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Candide and his tutor Pangloss travel the globe trying to follow the philosophy "All is for the best in this, the best of all possible worlds". However, they are stung and let down at every turn, being robbed, tortured, and ridiculed, amongst other trials. On hearing about their often disasterous travels, a listener feels unfortunately less than empathetic, and can't help themselves laughing out loud at this very funny account of the trail our optimistic travellers take.

This is perhaps one of the best-loved of all journals. William Wordsworth's sister, Dorothy, began it in May 1800 and resolved to keep it for a short time. She continued it for nearly three years. In it, she brought the Dove Cottage years to vivid and intimate life. She noted the walks and weather, the friends, country neighbours, and travellers on the roads. She set down accounts of the garden, of Wordsworth's marriage, their concern for Coleridge, and the composition of Wordsworth's poetry.

Gert Westphal ist eine Legende: Die wohlklingende, modulationsreiche Stimme, sein untrügliches Gespür für Rhythmus, die souveränen Tempo- und Rollenwechsel, die kräftigen Dialektfarben - nicht umsonst hat DIE ZEIT ihn zum "König der Vorleser" gekürt. Besonders berühmt wurden seine Rezitationen Thomas Manns, dessen "oberster Mund" er war.

Renowned poet and critic Clive James presents the crowning achievement of his career: a monumental translation into English verse of Dante’s The Divine Comedy. The Divine Comedy is the precursor of modern literature, and this translation - decades in the making - gives us the entire epic as a single, coherent and compulsively listenable lyric poem. Written in the early 14th century and completed in 1321, the year of Dante’s death, The Divine Comedy is perhaps the greatest work of epic poetry ever composed.

The new summer house on Sandhamn Island is an architectural dream for its owner, Carsten Jonsson. It’s a nightmare for the locals. The venture capitalist has flouted local traditions, property lines, and the natural beauty of the coastline. He’s also too wealthy and arrogant to heed the anonymous warnings to leave. The threats escalate when his guest lodge is burned to the ground and an unidentifiable corpse is found in the charred ruins.

My poetry is about catching a glimpse of a doorway to another world, there is a sense of a spiritual yearning to know that place and to connect with it. It lies beneath or throughout our world and pulling it into concrete form is not an easy task but it is a gift to me when it happens. It creates something I love. I touch this world in landscape and in nature and sometimes in a particular place like in the Rock of Dunamase. If you have travelled in Ireland, you will know some of these landscapes and their temperaments well.

Hannah Sullivan's first collection, Three Poems , won the T. S. Eliot Prize and the inaugural John Pollard International Poetry Prize. Was It for This continues that book's project, offering a trenchant exploration of the ways in which we attempt to map our lives in space and time. But there is also the wider, collective experience to contend with, the upheaval of historic event and present disaster. 'Tenants', the first poem, is an elegy for Grenfell, written from the uneasy perspective of a new mother living a few streets away.

Do Jane Austen novels truly celebrate—or undermine—romance and happy endings? How did Jane Austen become a cultural icon for fairy-tale endings when her own books end in ways that are rushed, ironic, and reluctant to satisfy readers' thirst for romance? In Jane Austen and the Price of Happiness, Austen scholar Inger Sigrun Bredkjær Brodey journeys through the iconic novelist's books in the first full-length study of Austen's endings.

‘We Poets Speak Of Stars But Who Has Ever Met One?’ contains 62 poems of a varying nature. This poetry book is dedicated to, and begins with a eulogy for, a dear friend who passed away at the age of 70. He was a businessman & lecturer in life and had only just retired. News of this close friend’s death reached the poet on his 35th birthday.

Nach dem Tod seiner Eltern zieht der mittellose dänische Adelige Malte Laurids Brigge um 1900 nach Paris, um als Dichter zu leben. Doch die Stadt seiner Träume entpuppt sich als Ort des Elends. Rilke umkreist in seinem Werk Die Aufzeichnungen des Malte Laurids Brigge die elementaren Fragen nach Schicksal, Identität und Kunst und schuf damit den ersten bedeutenden Roman der literarischen Moderne.

