検索キーワード： 劇場

Una ácida crónica vital que el autor dedica a las dos pasiones que han marcado su vida: el fútbol y el teatro. Humor, vivencias, deporte y arte se dan la mano en este audiolibro inolvidable que, en última instancia, habla de todos nosotros.

Esta obra corta de Cervantes se denomina un entremés.En ella se trata de las desavenencias conyugales de tres matrimonios distintos. Esos tres matrimonios, para poder solventar sus diferencias, acuden al juez, a ver si éste considera que sus disputas son suficientemente importantes como para concederles el divorcio.Cada uno de ellos tiene motivos diferentes... alguno de ellos, completamente disparatado. También va a intervenir un procurador que intenta mediar entre ellos y el juez.Al final, la aparición de unos músicos pone un final feliz a las disputas, dejando entrever las ventajas y desventajas del matrimonio.

En esta Charla sobre el teatro, el poeta expone su visión crítica sobre la tendencia del teatro de su época. Lorca era ya un dramaturgo conocido en todo el mundo en el momento de escribir esta breve conferencia. Había cultivado un teatro que aún hoy nos sigue pareciendo vanguardista, con piezas como El público o La comedia sin título y sus conocidos dramas rurales, en los que combina la prosa con el lenguaje poético, logrando piezas de un pulso dramático formidable.

Kleist über Menschen, Marionetten und das Theater, gelesen von Rolf Boysen. "Über das Marionettentheater", ein geistreicher Dialog über Schauspielkunst und Theater, diskutiert das Verhältnis von Bewusstheit und Überlegung zu natürlicher Anmut und Grazie. Ergänzt durch weitere Texte und Briefe ergibt sich ein umfassendes Bild von Kleists Theater- und Kunstauffassung.

Dans un livre audio à la fois recueil d'aphorismes, anthologie poétique et méditation théorique, Olivier Py nous offre ses "Mille et Une Définitions du théâtre". Métaphores, allégories ou anecdotes historiques nous font voyager à travers tous les théâtres, des Grecs à nos jours. Avec des accents lyriques et jubilatoires, il fait de cet art la forme de pensée la plus urgente de son temps, un art d'etre au monde.

The Big Secret Book is an invaluable guide on the subject of creativity, no matter the preferred artistic discipline. Written by Denise Clarke, director of One Yellow Rabbit Summer Lab Intensive, the book outlines methods and methodologies of the Lab that have inspired writers, dancers, musicians, as well as performance theatre artists.

Quiara Alegría Hudes was the sharp-eyed girl on the stairs while her family danced their defiance in a tight North Philly kitchen. She was awed by her mother and aunts and cousins, but haunted by the unspoken, untold stories of the barrio — even as she tried to find her own voice in the sea of language around her, written and spoken, English and Spanish, bodies and books, Western art and sacred altars.

Between 1997 and 2000, 'The Life & Times of Jackie Jenkins' was a hugely popular regular feature in the then best-selling Doctor Who Magazine. Readers loved catching up with the exploits of Jackie Jenkins. This masterfully produced full-cast audio drama brings the column to life, even introducing new material taking Jackie's story up to the 50th anniversary in 2013. It's perfect for lovers of sci-fi, drama and humour...and unmissable for any Who fan young or old!

For more than 50 years Michael Green's The Art of Coarse Acting has been essential reading for anyone with a passion for theatre, both amateurs and professionals alike. This acerbic yet affectionate work remains one of the funniest books about acting ever written. It's a "[W]ickedly irreverent" (The Stage) exposé which ridicules pretentiousness, pokes fun at incompetence and disaster and generally lays bare life backstage. Even after all this time it remains true that however much the theatre may change, coarse actors don't.

