indie Filmmakers, author and improv filmmaker Ivan Malekin breaks down how independent filmmakers can use improvisation in their own work to creatively collaborate with actors, speed up production, make more films, and ultimately save time and money by working efficiently at all stages of production.

Hosts Mike Kalinowski and Brad Gilmore team up in this comprehensive breakdown of the longest running film series in the history of cinema. In Bond, James Bond, they explore the cinematic history of the James Bond collection to celebrate everything it got right and reflect on everything it got wrong.

In Vitagraph, Andrew A. Erish provides a comprehensive examination and reassessment of the company most responsible for defining and popularizing the American movie. This history challenges long-accepted Hollywood mythology that simply isn't true: that Paramount and Fox invented the feature film, that Universal created the star system, and that these companies, along with MGM and Warner Bros., developed motion pictures into a multimillion-dollar business.

This fascinating audio program includes actual radio commercials from the 1960s and 1970s for the following classic movies: Barbarella (1968), Bunny Lake Is Missing (1965), Chappaqua (1966), Endless Summer (1965), Seaside Swingers (1964), Help! (1965), How I Won the War (1967), I Am a Groupie (1970), Luv (1967), Monterey Pop (1968), The Good, the Bad, and the Ugly (1966), The Producers (1967), Thunderball (1965), Wild in the Streets (1968), Yellow Submarine (1968), and more.

This fascinating audio program includes actual radio commercials from the 1960s and 1970s for the following classic movies: A Clockwork Orange (1971), Beyond the Valley of the Dolls (1970), Easy Rider (1969), A Guide for the Married Man (1967), I Love You, Alice B. Toklas! (1968), Musical Mutiny (1970), Psych-Out (1968), Reflections in a Golden Eye (1967), Secret Ceremony (1968), Stamping Ground (1971), Teenage Mother (1967), The Damned (1969), The Jokers (1967), and more.

What do we see when we watch reality television? Sociologist and TV lover Danielle J. Lindemann takes a long, hard look in the “funhouse mirror” of this genre, from countless rose ceremonies on The Bachelor to the White House and more (so much more!). Beginning with the first episodes of The Real World, reality TV has not only remade our entertainment and cultural landscape—it also uniquely refracts our everyday experiences and social topography.

This small, illustrated book contains more than 50 insightful and philosophical quotes from a variety of movies from the 1930s to the 2000s. With an introduction by Professor David Christopher Lane, who has selected the key passages that help illuminate the mind and generate a new series of queries.

Mackenzie McKee has grown up in front of the world as part of MTV's hit reality shows 16 & Pregnant, Teen Mom 3, and Teen Mom OG. Fans have experienced the ups and downs of motherhood and marriage right alongside Mackenzi - from difficult childbirths due to her type 1 diabetes diagnosis, to the untimely death of her beloved mother, Angie Douthit. But through it all, Mackenzie never falters in her deep love of family and God. In her new memoir, Mackenzie proves there is more to her than what the glaring spotlight of fame has shown.

On stage and screen, we know a great performance when we see it. But how do actors draw from their bodies and minds to turn their selves into art? What is the craft of being an authentic fake? More than a century ago, amid tsarist Russia’s crushing repression, one of the most talented actors ever, Konstantin Stanislavski, asked these very questions, reached deep into himself and emerged with an answer.

Pennywise. Xenomorphs. Freddy Krueger. Beetlejuice. Jason Voorhees. Most movie fans immediately recognize these creatures and characters, but hardly know much about the artists behind these iconic designs. In Monsters, Makeup & Effects: Volume 1, journalist Heather Wixson shines the spotlight on 20 special effects makeup artists, creators, and technicians, whose work has left us captivated and marveling at their innovation, ingenuity, and creativity.

Tony Award winner Tonya Pinkins' new book, Red Pill Unmasked, is an inside look at the on-screen and behind-the-scenes development and production of her first feature film, Red Pill, which is available on AmazonPrime and other platforms. Tonya shares her writing and directing process, as well as the historical and symbolic references in the film. She includes many inside stories about how the film almost didn't happen because there was a "red pill" on the production set.

Driven is a candid and entertaining personal story taking the listener through the little known world of the stuntman. Forty-five years of memories offer a fascinating look that chronicles the rise of a stuntman turned director. With behind-the-scenes tales from such films as Predator, The Warriors, Rollerball, and James Bond, listeners will experience the sheer determination it takes to maintain a career as a stuntman and climb the ranks of the film industry to become a director.

Fascinante ensayo que recorre, no solo la representación del vudú en el cine, desde cintas emblemáticas como El corazón del ángel a La serpiente y el arco iris, sino también los propios orígenes, evolución, idiosincrasia y prácticas del vudú real, de la mano de uno de los mayores expertos en el tema. El texto principal está aderezado con críticas y ensayos sobre el tema de otros autores emblemáticos de la escena hispanohablante contemporánea.

It was a drama about friendship, addiction, and loyalty (with some partial nudity thrown in, of course). And, let's not forget the case of the week. NYPD Blue exploded in the public's consciousness in 1993, and remained a presence in American homes for 12 years. For the first time, the entire run of the series is explored through a series of essays, character examinations, and trivia.

What is it really like to be a housewife? We all want to know, but only the women we love to watch and the people who make the show have the whole story. Well, listen in close, because they’re about to tell all.

When Jill Nalder arrived at drama school in London in the early 1980s, she was ready for her life to begin. With her band of best friends—of which many were talented young gay men with big dreams of their own—she grabbed London by the horns: partying with drag queens at the Royal Vauxhall Tavern, hosting cabarets at her glamorous flat, flitting across town to any jobs could get. But soon rumours were spreading from America about a frightening illness being dubbed the 'gay flu', and Jill and her friends found that their formerly carefree existence now under threat.

This laugh-out-loud memoir takes listeners backstage and inside the writers’ room of one of America’s best-loved shows. With more than 17 million viewers and more than 70 Emmy nominations—including two wins for best comedy—Everybody Loves Raymond reigned supreme in television comedy for almost a decade.

Michael E. Uslan, executive producer of the Batman movie franchise, offers an insider’s look at Hollywood and the process of how movies and television shows go from the drawing board to your screens. Continuing the delightful tale of his adventures begun in The Boy Who Loved Batman, Uslan draws on both his successful and less successful attempts to bring ideas to the screen, offering a helpful, honest, and breezily told guide to producing films.