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In Dawson’s Fall, a novel based on the lives of Roxana Robinson’s great-grandparents, we see America at its most fragile, fraught, and malleable. Set in 1889, in Charleston, South Carolina, Robinson’s tale weaves her family’s journal entries and letters with a novelist’s narrative grace, and spans the life of her tragic hero, Frank Dawson, as he attempts to navigate the country’s new political, social, and moral landscape.

In We Love Anderson Cooper, characters are treated as outsiders because of their sexual orientation, racial or religious identity, or simply because they look different. A young man courts the publicity that comes from outing himself at his bar mitzvah. When a painter is shunned because of his appearance, he learns to ink tattoos that come to life. A paranoid Jewish actuary suspects his cat of cheating on him - with his Protestant girlfriend.

Dover, Massachusetts, 1969. Ginny Richardson's heart was torn open when her baby girl, Lucy, born with Down syndrome, was taken from her. Under pressure from his powerful family, her husband, Ab, sent Lucy away to Willowridge, a special school for the "feeble-minded". Ab tried to convince Ginny it was for the best. But two years later, when Ginny's best friend, Marsha, shows her a series of articles exposing Willowridge as a hell-on-earth - its squalid hallways filled with neglected children - she knows she can't leave her daughter there.

Inspired by the real-life murder of a British army soldier by religious fanatics, and the rampant burning of mosques that followed, Guy Gunaratne’s In Our Mad and Furious City is a snapshot of the diverse, frenzied edges of modern-day London. A crackling debut from a vital new voice, it pulses with the frantic energy of the city’s homegrown grime music and is animated by the youthful rage of a dispossessed, overlooked, and often misrepresented generation.

Dominic Smith’s The Electric Hotel winds through the nascent days of cinema in Paris and Fort Lee, New Jersey - America’s first movie town - and on the battlefields of Belgium during World War I. A sweeping work of historical fiction, it shimmers between past and present as it tells the story of the rise and fall of a prodigious film studio and one man’s doomed obsession with all that passes in front of the viewfinder.

Connie Goodwin is an expert on America’s fractured past with witchcraft. A young, tenure-track professor in Boston, she’s earned career success by studying the history of magic in colonial America - especially women’s home recipes and medicines - and by exposing society's threats against women fluent in those skills. But beyond her studies, Connie harbors a secret: She is the direct descendant of a woman tried as a witch in Salem, an ancestor whose abilities were far more magical than the historical record shows.

No. It is a simple word, uttered on a summer porch in 1936. And it will haunt Kitty Milton for the rest of her life. Kitty and her husband, Ogden, are both from families considered the backbone of the country. But this refusal will come to be Kitty’s defining moment, and its consequences will ripple through the Milton family for generations. For while they summer on their island in Maine, anchored as they are to the way things have always been, the winds of change are beginning to stir.

Susannah, a young widow and single mother, has remarried well: to Max, a charismatic artist and popular speaker whose career took her and her 15-year-old son out of New York City and to a quiet Vermont university town. Strong-willed and attractive, Susannah expects her life is perfectly in place again. Then one quiet morning, she finds a note on her door: "I Know Who You Are." Max dismisses the note as a prank. But days after a neighborhood couple comes to dinner, the husband mysteriously dies in a tragic accident while on a run with Max. Soon, a second note appears on their door....

Mildred Groves, an unusual young woman gifted and cursed with the ability to see the future, goes to work in a top-secret research facility during WWII, only to be tormented by visions of what the mission will mean for humankind.

For years Mamie Künstler, ninety-three-years-old, as clever and glamorous as ever, has lived happily in her bungalow in Venice, California, with her inscrutable housekeeper and her gigantic St. Bernard dog. Their tranquility is upended when Mamie’s grandson, Julian, arrives from New York City. Like many a twenty-something, he has come to seek his fortune in Hollywood. But it is 2020, the global pandemic sweeps in, and Julian’s short visit suddenly has no end in sight.