The 1990s was a decade of profound change on Broadway. At the dawn of the '90s, the British invasion of Broadway was in full swing, as musical spectacles like Les Miserables, Cats, and The Phantom of the Opera dominated the box office. But Andrew Lloyd Webber’s Sunset Boulevard soon spelled the end of this era and ushered in a new wave of American musicals, beginning with the ascendance of an unlikely show by a struggling writer who reimagined Puccini’s opera La Bohème as the smash Broadway show Rent

Aside from appearing together as the leads in the movie Carry On Screaming!, comedy legend Kenneth Williams and iconic actress Fenella Fielding had a love/hate relationship lasting over several decades. Screaming Queens!, a full-cast audio drama from acclaimed comedy historian Robert Ross, takes us from the duo's hit West-End revue together Pieces of Eight (written by Peter Cook), to behind the scenes of the classic and best-loved Carry On film that spoofed Hammer Horror's output, before finishing with a poignant meeting in the final year of Kenneth's life.

Albert Poland, legendary Broadway and Off-Broadway producer and general manager, presents Stages: A Theater Memoir.

In Tinder Box, Tony Hatch, former CBS reporter and Emmy Award winner, tells the Iroquois story as it has never been told before. In a rush to open the theater on time, corners were cut, and the Iroquois lacked the most basic fire-fighting equipment: sprinklers, fire alarm boxes, backstage telephone, exit signs, and functioning asbestos curtain. Some exits, for aesthetic reasons, were hidden behind heavy draperies, doors opened inward, and exterior fire escapes were unfinished.

No one comes out of a movie talking about structure. What audiences love and remember about a movie are great scenes. Marlon Brando in the back seat in On the Waterfront giving his "I could'a been a contender" speech. Meg Ryan's fake orgasm in Katz's Deli in When Harry Met Sally with the climactic punch line: "I'll have what she's having." In Superbad, Jonah Hill professing "I love you" to his friend Michael Cera by touching his nose with a "boop".

Theatre journalist Eddie Shapiro sits down for intimate, career-encompassing conversations with 19 of Broadway's most prolific and fascinating leading men. Full of detailed stories and reflections, his conversations with such luminaries as Joel Grey, Ben Vareen, Norm Lewis, Gavin Creel, Cheyenne Jackson, Jonathan Groff, and a host of others dig deep into each actor's career; together, these chapters tell the story of what it means to be a leading man on Broadway over the past 50 years.

Putting It Together chronicles the two-year odyssey of creating the iconic Broadway musical Sunday in the Park with George. Through conversations between Lapine and Sondheim, as well as most of the production team, and with a treasure trove of personal photographs, sketches, script notes, and sheet music, the two Broadway icons lift the curtain on their beloved musical. Putting It Together is a deeply personal remembrance of their collaboration and friendship and the highs and lows of that journey, one that resulted in the beloved Pulitzer Prize-winning classic.

The idea of American musical theater often conjures up images of bright lights and big city, but its lifeblood is found in amateur productions at high schools, community theaters, after-school programs, summer camps, and dinner theaters. In Beyond Broadway, author Stacy Wolf looks at the widespread presence and persistence of musical theater in US culture and examines it as a social practice - a live, visceral experience of creating, watching, and listening.

In this one-man tour-de-force based on Picasso's writings, writer/performer Herbert Sigüenza (Culture Clash) takes on the role of the legendary artist, inviting the listener into Picasso's private studio for an intimate and revealing weekend as he prepares to deliver six new works to a buyer on Monday morning.

After 18 years of marriage, Della Doucet decides she’s had enough of life on a South Carolina military base and reinvents herself in the New York art world while reveling in a series of shallow romantic affairs. Her new life seems to be going well until she finds herself in the arms of a charming younger man.

The quiet porch of a rest home for the aged explodes with emotion when prim Fonsia Dorsey sits down to play gin rummy with the cynical Weller Martin. Fonsia is drawn to Weller, but she just can't stop winning at cards, while Weller bemoans the bad luck that is ruining his game and has dogged him throughout his life. Tragic yet uproariously funny, this Pulitzer Prize-winning drama examines themes of individual responsibility and society's mistreatment of the aged. A co-production with The Smithsonian Associates and Voice of America.