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A thirty-nine-year-old unemployed rabbit owner whose boyfriend dumps her in a Reddit post. Out of options, she accepts an unusual opportunity from a man she stopped speaking to twenty years ago. If Dayna can transform Craig’s crumbling mansion—now home to a motley crew of college dropouts with big dreams—into a successful hype house, he can restore his birthright to its former glory . . . and she can resurrect her career from the dead.

When Cy Adler died, nobody saw it coming, least of all his daughter, Cammy. Almost thirty, slightly aimless, and living in a basement apartment in Astoria, Cammy is forced to slum it back to River Hill, her one-square-mile New Jersey hometown, to sit shiva. Cammy’s fraught relationship with her high-strung mother, Beth, never made coming home easy. Now, with her beloved father gone and pompous Rabbi Wiener buzzing around, she would rather be anywhere but crammed in her childhood bedroom, in a house filled with a smorgasbord of food brought over by consoling guests.

Life can’t go on like this – can it? This book is for everyone who has ever wanted more: more time, more meaning, more connection. Discontent is an audacious, darkly funny novel and perfect summer read about a young woman in Madrid whose carefully crafted office persona threatens to crack when she’s forced to attend her company’s annual retreat On the surface, Marisa’s life looks enviable. She lives in a nice apartment in the heart of Madrid, her friendly neighbour and lover Pablo lives downstairs, and she’s risen quickly through the ranks at a successful advertising agency.

Dame Ivy Compton-Burnett (1884-1969) was an English novelist who was a bestseller in the mid-20th century. She published eighteen highly acclaimed works of fiction in her lifetime, inspired by her own tragic experiences of family life. Her works consist mainly of dialogue and focus on family life among the late Victorian or Edwardian upper middle class. They deal with money, power, status, incest, adultery, murder, homosexuality – about which she was years ahead of her time – and all the passions and stresses of family life, described with brilliant wit and perception.

Saffy Huntley-Oliver's life is going great. Even better than usual! She's got a fabulous new boyfriend, Jonathan, and they are crazy in love; she has literally got away with (lots of) murder; her favourite hairstylist has got out of jail so she can finally get a proper blow-out; and now that she's no longer single, she can get back to her favourite hobby of killing all the bad men she can find.

A spiky, edgy collection of five wickedly funny stories spotlighting clear-eyed and “difficult” women who are navigating their identities as workers and women in contemporary Japan—a feminist, anti-capitalist modern classic published outside Asia and in English for the first time. The Dilemmas of Working Women is Fumio Yamamoto’s darkly witty look at modern Japanese women who are ambivalent about their lives and jobs

HEADCASE is a ten-episode comedy about neurotic rising hip hop star Ghost (Chris Redd) and his bumpy mental health journey as he navigates therapy, fame, and chaos. After a very public breakdown, his label forces him into sessions with a dorky, white therapist, Gordon (Will Stephen), who has never heard of Ghost.

Trowbridge Dispatch is part of the Trowbridge, Vermont series of novels and stories, wherein I.M. Aiken draws on her roots in public safety to narrate tales of the everyday heroes that every community depends on.

Joe Orton was among the towering geniuses of 1960s theatre. His life was tragically cut short in 1967, but he left behind him a handful of shocking and scabrous black comedies that will live on in the public imagination for years to come. Featured here are two of his lesser-known works, The Erpingham Camp and The Ruffian on the Stair, collected together as a double bill.

Nicholas has plenty of reasons to feel unstable: he’s fifteen, the child of divorced parents, living with his absent dad in the bleak Chicago suburbs, and an outsider at school. Then, one day in geometry class, he forgets how to breathe. The doctor says it’s just panic, but Nicholas suspects that his real problem might not be a psychiatric one: maybe the Greek god Pan is trapped inside his body.

Opening in the late 1980s as rave culture is born and moving into the 1990s, Men In Love reunites the Trainspotting crew for a riotous new journey. Renton, Spud, Sick Boy and Begbie leave heroin behind and seek joy, and the hope of redemption, on the dance floor. Each wants to feel alive in the closing years of Thatcher’s Britain, and they fill their days with sex and romance and trying to get ahead. Taking in Edinburgh, London, Amsterdam and Paris, the group charges towards an unexpected event: Sick Boy’s wedding day.

