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In 1947, the Cold War came to Hollywood. Over nine tumultuous days in October, the House Un-American Activities Committee held a notorious round of hearings into alleged Communist subversion in the movie industry. The blowback was profound: the major studios pledged to never again employ a known Communist or unrepentant fellow traveler. The declaration marked the onset of the blacklist era, a time when political allegiances, real or suspected, determined employment opportunities in the entertainment industry. Hundreds of artists were shown the dooror had it shut in their faces.

Built in a bygone era, Highclere Castle and its surrounding five-thousand-acre estate is a place where history breathes through its walls and verdant landscapes. From the grandeur of Victorian architecture to the whispers of Anglo-Saxon roots, every stone and tree has a story to tell throughout its sweeping grounds. Lady Carnarvon shares tales of past residents, from Lady Almina's legendary 1920s parties to the enigmatic ghosts that roam the halls of the castle. With the passing months and seasons, Lady Carnarvon reveals what it truly means to live and work in this extraordinary home.

Before the internet and social media offered voyeuristic glimpses into the lives of others, the acclaimed Master of Suspense, Alfred Hitchcock, exposed the dangers and delights of looking—and knowing—too much in his 1954 masterpiece Rear Window. Hailed as one of the greatest films ever made, it stars James Stewart and Grace Kelly but, in an unusual gamble, is shot entirely from within a Greenwich Village apartment.

Partiendo de conceptos básicos (¿qué es una escena?, ¿qué es una secuencia?, ¿cómo lograr el clímax de un acto?, ¿cómo lograr el clímax de una película?) McKee muestra el misterio de las estructuras, explica las características de cada género, define la importancia de la ambientación, la diferencia entre la caracterización y la realidad de un personaje, en suma, todo aquello que hace que un guión destaque por encima de los demás.

Si deseas mejorar tus habilidades como actor o actriz, ahora puedes aprender de manera accesible y dinámica con la versión audiolibro de este Manual Práctico de Actuación para Principiantes. Descubre poderosas técnicas para tu formación profesional en las artes escénicas, con una guía clara y detallada que te ayudará a dar tus primeros pasos en el mundo del teatro y el cine. Escucha, practica y sumérgete en el arte de la interpretación con este recurso diseñado para acompañarte en cada paso de tu camino como actor o actriz.

In a captivating realm where cinematic narratives enchant countless viewers, how can one harmonize their faith with the craft of filmmaking? The Wages of Cinema encourages a deep dive into this relationship, drawing upon the significant reflections of Dorothy L. Sayers defending the authenticity of art and truth's manifestation.

Here, for the first time, is the complete history of Saturday Night Fever. From the New York magazine article that inspired the film—"Tribal Rites of the New Saturday Night" by Nik Cohn—to the on-and-off-set dramas of Travolta, director John Badham, and producer Robert Stigwood, this deep dive into the making of a movie classic also includes special interviews with actors Donna Pescow and Joseph Cali, among others. It explores the huge impact of the film on the industry—including a "Death to Disco" backlash—as well as on American culture itself.

A wildly entertaining book by one of the most obsessed and informed fans on the planet of TV icon Johnny Carson, setting the record straight on Carson's legacy and shining light on the personality behind the legendary comedian and talk show host.

A must-listen for movie buffs, The Trouble with Love in the Movies is a painfully honest account of labouring in the fields of film production, of loving and losing, living and learning. Through six movies, across three continents, in clashes on and off the set: It's a romance.

This is the story behind the saga of Depp v Heard; but far from a forensic rehashing of the trial it is also an exploration of a much more complex and captivating narrative: about celebrity culture and the Hollywood exploitation machine; ‘internet journalism’ and distrust of mainstream media; the limitations of the justice system to find and record the truth; and the shifting winds of MeToo feminism.

