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1919 में प्रकाशित उपन्यास सेवासदन मूलतः उर्दू में लिखा गया था और इसका नाम था, बाज़ारे-हुस्न। इससे पहले मुंशी पे्रमचन्द ने लघु उपन्यास ही लिखे थे और यह उनका पहला महत्त्वपूर्ण उपन्यास था।.

A survivor of life and death, a fighter of depression and a believer in the power of the universe, Ashish Bagrecha—the best-selling author of self-help book Dear Stranger, I Know How You Feel and one of the most popular Instagram poets in the country—brings you his very first collection of poetry, because he thinks poems have the magic ability to heal people. Divided into six chapters, Love, Hope and Magic is about loving deeply and getting broken.

Faiz Ahmed Faiz is the most famous contemporary Urdu poet of the 20th century who appeals both to the common man as well as the elite connoisseurs of poetry. Faiz's ghazals reflect a strong influence of the Persian style and diction, because of which he is often considered the inheritor of the tradition of Ghalib; and at the same time several of them are written in a simple conversational style dealing with the problems of the common man.

इस संकलन में कुछ ऐतिहासिक दस्तावेज़, कुछ खामोशी के दस्तावेज़, और कुछ उनकी बात भी है जो इस काल में संघर्ष की एक लम्बी यात्रा पर चल दी हैं....

Natsuki n'est pas une petite fille comme les autres. Son meilleur ami est un hérisson en peluche qui la somme de sauver les Terriens, et elle passe tous ses étés à la montagne avec son cousin Yû, espérant qu'un vaisseau spatial la ramène d'où elle vient vraiment. Quand un événement menace de séparer les cousins pour toujours, ils se font une promesse : survivre, quoi qu'il arrive. Des années plus tard, Natsuki est mariée et semble mener une vie normale. Mais les ombres de son enfance refont surface et la jeune femme se réfugie chez Yû.

Zindagee ek achaar ke 'martabaan' kee tarah khud men bahut kuchh sameṭ-sahej ke rakhatee hai. Bahut se khaṭṭe meeṭhe s, beech-beech men halkaa-saa kasailaapain... 'martabaan' men snkalit kavitaa_en aadhunik duniyaa ke aam aadamee kee rozamarraa kee bhaavanaa_on, manahsthitiyon aur chunautiyon se roobaroo hain. Agar savaal yah hai ki jeevan kyaa hai, to mere lie javaab 'martabaan' ho sakataa hai.

'buraa n maano ḍaemokrezaee hai’ ek aisaa kavitaa-sngrah hai jo aapake bukashelph aur dil- donon men hee ghar kar jaa_egaa. Hamaare dil, dimaaga, desh aur duniyaa men tahalakaa machaate ka_ii muddon ko aapake samakṣ saral aur sashakt roop se rakhane kaa ek sachchaa prayaas hai....

Rahul Kumar Boyal ki kavitayon ka sangrah.

Mainne sthool shareer se aapane aas-paas ek duniyaa rachee. Is baahy jagat kaa srijan-snsaar rachate gaḍhate kab mere bheetar kee aatmakhoh me bhee ek rachanaatmak snsaar aakaar paataa gayaa main samajh hee n paa_ii aur dheere-dheere us maun ne kab kalam thaam bheetar kaa indradhanuṣee snsaar kaagaz par mukhar kar diyaa—sab kuchh mere lie bhee vismrit kar dene vaalaa thaa. Main aapane bheetar udit hue is prem ke mohapaash se mugdhit ho kaavy saritaa-see bahatee chalee ga_ii.

