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In a provocative novel addressing contemporary immigration by the sharply observant Lionel Shriver, a New York family takes in a Honduran migrant—who may or may not be the innocent paragon she claims to be.

In the present day, a woman lies in a hospital bed, watched over by her attentive, caring grandmother. The young woman was recently at a party and was seen jumping from the roof—but that couldn’t have been what happened, surely? In fits and starts, the grandmother begins to explain to her granddaughter the long tail of their family’s history, nestled in which may be the secret to why hardship and mystery have followed them through the centuries….

Newly laid off George’s internet bill is in his ex-boyfriend’s name. He’s got a spider-infested apartment, and two of the six dogs he’s walking in London have just escaped. It’s pure undiluted stress that sends him into a spiral—all the way to the year 1300. When he comes to, George recognizes the same rolling hills of Greenwich Park. But the luxuries and phone service of modernity are nowhere. In their place are locals with a bizarre, slanted speech in awe of his foreign clothes, who swiftly toss him in a dungeon.

Cry Havoc has descriptive copy which is not yet available from the Publisher.

When Klaus Shawano abducts Sweetheart Calico, the seductive Indian woman who has stolen his heart, and takes her far from her native Montana plains to his own Minneapolis home, he cannot begin to imagine the eventual ramifications his brazen act will entail. Shawano’s mysterious Antelope Woman has utterly mesmerized him - and soon proves to be a bewitching agent of chaos whose effect on others is disturbing and irresistible, as she alters the shape of things around her and the shape of things to come.

Strasbourg, 1518. In the midst of a blisteringly hot summer, a lone woman begins to dance in the city square. She dances for days without pause or rest, and when hundreds of other women join her, the men running the city declare a state of emergency and hire musicians to play the Devil out of the mob.

Eighty-year-old Ma slips into a deep depression after the death of her husband. Despite her family’s cajoling, she refuses to leave her bed. Her responsible eldest son, Bade, and dutiful, Reebok-sporting daughter-in-law, Bahu, attend to Ma’s every need, while her favorite grandson, the cheerful and gregarious Sid, tries to lift her spirits with his guitar. But it is only after Sid’s younger brother—Serious Son, a young man pathologically incapable of laughing—brings his grandmother a sparkling golden cane covered with butterflies that things begin to change.

Jaded from her years in the music business, perpetually hungover, and diagnosed with career-ending vocal problems, Lillian cobbles together a nationwide farewell tour featuring some old hands from her early days playing honky-tonk bars in Washington State and Nashville, plus a few new ones. She yearns to feel the rush of making live music one more time and bask in the glow of a packed house before she makes the last, and most important, stop on the tour: the farm she left behind at age ten and the sister she is finally ready to confront about an agonizing betrayal in their childhood.

Where does one go, you might ask, when the world falls apart? When the immutable facts of your life—the mundane, the trivial, the take-for-granted minutiae that once filled every second of every day—suddenly disappear? Where does one go in such dire and unexpected circumstances? I went home, of course.

Dr. Oliver Harding, a tenured professor of English, is long settled into the routines of a divorced, aging academic. But his quiet, staid life is upended by his new colleague, Ruhaba Khan, a dynamic Pakistani Muslim law professor. Ruhaba unexpectedly ignites Oliver’s long-dormant passions, a secret desire that quickly tips toward obsession after her teenaged nephew, Adil Alam, arrives from France to stay with her. Oliver becomes a mentor to Adil, using his friendship with the boy to draw closer to his aunt.

Set in 1982, in rural, racially divided Ricksville, Mississippi Wade in the Water tells the story of Ella, a Black, unloved, precocious eleven-year-old, and Ms. St. James, a mysterious white woman from Princeton who appears in Ella’s community to carry out some research. Soon, Ms. St. James befriends Ella, who is willing to risk everything to keep her new friend in a town that does not want her there.

Cal has always lived in the shadow of his manipulative and domineering brother, Frank, who was doted upon by their mother and beloved by the girls in their small New England hometown—including Cal’s own girlfriends. In an attempt to escape Frank’s intrusive presence, Cal pursues a different kind of freedom in the world’s wild spaces, prospecting for gold and precious minerals everywhere from the heat of the desert at the Mexican border to the Alaskan chill, to central Africa, and Colombian mines where he will meet the love of his life, Vida.

When Kwasi’s family moves abruptly from one side of London to the other, Kwasi is both excited by the change—the new house is so big—and unsettled by his new school and the pressures placed upon him by his parents and many aunties. One place Kwasi finds refuge and inspiration is the Chest of Small Wonders, an eclectic and run-down charity shop on the high street.

Akari is a high school student obsessed with “oshi” Masaki Ueno, a member of the popular J-Pop group Maza Maza. She writes a blog devoted to him, and spends hours addictively scrolling for information about him and his life. Desperate to analyze and understand him, Akari hopes to eventually see the world through his eyes. It is a devotion that borders on the religious: Masaki is her savior, her backbone, someone she believes she cannot survive without—even though she’s never actually met him.

Set amid the bustle of Victorian London, an irresistible story of an ambitious young Black actress, an orphan from the slums who has finally achieved a dubious stardom as “The Great Amazonia, a savage African queen”—but everything she has fought for depends on hiding the secret of her own identity.

Children of divorce, Haley and Ben live with their mother. But their dad believes there’s a new, much deadlier pandemic coming and is determined to keep them alive. He wants to take them to his prepper hideaway where they will be safe from other people. NOW. But there’s no way their mother will go along with his plan. Saving them requires extreme measures.

Kayleigh needs money. That’s why she takes a job as a content moderator for a social media platform whose name she isn’t allowed to mention. Her job: reviewing offensive videos and pictures, rants and conspiracy theories, and deciding which need to be removed. It’s grueling work. Kayleigh and her colleagues spend all day watching horrors and hate on their screens, evaluating them with the platform’s ever-changing terms of service while a supervisor sits behind them, timing and scoring their assessments.

Edith and Ashley have been best friends for over forty-two years. They’ve shared the mundane and the momentous together: trick or treating and binge drinking; Gilligan’s Island reruns and REM concerts; hickeys and heartbreak; surprise Scottish wakes; marriages, infertility, and children. As Ash says, “Edi’s memory is like the back-up hard drive for mine.”

It’s December twenty-second and siblings Henry, Kate, and Martin have converged with their spouses on Henry’s house in upstate New York. This is the first Christmas the siblings are without their mother, the first not at their mother’s Florida house. Over the course of the next three days, old resentments and instabilities arise as the siblings, with a gaggle of children afoot, attempt to perform familiar rituals, while also trying to decide what to do with their mother’s house, their sole inheritance.

Sixteen-year-old Frankie Budge—aspiring writer, indifferent student, offbeat loner—is determined to make it through yet another summer in Coalfield, Tennessee, when she meets Zeke, a talented artist who has just moved into his grandmother’s house and who is as awkward as Frankie is. Romantic and creative sparks begin to fly, and when the two jointly make an unsigned poster, shot through with an enigmatic phrase, it becomes unforgettable to anyone who sees it. The edge is a shantytown filled with gold seekers. We are fugitives, and the law is skinny with hunger for us.