Panicked by his own mortality, despondent over his many failings as a writer and a man, Dunne leaves his wife and their three-year old child for the solitude of a crummy apartment off the Vegas Strip. There he plans to write an account of the city as he finds it; the book he ends up writing is "a fiction which recalls time both real and imagined."

As the only Black women at an antebellum-themed wedding, Kayla and Zorie should’ve known this heist was doomed from the start. They should never have come, but when their financial situation became dire, they agreed to hit one last wedding. Jaded and cynical Kayla has spent the last decade trying to fix her life since an angsty teen prank led to her arrest. Now, with her housekeeping job at a subpar hotel and her disappointing, Cinderella-esque relationship with her dad and obnoxious stepsister, she hates the life she’s built.

For Damir, time is money. He bikes around the city collecting food orders, rushing through the cycle lanes next to Uber drivers and grocery vans – and all the other people delivering your every desire. He arrives with your sushi rolls and fries and disappears into the night – Ping! Onto the next drop. He is invisible; one player in the boardgame of the city. But one summer’s evening, a chance encounter changes all the rules. Damir arrives on Decca’s doorstep with a bag of spilled edamame beans, in a postcode that could be another universe, and there’s an immediate connection.

Equal parts hilarious and achingly human, The Greatest Possible Good spans ten years in the lives of the Candlewicks, asking universal questions about what it means to live a good life and if there is a “right” way to be a good person, while introducing the world to one of the most memorable and dysfunctional families in contemporary literature.

Arthur Candlewick spends three days in a disused mineshaft with only his son’s drug stash, a book on the concept of ‘effective altruism’ and a bottle of medium-priced Bordeaux for company. When he emerges, he has made the life-changing decision to become a good man. Deciding to sell the family timber business and give away his wealth to charity, Arthur’s family become convinced that he has lost his mind. His university-bound daughter, Evangeline, wants to change the world but perhaps not at the cost of her own privileged life.

Der Eigenbrötler Nicol liebt nichts mehr als die malerische kleine Bucht samt Cottage und Bootshaus, die er auf der Hebriden-Insel Gigha gepachtet hat. Ausgerechnet dort will nun der beliebte schottische Schauspieler und Regisseur Jim McKechnie seinen neuen Film drehen. Als McKechnie Nicol androht, seine Kontakte spielen zu lassen, um Nicol von seinem geliebten Fleckchen Erde zu vertreiben, kommt es zu einem wüsten Streit zwischen den beiden Männern. Am nächsten Morgen spült das Meer Nicol eine Überraschung vor die Haustür: eine männliche Leiche im Kilt. McKechnie?

Years after escaping her unbearable artworld friends in New York for a new life in London, an unnamed writer finds herself back on the Lower East Side attending a dinner party hosted by Eugene and Nicole – an artist-curator couple – and attended by their pretentious circle. It’s the evening after the funeral of their mutual friend, a failed actress, and if the narrator once loved and admired Eugene and Nicole and their important friends, she now despises them all.

The women of Harrington Estates don't just sell homes, they sell dreams. And founder Amanda Harrington isn't just a woman - she's a brand. A star of the real estate and mumfluencer world, she expects only the best from her team. But behind the perfect façade, cracks are beginning to show. New arrival Bella is causing tension with her constant success, including securing the listing of a coveted £50 million mansion from dishy developer Simon - and she's been stepping on some toes in her Louboutins to get there.

Fleeing Scotland in the wake of family disgrace, 16-year-old Ida Campbell secures a scholarship at a failing girls' boarding school on a remote part of the south English coast. Despite the eccentricities of her new Headmistress, who warns her of the dangers of the Cold War and the ever-present threat of the bomb, St Anne's seems like a refuge to Ida. But all this is about to change. For a start, her new room-mate is the infamous Louise Adler, potential arsonist and total outcast.