検索キーワード： ディストピア

Orwells Roman über die Zerstörung des Menschen durch eine perfekte Staatsmaschinerie ist längst zu einer scheinbar nicht mehr erklärungsbedürftigen Metapher für totalitäre Verhältnisse geworden. Mit atemberaubender Unerbittlichkeit zeichnet der Autor das erschreckende Bild eines Staates, der seine Bürger ständig überwacht und nicht nur ihr Denken, sondern auch die Vergangenheit manipuliert.

L'azione si svolge in un futuro prossimo del mondo (l'anno 1984) in cui il potere si concentra in tre immensi superstati: Oceania, Eurasia ed Estasia. Al vertice del potere politico in Oceania c'è il Grande Fratello, onnisciente e infallibile, che nessuno ha visto di persona ma di cui ovunque sono visibili grandi manifesti. Il Ministero della Verità, nel quale lavora il personaggio principale, Smith, ha il compito di censurare libri e giornali non in linea con la politica ufficiale, di alterare la storia e di ridurre le possibilità espressive della lingua.

한 달 뒤, 엄청난 속도로 날아오는 운석과 지구가 충돌한다. 라디오에서 지구 최후의 날을 카운트다운하는 건조한 기계음만 흘러나온다. 거리는 소란스럽다. 지금을 살기 위해 약탈과 방화를 하는 사람들, 대피소에서 가만히 운명을 기다리는 사람들, 단 일 퍼센트의 생존 가능성에 희망을 걸고 앞날을 대비하는 사람들로 가득하다. 『일 퍼센트』는 지구 종말로부터 살아남을 수 있다는 일 퍼센트 그래서 상위 일 퍼센트가 될 수 있다는 욕심 때문에 이성을 잃어 가는 지후네 가족의 모습을 그렸다.

"Escalofriante pesadilla futurista en la que el canibalismo es legitimado en gran parte del mundo a causa de un virus que afecta a los animales y resulta mortal para los seres humanos. ¿Qué resto de humanismo puede caber cuando los cuerpos de los muertos son cremados para evitar su consumo? ¿En qué lugar queda el vínculo con el otro si, de verdad, somos lo que comemos? En esta despiadada distopía tan brutal como sutil, tan alegórica como realista, Agustina Bazterrica inspira, con el poder explosivo de la ficción, sensaciones y debates de suma actualidad.

Born at the end of the old world, Miriam grows up during The Great Reckoning, a sprawling, decades-long war that nearly decimates humanity and strips her of friends and family. Devastated by grief and loneliness, she emotionally exiles herself, avoiding relationships or allegiances, and throws herself into her work--disengagement that serves her when the war finally ends, and The New Society arises.

In the wake of defeating Gornath of the Ontishog, above the streets of Manhattan, and saving Earth from a devastating plague, Wic and Phantom Team believe their work is done. But Major Insarka Kindesh has other plans for the heroes and invites them back to Karkin Four. Phantom Team cross through New York’s origin ring to find the Blood Guard orchestrating covert operations against an Androchidan Empire in the throes of war. But galactic battle is not this trip’s focus.

They call him father, liberator, warlord, Slave King, Reaper. But he feels a boy as he falls toward the war-torn planet, his armor red, his army vast, his heart heavy. It is the tenth year of war and the thirty-third of his life. A decade ago Darrow was the hero of the revolution he believed would break the chains of the Society. But the Rising has shattered everything: Instead of peace and freedom, it has brought endless war. Now he must risk all he has fought for on one last desperate mission. Darrow still believes he can save everyone, but can he save himself?

The Rage Wars are over. Society has fallen. Untold millions are dead. The survivors are faced with a horrible, chaotic future. Except in the domed city of Altor, where life is safe and good. There is plenty of food and fresh water, and crime is essentially unheard of. But there is a threat to even that oasis of safety. A threat that will come from within the dome.

As a teenager, Quinn Starkweather builds a computer program that accurately predicts world events. He has created a Nostradamus machine. While Quinn becomes very wealthy, the program predicts the world will be torn apart by financial inequity. The 99.9% will rise up against the billionaires in what is dubbed The Rage Wars. The world stands on the razor’s edge of disaster. With enough warning of the coming apocalypse, Quinn builds an ark in the desert—a self-sufficient domed city he calls Altor.

