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Gary's poetry is a rich tapestry of human experience, weaving together the profound and the everyday. These poems offer a diverse range of themes, from the intensity of life and death to the nuances of daily existence. The themes delve into historical contexts, providing a sense of time and place, while also exploring philosophical musings and religious reflections that invite listeners to ponder deeper meanings. The poetry is thought-provoking and emotionally resonant. The book appeals to readers who appreciate the beauty of language and the complexity of the human condition.

Acid rainstorms have transformed New York City into a toxic wasteland, cutting its remaining citizens off from one another. In one apartment building, an unlikely family of humans and ghosts survives. Mira reels from a devastating breakup with her partner, Mal, whose whereabouts are unknown, while her mother is plagued by furious dreams and her grandfather, Grandpa Why, stakes his claims as a rambunctious ghost. Across the hall, the cockroach Shin, also a ghost. As the world around them worsens, each character must learn to redefine what it means to live, die, and love at the end of the world.

Lana Lee’s plate is already plenty full. Running her family’s Chinese restaurant in Cleveland’s Asia Village is challenging on the best of days. But just when Lana thinks she might be able to catch her breath before the weekend―which she’s eager to spend with her equally overworked boyfriend, Detective Adam Trudeau―Lana witnesses a car accident in the parking lot. And now she has no choice but to get involved.

It was supposed to be a fancy, intimate dinner party by the pool. Instead, Lana Lee’s first-ever catering event turns into full-course madness when a domestic worker is found dead. Is the party’s host Donna Feng, the sweet-and-sour owner of the Asia Village shopping plaza where Ho-Lee is situated, somehow to blame? That’s what Lana―whose plate is already plenty full with running the restaurant, pleasing her often-disapproving mother, and fretting over her occasionally serious boyfriend Detective Adam Trudeau―must find out.

Avalee Elvis prides herself with being able to fix just about anything. . . except her past. Unable to put the puzzle of her life together, she pours heart and soul into making neglected places whole again. As the owner of Lowcountry Lost, Avalee spends her days in hot-pink Carhartt overalls and a tool belt reclaiming Lowcountry properties. Making them beautiful again releases the deep sigh that soothes the hurt she holds.

A book that captures the Dirty Old Man of American letters at his fiercest and most vulnerable, on a subject that hits home with all of us. Charles Bukowski was a man of intense emotions, someone an editor once called a “passionate madman.” Alternating between tough and gentle, sensitive and gritty, Bukowski lays bare the myriad facets of love—its selfishness and its narcissism, its randomness, its mystery and its misery, and, ultimately, its true joyfulness, endurance, and redemptive power.

Find Me as the Creature I Am is a book full of tenderness and violence, longing and love. Ranging from inherited family tales, to meditations on the body, to the ways animals display love and grief alike, Emily Jungmin Yoon holds a mirror up to humanity to show that we are animal, too. In poems full of wonder and want, she showcases our tendencies to fight or fly, act with affection and cruelty, and ultimately, overflow with life itself.

“Imparting some piece of yourself—any part—is arduous and warrants some kind of commendation,” writes guest editor Wesley Morris in his introduction. Both personal and personable, the essayists in this volume use their own vulnerability to guide listeners on excursions that unfold on uncomfortable edges. From contemplating the nuances of memory to exploring the complexities of family, romance, gender identity, illness, and death, Morris’s selection of essays presents a roundup of the thinkers who masterfully grapple with the issues of our time.

In his introduction, guest editor S. A. Cosby observes that writing short stories is “a special skill that combines brevity with wit and cleverness and the hint of the existential malaise that imbues crime fiction with its gravitas.” The stories in this collection overflow with gravitas in the most unexpected ways: a cryptic note left on a windshield, a murder for hire meets a game of Mouse Trap, a swipe right on a dating app goes horribly wrong.