"How do you measure a year?" Turning 30 is a milestone age in anybody's life, so why not chart the span of a year by writing a poem a day? Capturing the highs and lows of life and love, this poetry collection houses poems from the deeply personal to the truly random. It's a picture of one man's year through a poetic lens.

Al día siguiente, muy temprano, a la hora de siempre, Pinín y Rosa fueron al prao Somonte. Aquella soledad no lo había sido nunca para ellos hasta aquel día. El Somonte sin la Cordera parecía el desierto. De repente silbó la máquina, apareció el humo, luego el tren. En un furgón cerrado, en unas estrechas ventanas altas o respiraderos, vislumbraron los hermanos gemelos cabezas de vacas que, pasmadas, miraban por aquellos tragaluces.

This is the history of England told in a new way: glimpsed through twenty-five remarkable poems written down between the eighth century and today, which connect us directly with the nation’s past, and the experiences, emotions and imaginations of those who lived it. These poems open windows onto wildly different worlds – from the public to the intimate, from the witty to the savage, from the playful to the wistful. They take us onto battlefields, inside royal courts, down coal mines and below stairs in great houses.

Un soir, Amani, soixante-sept ans, femme de ménage à la retraite dans une cité HLM paisible en bordure de forêt, s'en va. Père et fils tentent de comprendre ce qui a poussé le pilier de leur famille à disparaître. Il pressent que ce départ est lié à l'histoire de ses parents, orphelins émigrés de Tunisie.

Dans ce village, c'est du corps des femmes qu'on tire l'argent qui fait vivre les familles. Car ici, on vend une denrée précieuse : le lait maternel. Sylvaine, son propre enfant à peine sevré, accueille chez elle comme tant d'autres une « petite de la ville ». Mais une nuit, en pleine forêt, elle découvre un bébé abandonné dans une clairière et à ses côtés un carnet qui raconte son histoire.

Rhyme and Reason takes you from a medieval accountant (called Chaucer) trying to entertain his lord, past a doomed love affair in the Tower of London, through adoring sonnets and notebooks filled with dirty poems, through Byromania and the Victorian hearth, understanding why people simply enjoyed poetry. From the poems of housemaids to the rhymes of kings it's the history of Britain through the poems that people read, recited and loved.

A book about what humans have done to the world and what we have done to ourselves. Specifically, it is a book about ‘Man’s best friends’ – their origin-myths, and their place in the world before they were coopted into human society and ideas of pure breeding and dysgenics. The Dogs also imagines a future where dogs develop the power of speech; led by the non-violent UnderDogs and the more radical Der Uberhünd, the animals of the world begin demanding their rights.

Was wäre, wenn sich dein vermeintlicher Feind als dein Traummann entpuppt? Jenifer erschafft als Kunsttischlerin exklusive Einzelstücke — als Frau geht sie jedoch in der Masse unter. Dabei träumt sie von der großen Liebe und versucht den smarten Banker Deacon Spencer zu erobern, doch der nimmt keine Notiz von ihr. Auch ihre Zwillingsschwester Jessica kann ihr nicht helfen, denn sie ist in New York und die Schwestern sind zum ersten Mal für längere Zeit voneinander getrennt. Seit dem Tod seiner Frau ist das Herstellen von kreativen Möbeln das Einzige, was Sean Murphys Herz berührt.

Pour sauver cette agence qui pourvoit aux besoins de sa famille, elle doit impérativement décrocher la vente du château Granville. Or, par orgueil, le propriétaire ne signera qu'avec un nom à particule. Fanny décide alors de se faire passer pour une aristocrate. Elle convainc Tancrède de Chassagne de Montbazon, un invité du château rencontré par un heureux hasard et quitté par sa fiancée à cause de sa paresse chronique, de faire équipe avec elle. Visage gracieux malgré son fichu caractère, à vingt-quatre ans, la jeune femme dispose encore d'une année avant de coiffer sainte Catherine !

C'est l'histoire de Mara, de Robert, de Sept Lieues, d'Henrique, de Bruce, de Clotilde, de cet homme qu'on appelle Le Breton, de Flora et d'Árpád. Un retraité, un joueur de guitare, un cow-boy, un exégète de Claude Simon, une brunette maigrichonne, un taiseux, une grande bourgeoise fatiguée, un gars que la vie un jour a pris pour un punching-ball.