సినిమా తీయటం ఒక ఆర్ట్... అదే విధంగా సినిమా చూడటం కూడా ఆర్ట్ అనే అనుకోవాలి. సినిమా చూడటం అనే ప్రక్రియ ఒక పగటికల కనటం లాంటిది. దర్శకుడు చెప్పాలనుకున్న విషయాన్ని ఎంత కవితాత్మకంగా చెప్పాడో, ఎంత లోతైన అర్థంతో ఒక షాట్ డిజైన్ చేసాడో తెలియకపోతే ఆ సినిమా పూర్తిగా అర్థం కాదు.. కొన్ని సినిమాలకి ప్రాంతం, భాష, టైం పీరియడ్ లాంటి వాటితో సంబంధం ఉండదు. ప్రపంచంలో ఏ మూలన ఏ భాషకి చెందిన మనిషైనా ఆ సినిమా తనకు సంబంధించినదే అనుకొని అనుభూతి చెందుతాడు.

Sex on sets: India's first intimacy coordinator, Aastha Khanna, wants to create a safe space for performers

The Life of Singleton examines a life, gone much too soon, who made history in film in dozens of lauded projects. As of this year, nearly 100 years since the start of the Oscars, only six Black filmmakers have been nominated for Best Director. The first and the youngest was John Singleton.

Walt Disney left behind big dreams when he died in 1966. Perhaps none was greater than the hope that his son-in-law, Ron Miller, would someday run his studio. Under Miller’s leadership, Disney expanded into new frontiers: global theme parks, computer animation, cable television, home video, and video games. Despite these innovations, Ron struggled to expand the Disney brand beyond its midcentury image of wholesome family entertainment, even as times and tastes evolved.

For over half a century, Werner Herzog has challenged, enriched, and expanded our understanding of the truth. His films and books have mixed fiction and nonfiction, documentary and drama, reality and imagination. Invariably, Herzog goes beyond the appearance of what is true in search of a higher truth, or what he has often referred to as the “ecstatic truth.” In The Future of Truth, a great artist essays an answer to one of humanity’s deepest, most eternal questions.

In 2009, the CW released a show about grief, love, redemption, and, oh yeah, vampires. A graveyard meet cute, a bit of fog, and one “Hello, brother” later, a cultural phenomenon was born, one that would last for 171 episodes across eight seasons and deliver two spin-off series. I Was Feeling Epic takes us back to Mystic Falls for every first kiss, decade dance, and unforgettable death.

How can a film score make you cheer, shiver, cry or punch the air in exhilaration? How do directors communicate their musical vision to composers? And when does a soundtrack take on a life of its own? Award-winning film critic Mark Kermode and radio producer Jenny Nelson embark on a full-throttle trip down the glorious rabbit hole of film composition to answer these questions and more.

It's the story of how he threw himself into the joyous and idealistic world of stand-up comedy, leading to a television career, but how echoes from the past, and the thought that everyone might prefer it if he disappeared, saw him repeatedly dismantle everything around him. With a cast of well-known comedians, actors, agents and producers, Alan awkwardly navigates his life from the camaraderie of the comedy circuit via life-changing fame as TV's Jonathan Creek, to the unwelcome realisation that most people know him from a bank advert and think he's had a perm.

This book begins by asking the listener if they can write a Black character. It then asks the listener questions about their knowledge and understanding of race and racism. Exploring the popular representation of law and order, healthcare and celebrity in the entertainment industry, and comparing this with the reality of these institutions throughout history and today, Lubimbi opens up the discussion and offers solutions to problems surrounding race, representation, and stereotyping.

"Ist das Kunst oder kann das weg?", fragt man sich bei so manchem - vermeintlichen - cineastischen Meisterwerk. Ein Panel aus Filmnerds, bestehend aus Grimme-Preisträger und "Bernd das Brot" Erfinder Tommy Krappweis, den Machern des Hoaxilla Podcasts Alexa und Alexander Waschkau und Barbara Landsteiner von Storytel diskutiert über Kultfilme ... und solche, die es gerne wären. Im Zaum gehalten werden die Teilnehmer von dem Kinoexperten und Radiomoderator Florian Schmidt, der nicht nur interessante Fakten besteuert, sondern ab und zu auch noch einen weiteren Gast einlädt.