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Troilus and Cressida is a tragedy by William Shakespeare, believed to have been written in 1602. It was described by Frederick S. Boas as one of Shakespeare's problem plays. The play ends on a very bleak note with the death of the noble Trojan Hector and destruction of the love between Troilus and Cressida. The work has in recent years "stimulated exceptionally lively critical debate". Throughout the play, the tone lurches wildly between bawdy comedy and tragic gloom, and readers and theatre-goers have frequently found it difficult to understand how one is meant to respond to the characters.

Macbeth and his wife show how bad the evil that can possess human souls is. But evil is not all powerful. On the one hand, Macbeth is the gloomiest of the great Shakespeare's tragedies; on the other hand, it's more encouraging than Hamlet, Othello or King Lear. In no other tragedy as in Macbeth the evil is confronted by so many people, and nowhere else they are so active. Shakespeare is the author of the world famous sonnets and plays: Romeo and Juliet, Hamlet, Macbeth and Othello, as well as comedies Twelfth Night, A Midsummer's Night Dream, Love's Labour's Lost, etc.

The Tragedy of Timon of Athens (The Life of Tymon of Athens) is a play by William Shakespeare, probably written in collaboration with Thomas Middleton in about 1605–1606, which was published in the First Folio in 1623. It is about the fortunes of an Athenian named Timon. The central character is a beloved citizen of Athens who through tremendous generosity spends his entire fortune on corrupt hangers-on only interested in getting the next payout. The earliest-known production of the play was in 1674, when Thomas Shadwell wrote an adaptation under the title The History of Timon of Athens, The Man-hater.

Titus Andronicus is the main character and tragic hero in William Shakespeare's play of the same name, Titus Andronicus, a Senecan tragedy. Titus is a Roman nobleman and a general in the war who distinguished himself in ten years of service against the Goths. Despite his exemplary service the war's toll on him is sufficient that he declined the emperorship. Nonetheless, he begins the play as an exemplary citizen. However faith in the traditions of the Roman system of government eventually leads to his death as others seek revenge.

Coriolanus is a tragedy by William Shakespeare, believed to have been written between 1605 and 1608. The play is based on the life of the legendary Roman leader Caius Marcius Coriolanus. The tragedy is one of the last two tragedies written by Shakespeare, along with Antony and Cleopatra. Coriolanus is the name given to a Roman general after his military success against various uprisings challenging the government of Rome. Following this success, Coriolanus becomes active in politics and seeks political leadership.

King Lear is a tragedy written by William Shakespeare. It tells the tale of a king who bequeaths his power and land to two of his three daughters, after they declare their love for him in an extremely fawning and obsequious manner. His third daughter gets nothing, because she will not flatter him as her sisters had done. When he feels disrespected by the two daughters who now have his wealth and power, he becomes furious to the point of madness. He eventually becomes tenderly reconciled to his third daughter, just before tragedy strikes her and then the king.

Romeo and Juliet is a tragedy written by William Shakespeare early in his career about two young star-crossed lovers whose deaths ultimately reconcile their feuding families. It was among Shakespeare's most popular plays during his lifetime and along with Hamlet, is one of his most frequently performed plays. Today, the title characters are regarded as archetypal young lovers. Romeo and Juliet had a profound influence on subsequent literature. Before then, romance had not even been viewed as a worthy topic for tragedy.

Othello is a tragedy by William Shakespeare based on the short story Moor of Venice by Cinthio, believed to have been written in approximately 1603. The work revolves around four central characters: Othello, his wife Desdemona, his lieutenant Cassio, and his trusted advisor Iago. Attesting to its enduring popularity, the play appeared in 7 editions between 1622 and 1705. Because of its varied themes — racism, love, jealousy and betrayal — it remains relevant to the present day and is often performed in professional and community theatres alike.

Cymbeline, also known as The Tragedie of Cymbeline or Cymbeline, King of Britain, is a play by William Shakespeare set in Ancient Britain (c. 10–14)[a] and based on legends that formed part of the Matter of Britain concerning the early Celtic British King Cunobeline. Although listed as a tragedy in the First Folio, modern critics often classify Cymbeline as a romance or even a comedy. Like Othello and The Winter's Tale, it deals with the themes of innocence and jealousy. While the precise date of composition remains unknown, the play was certainly produced as early as 1611.