Apane pitaa ko baa_oojee snbodhan denaa unake prati atirikt aadarey bhaav prakaṭ karanaa hai aur inakee vartamaan kavitaa ‘maun ke anunaad se bharaa main’ inakee saaree kavitaa_en paripakvataa lie hue jeevan darshan ko samaahit karate hue hai. Apane is sngrah men parivaar ke saath bitaaye ga_e ek-ek pal, un sabakee aadaton aur vyavahaar ko bahut khoobasooratee se is kavitaa men piroyaa hai. -- ḍaŏ

Bas kuchh isee tarah vaqat ke kuchh ṭukadon ko yaad kee kachchee rassee se lapeṭ diyaa aur risane ke dard kee syaahee kaagazaon par bikharatee rahee, shabd banatee rahee aur zaindagee chalatee rahee. In pannon men jo bhee kuchh hain unhen kavitaa to naheen kahaa jaa sakataa, bas kuchh pal hain jo sustaane ko ṭhahar gae hain.

Kitaab ‘svaad zaindagee kaa’ shruti sukumaar dvaaraa rachit kavitaa_on kaa snkalan hai. Ye kavitaa_en yathaarth jeevan par aadhaarit sakaaraatmak soch vaalee kavitaa_en hain. Nakaaraatmak vichaaron ko sakaaraatmak soch men badalanaa aasaan naheen hai lekin kavayitree apane shabdon ke chayan men sahaj hain v vah ise prastut karane men safal huii hain.

Kaviyitri Meena Sood ki kavitaon ka sangrah

गीतांजलि वह महान काव्य-कृति है, जिसने कवि रवींद्रनाथ टैगोर को वर्ष 1913 में एशिया के पहले नोबेल पुरस्कार प्राप्त व्यक्ति होने का सम्मान दिलाया।

उर्दू दुनिया यानी पाकिस्तान-हिन्दुस्तान का बड़ा और मक़बूल शायर अहमद फ़राज़, जिसकी शायरी, दिल, दिमाग़ और रूह को नए जज़्बों और एहसास से सराबोर कर देती है।

Raghupati Sahay, jinhein duniya Firaaq Gorakhpuri ke naam se jyaada pehchaanti hai, ek lekhak, shayar, kavi, samalochak aur apne samay ke mashoor Urdu lekhak-kavi hue hain.

Mohammad Iqbal was a poet and political philosopher who is known both for his poetry and his ideas that were influential in the creation of Pakistan. Mohammad Iqbal was born in Sialkot, Punjab, in 1877 and graduated from Government College, Lahore, with a master's degree in philosophy. He then taught there until 1905. This book presents a collection of some of the best poems and ghazals of Iqbal, along with their English translation as well as transliteration so that the listeners can enjoy the original flavor of Urdu poetry.

'iraaq’ saahab ne anginat ghazalein, nazmein, rubaayiyaan, katye, ityaadi likhein hain. Samalochak bhi vah ucch-koti ke the lekin smaran ve sadaa apni ghazalon aur ghazalon ke unn sheron ke kaaran kiye jaayeingay jinki sankhya sainkdon tak pahuchti hai aur jo nihsandeh classic ka darza rakhte hain, unhee sheron ke kaaran jinmein tassafuk ghazal ki paramparaagat kathavastu se lekar raajneeti aur varFg-sangharsh tak sabhi kuch hai. Mashhoor shayar Firaaq Gorakhpuri ki chuni hui behtareen ghazalon ka sankalan hai Sargam.

Talkhiyan literally means ‘bitterness’ and was written in the poet’s student days. He discovered his unique style of expression by weaving his poetry with shades of bitterness that captured the decadence of the contemporary world. His romanticism was not in praising beauty or the consuming passion of love, but in sensitively urging the reader to empathise with other challenges of the world. His heart went out to the suffering of people in war, debt, poverty, homelessness, political conflict and gender inequality.

Ajay is fighting demons in his mind after losing his wife, Bhavna. Ten years of togetherness and a harsh twist of fate have thrown him into the pit of depression. With medication and therapy helping him fight his immense grief, there is only one ray of hope for him–he wants to immortalize his wife. Anisha lives life queen size. Making the most of each moment, she loves everything that she is blessed with. She is shocked when she meets Ajay. How can someone hate God so much? More than anything, what will that hatred do to him?