As German bombs fall over London in 1940, working-class parents Millie and Reginald Thompson make an impossible choice: they decide to send their eleven-year-old daughter, Beatrix, to America. There, she’ll live with another family for the duration of the war, where they hope she’ll stay safe. Scared and angry, feeling lonely and displaced, Bea arrives in Boston to meet the Gregorys. Mr. and Mrs. G, and their sons William and Gerald, fold Bea seamlessly into their world. She becomes part of this family, learning their ways and their stories, adjusting to their affluent lifestyle.

On the wild, lonely coast of Western Australia, two thrill-seeking teenage boys fall under the spell of a veteran big-wave surfer named Sando. Their mentor urges them into a regiment of danger and challenge, and the boys test themselves and each other on storm swells and over shark-haunted reefs. The boys give no thought to what they could lose, or to the demons that drive their mentor on into ever-greater danger. Venturing beyond all caution—in sports, relationships, and sex—each character approaches a point from which none of them will return undamaged.

Juliet Nightingale is lucky to be alive. Months after a freak accident involving lightning, she’s fully recovered but is left feeling that something is missing from her life. Something big. Impulsively, she decides to take a solo summer road trip, hoping that the journey will lead her down a path that will help her discover exactly what it is that she’s searching for.

In The Elements, acclaimed Irish novelist John Boyne has created an epic saga that weaves together four interconnected narratives, each representing a different perspective on crime: the enabler, the accomplice, the perpetrator, and the victim.

In Tokyo, the son works as an English tutor, drinking his nights away with friends at a gay bar. He’s entangled in a sexual relationship with a married man, and while he has built a chosen family in Japan, he is estranged from his family in Houston, particularly his mother, whose preference for the son’s oft-troubled homophobic brother, Chris, pushed him to leave home. Then, in the weeks leading up to Christmas, ten years since they’ve last seen each other, the mother arrives uninvited on his doorstep.

It’s a place like hundreds of others, nothing special, really. But for four friends—all born and raised in this small Wisconsin town—it is home. And now they are men, coming into their own, or struggling to do so. One of them never left, still working the family farm that has been tilled for generations. But others felt the need to move on, with varying degrees of success. One trades commodities, another took to the rodeo circuit, and one of them even hit it big as a rock star. And then there’s Beth, a woman who has meant something special in each of their lives.

It's not the dead that seem strange to Quirke. It's the living. One night, after a few drinks at an office party, Quirke shuffles down into the morgue where he works and finds his brother-in-law, Malachy, altering a file he has no business even reading. Odd enough in itself to find Malachy there, but the next morning, when the haze has lifted, it looks an awful lot like his brother-in-law, the esteemed doctor, was in fact tampering with a corpse—and concealing the cause of death.

Two years have passed since the events of the bestselling Christine Falls, and much has changed for Quirke, the irascible, formerly hard-drinking Dublin pathologist. His beloved Sarah is dead, the Judge lies in a convent hospital paralyzed by a devastating stroke, and Phoebe, Quirke's long-denied daughter, has grown increasingly withdrawn and isolated. With much to regret from his last inquisitive foray, Quirke ought to know better than to let his curiosity get the best of him.

At the height of her career, the piano virtuoso Elsa M. Anderson—former child prodigy, now in her thirties—walks off the stage in Vienna, mid-performance. Now she is in Athens, watching an uncannily familiar woman purchase a pair of mechanical dancing horses at a flea market. Elsa wants the horses too, but there are no more for sale. She drifts to the ferry port, on the run from her talent and her history. So begins her journey across Europe, shadowed by the elusive woman who seems to be her double.

On a hilltop in Umbria sits Valetto. Once a thriving village—and a hub of resistance and refuge during World War II—centuries of earthquakes, landslides, and the lure of a better life have left it neglected. Only ten residents remain, including the widows Serafino—three eccentric sisters and their steely centenarian mother—who live quietly in their medieval villa. Then their nephew and grandson, Hugh, a historian, returns. But someone else has arrived before him, laying claim to the cottage where Hugh spent his childhood summers.