検索キーワード： 制作 "Macmillan Audio" ダークユーモア

It’s a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamed of coming for years—she hoped to shuck oysters and take sunset sails with her husband, only now she’s here without him, at rock bottom, and determined to have one last decadent splurge on herself.

Elsie Mabel Fitzpatrick is eighty-one years old. She's lived on her idyllic street, Kenny Lane, for sixty years--longer than anyone else. Aside from being a curmudgeon who minds everyone else's business, few would suspect that Elsie has a past that she has worked exceedingly hard at concealing. Because when it comes to murder, no one ever suspects little girls or old ladies. And Elsie Mabel Fitzpatrick, once a little girl and now an old lady, has a strange history of people in her life coming to a foul end.

Money is everything. Especially to John Self, a successful commercial director from London. He spends his days steeped in booze and pornography and prostitutes, lost in the hedonistic lifestyle of his peers. But John has bigger dreams, and he sets off for America on the invitation of the filmmaker Fielding Goodney in the hope of getting his first feature film, titled Good Money, off the ground. It is in America where John must contend with his degenerative proclivities, or risk the life he’s built.

Konrad Platt needs to get out of town. Heartbroken after his boyfriend leaves him for another man, Konrad abandons his life in London for the warm sun and blue surf of LA. He occupies a refined world of hard abs, VIP parties, and designer drugs that’s constantly, endlessly documented on social media. You know him from your various feeds - sunkissed, gym-ripped, and always having a better time than you. Or is he? North Morgan spins a story in brutal, addictive prose of excess and love that’s like nothing you’ve ever heard.

Welcome to the troubled world of Sellevision, America's premier retail broadcasting network. When Max Andrews, the much-loved and handsome (lonely and gay) host of "Slumber Sunday Sundown" accidentally exposes himself in front of twenty million kids and their parents during a "Toys for Tots" segment, Sellevision faces its first big scandal. As Max fails to find a job in television, another host, the popular and perky Peggy Jean Smythe is receiving sinister emails about her appearance from a stalker.

Sal, Max and Enzo Bruschetti have proved this over a lifetime of nefarious activity that they have kept hidden from law enforcement. Nowhere in any file, on any computer is there a record of anything illegal from which they have profited. But Max has a problem. His body is getting old and his doctor has told him to take it easy. Max has decided that the time has come for the family to retire. But when young actor Harry Murphy overhears the Bruschetti brothers planning changes to their organization.

The week of her wedding, The Bride is visited by a bird she recognizes as her dead grandmother because of the cornflower blue line beneath her eyes, her dubious expression, and the way she asks: What is the internet? Her grandmother is a parakeet. She says not to get married. She says: Go and find your brother. In the days that follow, The Bride's march to the altar becomes a wild and increasingly fragmented, unstable journey that bends toward the surreal and forces her to confront matters long buried.

Every member of The House, the most exclusive sorority on campus, and all its alumni, are beautiful, high-achieving, and universally respected. After a freshman year she would rather forget, sophomore Nina Kaur knows being one of the chosen few accepted into The House is the first step in her path to the brightest possible future. Once she's taken into their fold, the House will surely ease her fears of failure and protect her from those who see a young woman on her own as easy prey.

When Hester is diagnosed with terminal cancer on her fortieth birthday, she knows immediately what she must do: abandon her possessions and drive to California to kill her estranged father. With no friends or family tying her to the life she’s built in New York City, she quits her wildly lucrative job in corporate law and starts driving west. She hasn’t made it far when she runs into John, an environmental activist in need of a ride to different superfund sites across the United States.

Outside Los Angeles, a driver pulls up to find a young woman sitting on a large black box. She offers him $200,000 cash to transport her and that box across the country, to Washington, DC. But there are rules: He cannot look inside the box. He cannot ask questions. He cannot tell anyone. They must leave immediately. He must leave all trackable devices behind. As these eccentric misfits hit the road, rumors spread on social media that the box is part of a carefully orchestrated terror attack intended to plunge the USA into civil war.