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Following the success of his acclaimed translations of Sir Gawain and the Green Knight and Pearl, Simon Armitage shines light on another jewel of Middle English verse. In his thoroughly enjoyable version, Armitage communicates the energy, charm and humour of the tale - the earliest example of a 'debate poem'. An unnamed narrator overhears a fierce verbal contest between the two eponymous birds, which moves entertainingly from the eloquent and highfalutin to the ribald and ridiculous.

In Paradise Lost, Milton produced a poem of epic scale, conjuring up a vast, awe-inspiring cosmos and ranging across huge tracts of space and time. And yet, in putting a charismatic Satan and naked Adam and Eve at the centre of this story, he also created an intensely human tragedy on the fall of man....

Taliesin's is one of the most important names in all Welsh literature - and one of its greatest mysteries. He has fascinated and inspired some of our greatest poets, including Tennyson and Robert Graves. He is a poet; a shape-shifter; a seer; a chronicler of battles fought, by sword and with magic, between the ancient kingdoms of the fifth- and sixth-century British Isles; a bridge between old Welsh mythologies and the new Christian theology; and a figure whose literary legend culminated with the compilation in 13th-century North Wales of The Book of Taliesin.

Warrior-prince Rama is about to be crowned Young King, when he hears the devastating news that his father, king of Ayodhya, has been tricked into banishing him to the forest. His devoted wife, Sita, insists on accompanying him in exile, but the evil 10-headed Lord Ravana has fallen deeply in love with the beautiful princess and steals her away. Aided by Hanuman, mighty captain of the monkeys, Rama sets out across the world to find her and destroy Ravana in a deadly battle.

A collection of the greatest poetry from the Romantic period, read by some of the 20th century’s most renowned actors. Love, romance and portrayals of nature are played out in these timeless readings of poetry written during the Romantic period. Performed by Richard Burton, Peter Orr, William Squire, Richard Marquand, Peggy Ashcroft, Margaretta Scott, Tony Church, Derek Godfrey, Patrick Garland, Gary Watson and Janette Richer. This collection includes poems from: William Wordsworth, Samuel Taylor Coleridge, William Blake, Lord Byron, Percy Bysshe Shelley, John Keats.

A collection of the funny, curious verse written during the 19th and 20th centuries, read by some of Britain's most renowned actors. Humorous and whimsical verse are collated together in these timeless readings of poetry from our funniest writers. Performed by Sir John Gielgud; Imogen Stubbs; Tim Pigott-Smith; Peter Orr; Wendy Hillier.

Universally admired and quoted, Shakespeare’s Sonnets have love, beauty and the passing of time at their heart. Featuring some of the best-known and best-loved lines in the history of poetry (‘Shall I compare thee to a summer’s day?’, ‘Love is not love which alters when it alteration finds’), these evocative sonnets explore passion, the fleeting nature of beauty and the essence of true and everlasting love.

Abordant les thèmes de la nature, de la vie et de la mort, la magnifique poésie de Paul Valéry invite le lecteur à l'introspection, à la découverte de son soi intérieur. Chacune de ses poésies, qu'elles soient longues ou courtes, font de ce recueil la marque de l'un de nos plus grands poètes.

Les sonnets parus en 1609 mais rédigés au fil des décennies précédentes résonnent encore aujourd'hui de part les thèmes intemporels qu'ils abordent, le désir, l'amour, la jalousie, le doute, la vieillesse, la mort. Ces 154 poèmes nous offrent à voir un concentré de l'univers shakespearien passionné, touchant, universel.

Masterfully read by award-winning narrator Mike Vendetti, travel to the town of Hamelin suffering from a rat infestation, when a piper dressed in multicolored ("pied") clothing appeared, claiming to be a rat-catcher. He promised the mayor a solution to their problem with the rats. The mayor, in turn, promised to pay him for the removal of the rats (according to some versions of the story, the promised sum was 1,000 guilders). The piper accepted and played his pipe to lure the rats into the Weser River, where they all drowned. The rest is a legend enjoyed for centuries.

It’s a dark and stormy night, and “The Raven”, read by award-winning narrator Mike Vendetti, transports us to a lonely chamber illuminated by firelight. The inhabitant who becomes the narrator hears a gentle tapping at the chamber door. The tapping is a raven who speaks one word, “Nevermore."

The Kalevala is a 19th-century work of epic poetry compiled by Elias Lönnrot from Karelian and Finnish oral folklore and mythology. The Kalevala was instrumental in the development of the Finnish national identity and the sense of nationality that led to Finland's independence from Russia in 1917. Beginning with the traditional Finnish creation myth, the Kalevala branches out into stories of the creation of the earth, plants, creatures, and the sky. There are many stories of, romance, kidnapping, seduction, and magical spell casting and singing.

The Nature of Things was written in the 1st century BC by Roman polymath Lucretius. It is written as a didactic poem, and explains Epicurean physics.

"The Passionate Shepherd to His Love", known for its first line, "Come live with me and be my love," is a poem written by the English poet Christopher Marlowe and published in 1599 (six years after the poet's death). In addition to being one of the best-known love poems in the English language, it is considered one of the earliest examples of the pastoral style of British poetry in the late Renaissance period. The poem was the subject of a well-known "reply" by Walter Raleigh, called "The Nymph's Reply to the Shepherd".

Probably one of the most dissected seduction poems ever written, "To His Coy Mistress" is a metaphysical poem written by the English author and politician Andrew Marvell (1621-1678) either during or just before the English Interregnum (1649-60). It was published posthumously in 1681. This poem is considered one of Marvell's finest and is possibly the best recognized carpe diem poem in English. Although the date of its composition is not known, it may have been written in the early 1650s.

Oscar Wilde was sentenced to two years in prison, part of which he spent in Reading Gaol. About five months after Wilde arrived at Reading Gaol, Charles Thomas Wooldridge, a trooper in the Royal Horse Guards, was brought to Reading to await his trial for murdering his common-law wife (and promptly presenting himself and confessing to a policeman) on 29 March 1896; on 17 June, Wooldridge was sentenced to death and returned to Reading for his execution, which took place on Tuesday, 7 July 1896 - the first hanging at Reading in 18 years. The poem is dedicated to him.

The Satires comprises a collection of satirical poems by the Latin author Juvenal written in the second century CE. Juvenal wrote in the Roman tradition of “satura”, a formal literary genre composed in dactylic hexameter rather than just witty criticism in any format. In a tone and manner that ranges from irony to rage, Juvenal criticizes the actions and beliefs of his contemporaries.

Parzival is a romantic poem written by Wolfram von Eschenbach in Middle High German. Regarded as one of the masterpieces of the Middle Ages, the romance was the most popular vernacular verse narrative in medieval Germany. Dated to the first quarter of the 13th century, the poem tells the story of the Arthurian hero Parzival and his quest for the Holy Grail. The most notable elements of the work are an emphasis on the importance of humility, compassion, and sympathy. Richard Wagner based his famous opera Parsifal on Parzival.

A man was hanged in Reading Gaol during Wilde's imprisonment there. In "The Ballad", written after his release, he tells of the horror of the event and its effect on himself and his fellow prisoners. First published 1898, under the pseudonym C.3.3 - the number by which Wilde was known in the prison, consisting of the cell block, landing number and cell number of his cell.

Nearly all Michael Angelo's sonnets express personal feelings, and by far the greater number of them were composed after his 60th year. To whom they were addressed, we only know in a few instances. Nothing is more clear than that Michael Angelo worshiped Beauty in the Platonic spirit, passing beyond its personal and specific manifestations to the universal and impersonal.