As the generating force of its plot, Twelfth Night uses a device which has since become a staple in comedy: gender confusion. Viola and her twin brother Sebastian, are shipwrecked on the coast of Illyria, a country ruled by the melancholy Duke Orsino. The twins are separated and Viola is led to believe that her brother has perished. She disguises herself as a male under the name of Cesario and makes her way to the ducal court, where Orsino employs her as a messenger, to communicate his love to the reclusive lady, Olivia—who is not willing to return his affection.

Nachdem er sich im Krieg gegen die Norweger bewiesen hat, winken dem schottischen Ritter Macbeth Ruhm und Ehre. Doch das genügt ihm nicht. Denn auf dem blutigen Schlachtfeld wurde ihm von Hexen prophezeit, dass er zu Höherem berufen wäre: Nicht weniger als der Krone Schottlands! Aber der Weg zu diesem Ziel ist mit Leichen gepflastert und Macbeth muss einen hohen Preis dafür zahlen... Nach der Tragödie von William Shakespeare.

Meet naive, lovestruck Romeo and Juliet, the swashbuckling Mercutio, Juliet's comical nurse, wise Friar Laurence and more. A perfect introduction to this classic play.

Master storyteller Jim Weiss brings young listeners the glorious richness of two of Shakespeare's best loved plays, on a level children can grasp. Renowned storyteller Jim Weiss brings us the magic and mistaken identities of A Midsummer Night's Dream, and the comedy of The Taming of the Shrew.

Das Stück schildert, wie eine königliche Familie nach langen Jahren der Trennung auf wundersame Weise wiedervereint wird. Der Titel spielt offensichtlich auf den märchenhaften Charakter des gesamten Dramengeschehens an. Er unterstreicht aber auch die im Stück durch Struktur und Bildersprache entwickelten Analogien zwischen der Dynamik des menschlichen Schicksals und dem Zyklus der Jahreszeiten.

Set in 1920s Europe, this poignant dark academia novel sheds new light on Shakespeare’s masterpiece, finally allowing Laertes to tell his side of the story. Laertes Belleforest lives two lives: a wild, passionate one with his best friends studying Classics in Paris, and a stifling existence in the Danish court where the mercurial prince Hamlet constantly overshadows him. Now in his last year at university, Laertes must decide the kind of man he will become. But who is he, apart from the huge personalities that surround him and the secret guilt that haunts him?

"Mac" er en genfortælling af "Macbeth". Romanen beholder samme nerve og intimitet, som der er at finde i Shakespeares skuespil, men formidlet til et nyt, ungt publikum med en moderne sprogtone, storyline og setting. "Mac" er en del af "Shakespeare genfortalt"-serien, der vil modernisere de klassiske skuespil og genfortælle dem til et ungt publikum. Andre forfattere i serien er Laura Ringo, Sarah Engell, Mads Ananda Lodahl og Zakiya Ajmi.

"Vægten af et hjerte" er en genfortælling af "Købmanden i Venedig". Romanen beholder samme nerve og intimitet, som der er at finde i Shakespeares skuespil, men formidlet til et nyt, ungt publikum med en moderne sprogtone og storyline. "Vægten af et hjerte" er en del af "Shakespeare genfortalt"-serien, der vil modernisere de klassiske skuespil og genfortælle dem til et ungt publikum. Andre forfattere i serien er Kim Fupz Aakeson, Sarah Engell, Mads Ananda Lodahl og Zakiya Ajmi.

In the last decade of the 16th century, William Shakespeare could not dare write A Midsummer Night's (Wet) Dream unabridged. Due to the nature of his birth century, the Bard wrote in a poetic "Shakespearean Code", hinting at sexualities and paraphilia he fully intended to compose and expose his Elizabethan audience to. His intended "erotica for every fetish" morphed instead into a "humane and wise drama" by happenstance. But what if there was a multiversal reality where the Marquis de Sade deciphered the Shakespearean Code during his long stay at the lunatic asylum at Charenton?

Professor Farah Karim-Cooper has dedicated her career to the Bard, which is why she wants to take the playwright down from his pedestal to unveil a Shakespeare for the twenty-first century. If we persist in reading Shakespeare as representative of only one group, as the very pinnacle of the white Western canon, then he will truly be in peril.

This play is a dramatization of Boccaccio’s story of Gillette of Narbonne. Only the comic parts were of Shakespeare’s invention; he added the characters of the pusillanimous Parolles, the lofty courtier Lafew, the Clown Lavatch, and the long suffering Countess. He gave new depth and vitality to the leading characters, who are mere outlines in Boccaccio’s tale.