After the arrival of the multiversal monopoly BuyMort, life got brutal. All systems were through BuyMort. All currency was through BuyMort. All sales were through BuyMort. You could resist, you could compete, but it didn’t really matter because in the end you used BuyMort—or you perished. BuyMort be praised. But not everyone’s happy with the new system. Some, even, want to see it destroyed. It’s quick. It’s convenient. And it will help people kill you and your family as readily as it will help them sell you knickknacks for a quick mortie.

With more than 10 stories from exciting new voices and a few veterans of the universe, the second anthology highlights the lives and struggles of humanity's best and worst years after system advent.

Yang Wei wakes to find himself still a patient at the hospital. Somehow, he’s aged decades overnight and is confined to the geriatric ward on a massive Hospital ship as it floats along a bloodred sea full of unsightly things. But human remains and sea nymphs are perhaps nothing compared to the goings-on belowdecks.

It has been more than a year since society fell. The population has dwindled as a second winter has come and gone. The roaming gangs are now dug in and fortified or have died of starvation or violence. The safest place to be is inside Altor, the domed city that stands like a jewel in the Nevada desert. But it is not paradise inside the dome either. Janus, the nearly all-powerful Artificial Intelligence, is taking over. Can a few brilliant humans stand in the way of the most powerful program ever created, or will it foil their every move before they make it?

After the explosive events surrounding MPF6's destruction on Karkin Four, Wic and his team of daredevil operators join forces with the rebel force known as the Blood Guard. While the Phantoms desire to help relocate human refugees to safer worlds, they're forced to confront a more pressing objective: cut off the head of the beast and keep the Androchidan Empire from enslaving another world. Wic is immediately flung into the heat of battle, driven by retaliation, a need for justice, and the need to send a message to all other deviant species who'd wish to take advantage of the innocent.

W prestiżowym warszawskim liceum dochodzi do krwawego ataku terrorystycznego. Zamaskowani sprawcy detonują ładunki wybuchowe i strzelają na oślep do przerażonych uczniów i pracowników. Jednym z zamachowców jest Błażej Dragiel, który popełnia samobójstwo na oczach swojej najlepszej przyjaciółki, Kai Almond. Nikt nie rozumie, dlaczego syn znanego biznesmena i filantropa posunął się do takiego okrucieństwa. Tymczasem w mediach rozpoczyna się nagonka na Kaję. Pod adresem dziewczyny padają oskarżenia o współorganizację zamachu.

Brave New World is a dystopian social science fiction novel by English author Aldous Huxley, written in 1931 and published a year later. Largely set in a futuristic World State, whose citizens are environmentally engineered into an intelligence-based social hierarchy, the novel anticipates huge scientific advancements in reproductive technology, sleep-learning, psychological manipulation, and classical conditioning that are combined to make a dystopian society that is challenged by only a single individual: the story's protagonist.

In her signature sharp prose, brilliantly translated by Jamie Chang, Nam-Joo returns with this haunting account of a neglected housing complex in the shadows of Town: a former fishing village bought out by a massive conglomerate. Town is prosperous and safe―but only if you’re a citizen with “valuable skills and assets,” which the residents of Saha Estates are not. Disenfranchised and tightlipped, the Saha are forced into harsh labor, squatting in moldy units without electricity.

Sam thinks his job at the Zombie Apocalypse Call Center is a joke. Zombies aren’t real, and the customers who call in for support about their guns and conspiracy theories are crazy! Sam knows a zombie apocalypse will never happen. Until one day, the zombie apocalypse does happen. Now Sam and his fellow analysts have to figure out how the zombie apocalypse started, and how to cure the zombies, while also keeping the customers alive and well-stocked with ammo.

Klara ist ein Artificial Friend, eine künstliche Intelligenz, die dafür entwickelt wurde, Jugendlichen eine Gefährtin zu sein auf dem Weg ins Erwachsenwerden. Von ihrem Platz im Schaufenster eines Spielzeuggeschäfts aus beobachtet sie ganz genau, was draußen vor sich geht, studiert das Verhalten der Kundinnen und Kunden und hofft darauf, bald von einem jungen Menschen als neue Freundin ausgewählt zu werden.

Luce Cannon is on the road. Success is finally within her grasp: her songs are getting airtime; the venues she's playing are getting larger. But mass shootings, bombings and now a strange contagion are closing America down around her. The gig Luce plays tonight will turn out to be the last-ever rock show as the world's stadiums, arenas and concert halls go dark for good.