“There have never been as many exquisitely built stories in existence than there are now,” proclaims guest editor Lauren Groff in her introduction. This abundance led to a volume of robust stories with the nerve to push against narrative expectations. The Best American Short Stories 2024 boasts a collection of twenty stories that “buzz with their own strange logic.” Daring and resonant, the stories in this volume invite in Groff “a feeling that both the author and I were simultaneously discovering something together.”

“These are dangerous stories. The kind that warp reality and threaten to change the world” warns guest editor Hugh Howey in his introduction. The Best American Science Fiction and Fantasy 2024 promises a treasure trove of audacious characters, daring worldbuilding, and twisted realties. A sibling duo of supernatural hitmen. A traveling spellbreaker and his trusty alligator mount. Superheroes registering for work. Sentient spaceships with an AI-human interface grow up together with their human pilots.

All American Waste is a collection of poetry that you won't be able to put your finger on. Focusing on the struggles of being a young adult in America, and the seemingly futile search to find what is left of the "American Dream," the poems within the book dance from relatable to powerful, and powerful to bizarre. They put the spotlight on the mundanity of everyday life, the importance of mental health, and the beauty of our fragile environment. There is truly a poem for every person in this book!

Embark on an enchanting journey through 21 perspectives in this captivating travel unique anthology. Let your imagination free as you explore a brimming world with endless possibilities. Each poem is a doorway to a new adventure, inviting you to reminisce and discover the joy of exploration.

All thirty-four-year-old Mae Van Dorn wants is to live alone, with little connection to the oodles of people who have always let her down. But she soon finds herself living with her estranged brother in a town she’s never been to and working for the founder of the local megachurch, though she’s as misanthropic as they come. The pastor seems to not be quite as Christian as he should be, but the people in his orbit may just teach Mae that the human race isn’t so bad after all.

Random Experiments in Bioluminescence is a remarkable collection of luminous poems for cherishing cultures, languages, and the Earth—From poet and urbanist Dr. Amy Shimshon-Santo. “Listen with your natural body,” writes Shimshon-Santo. “In the beginning, there was song.” This collection tracks a woman’s search for language and belonging. Choral, cryptographic, and exhilarating, Shimshon-Santo provides glimpses into a poetics of planetary livability.

Corre el año 1920 y Joaquín Buitrago, que por azares de su atormentada vida acaba dedicándose a fotografiar a los internos del manicomio mexicano La Castañeda, se topa de pronto, entre las mujeres a las que retrata, con Matilda Burgos. Obsesionado por la identidad de esta enferma, pues cree haberla conocido años atrás en el célebre burdel La Modernidad, trata de recabar información sobre ella.

Regresar a San Andrés hace que Verónica Baruq cuestione su relación con la isla. Una foto inquietante de sus tatarabuelos y el raro encuentro con Ma Josephine, una anciana raizal a quien conoce frente a la First Baptiste Church, son algunos de los detonantes que empiezan a revelar detalles de sus orígenes. Su pasado no solo la pone en contacto con la desconocida historia de la isla, sino también con los movimientos sociales que, entre zouk y calipso, celebran la identidad raizal, hacen thinking rundowns, resisten.

Camarada imaginario o encarnación del subconsciente, destinatario de postales que hablan de la extrañeza del mundo, el amigo al que la autora dirige estos poemas sirve de ancla incierta pero entrañable en el ir y venir de una voz: la de quien recorre el mundo en derivas vitales y literarias, a través de las rutas de la imaginación y los países ajenos.

«El mundo es esta casa», dice Clara. La llave de la puerta está echada; las ventanas, cubiertas con mantas. Dentro, Clara vive atrincherada con su padre, su hija y un canario enjaulado. Presa de su pasado y de sus miedos, atrapada en un delirio emocional, está convencida de que el mundo exterior es la feroz amenaza de la que debe proteger a su familia. La extenuante batalla que emprende contra él será la confrontación con su propio abismo interior.

En la guerra y en la paz, una mujer sin armas lucha por sus hijas. Como en la vieja agricultura itinerante roza, tumba y quema para que esas niñas tengan un lugar al cual poder regresar.