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Fifteen years ago, Lęina’s mother, Yuliana, went searching for a mythical place called the Garden and never returned. Determined to learn the truth about what happened, Lęina travels to Brazil to search for the hidden realm, with Yuliana’s journal and a local tour guide leading the way. But Lęina soon begins to wonder if she’s looking for answers—or if what she truly wants to find is herself.

Ever since her dad disappeared five years ago, Persephone has quietly walled off the feelings she’d rather not feel. There’s no room for pain or anger when you’re just trying to get through the hell that is high school. But one day, the crush of taunts and disappointments is finally too much—and a power breaks loose inside her that she never knew was there.

In the early 1970s, in Stovall, Texas, seventeen-year-old Earl—a loner, dreamer, lover of music and words—meets Tina, the new girl in town. Tina convinces Earl to drive her to see her mother in Austin, where Earl and Tina are quickly separated. Two days later, Earl is being questioned by the police about Tina’s disappearance and the blood in the trunk of his car. But Earl can’t remember what happened in Austin, and with little financial support from his working-class family, he is sentenced for a crime he did not commit.

Throughout her childhood, Carlisle Martin got to see her father, Robert, for only a few precious weeks a year when she visited the brownstone apartment in Greenwich Village he shared with his partner, James. Brilliant but troubled, James gave Carlisle an education in all that he held dear in life—literature, music, and, most of all, dance.

1985. Anita de Monte, a rising star in the art world, is found dead in New York City; her tragic death is the talk of the town. Until it isn’t. By 1998 Anita’s name has been all but forgotten – certainly by the time Raquel, a third-year art history student is preparing her final thesis. Moving back and forth through time and told from the perspectives of both women, Anita de Monte Laughs Last is a propulsive, witty examination of power, love and art, daring to ask who gets to be remembered and who is left behind in the rarefied world of the elite.

If throwing a stone into a well brings joy, some pigeons’ lives must be disrupted—that’s the harsh reality of Aahil’s world. Born and raised in a modest home in a small village, Aahil’s journey is shaped by pain and hatred, leading him to a perspective vastly different from ours. This book offers a glimpse into that world. For Aahil, the world comprises two kinds of people: those who walk a path to reach a destination and those who take any path just to escape where they are.

Underhill is my ruthless mother. Her realm is my deadly home. The brutal creatures here are both foe and friend. But the group of fae that just attacked me? They're all foe. Dragged from my game of hide-and-seek with a dragon, and my home of twenty-one years, I'm thrust into a weak, ugly realm. Earth. Something is taking the fae children of the Irish court, and an Oracle has declared I must find them. Nope. Not my problem. Bye. Except a three-year-old girl they suspect is the next Queen of All Fae was taken too.

Elijah Mendes was hoping for a more triumphant return to Chicago. His mother, Eve, is dying of cancer, his business flamed out, and he has nowhere else to go. So he returns to Chicago feeling listless and shattered, worried about how he’s going to help his mother despite their chilly relationship. He finds some inspiration when he discovers that their family owns a Jewish cemetery and that a man he’s never heard of, his great-uncle Solomon Kaplan, is buried in a plot there.

New York City, 1929. Young Theo Sterling’s world begins to unravel as the Great Depression exerts its icy grip. He finds it hard to relate to his parents: His father, a Jewish self-made businessman, refuses to give up on the American dream, and his mother, a refugee from religious persecution in Mexico, holds fast to her Catholic faith. When disaster strikes the family, Theo must learn who he is.

All Calvin Elkan has ever wanted to do is escape his mother and her Pentecostal church, the Lighthouse. Calvin is eternally at odds with the brutal abuses and ignorance of his upbringing in a right-wing evangelical sect in Ohio. Under the guidance of his great-grandfather, he turns to art and music to escape his mother’s blows and the grip of the Lighthouse. He spins the dark world around him into a satirical comic called The Brother Cobweb Chronicles. After high school, Calvin moves out and enrolls in art school, finally free of his oppressive childhood home.

Moving between the landscapes of fictional Runion, North Carolina, and Nashville's Music Row, Gabriel's Songbook follows a songwriter and singer through his search for fame and belonging. As he juggles ambition, love, and occasional despair, he finds that his dream of success and his love of music become increasingly at odds.

Princess Dandara discovers her true self–that she is more than a human princess, as she can, in fact, control the winds and wield her powers over the elements. But being half human and half goddess does not protect her from a broken heart.

تعيش جوفانا، الابنةُ الوحيدةُ لأستاذيْن، طفولةً سعيدةً في الأحياء الراقية من نابولي العُليا. لكنَّها تُصعق ذاتَ يوم عند سماع حديثٍ بين والديْها، وفيه يقارنها والدُها بفيتوريا، العمّةِ القبيحةِ والحقيرة.

Azul Morgan, a young Native/Indigenous woman is the next rock star to break. Trapped in M-town, Iowa during the "Next Seattle" Midwest Music Scene explosion during the aftermath of 9/11, she takes her guitar, named Mocha, & her composition notebook, The Bastard Chronicle, to write the greatest songs ever & form the perfect band.

Cameron Goode is on the verge of giving up her dream of becoming a vet. Buried under debt and juggling two jobs with a full course load, she’s utterly overwhelmed. Then a local rescue organization reaches out about a neglected golden retriever in desperate need of help. The last thing Cameron needs is another responsibility. But something inside her shifts when she looks into the eyes of the dog, who is so obese that she can barely move. Cameron is Aggie’s last chance. And she’s not going to let her go.

One of Them has descriptive copy which is not yet available from the Publisher.

O carte despre copilarie si inocenta ei, despre prietenie si fotbal, dar, mai ales, despre universul familiei, cu toate ritualurile, iubirile, asteptarile si dezamagirile lui. In dialogul dintre autori, afirmatiile unuia sint reformulate de celalalt, istoriile capata mize diferite in functie de unghiul din care sint privite, personajele, dupa o scurta "cariera" intr-un capitol, sint demascate ironic in urmatorul...

When Sonia and Sunny first glimpse each other on an overnight train, they are immediately captivated, yet also embarrassed by the fact that their grandparents had once tried to matchmake them, a clumsy meddling that only served to drive Sonia and Sunny apart. Sonia, an aspiring novelist who recently completed her studies in the snowy mountains of Vermont, has returned to her family in India, fearing she is haunted by a dark spell cast by an artist to whom she had once turned for intimacy and inspiration.

Beneath the Mango Trees is a beautiful coming-of-age novel that transports readers to a small coastal village in Jamaica, where young Marley James lives under the warmth of her family's heritage and the wisdom of her beloved grandmother, Nana Liz. Every day, under the sprawling branches of an ancient mango tree, Marley hears tales of her family's past, deepening her connection to the land and culture that shaped them.

Harry White grew up in blue-collar Brooklyn, but the young man's charm, smarts, and good looks have helped him earn a place as an uptown junior executive. White's gifts have also made his love life easy, and he takes special pleasure in seducing married women. But when "Harry the Lover" is ready to grow up and leave his womanizing behind, White finds that suppressing his libido has dangerous consequences. His attempts at restraint awaken something sinister, causing White to seek excitement in a new form of violence and depravity.