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Yusuf Karamak ist nur dem Namen nach Türke, ihn verbindet nichts mit dem Land seiner Eltern. Nicht einmal die Sprache versteht er. Warum ein Erbe, ein Papagei, ein Birnbaum und ein Jugendfreund seiner Ehefrau trotzdem dazu führen, dass er sich ein Hotel in Side andrehen lässt, einen Esel kauft und beinah auf einen Kangal pinkelt ... nun, kauft das Buch und findet es heraus. Aber Vorsicht, für Lachflashs bin ich nicht verantwortlich.

"Langue de la misère", comme le disait Victor Hugo, langue des marginaux et des "mal vus" depuis le XIIIe siècle, l'argot a pour premier objectif d'exclure tout non-initié de la conversation.

Korede is bitter. How could she not be? Her sister, Ayoola, is many things: the favorite child, the beautiful one, possibly sociopathic. And now Ayoola’s third boyfriend in a row is dead. Korede’s practicality is the sisters’ saving grace. She knows the best solutions for cleaning blood, the trunk of her car is big enough for a body, and she keeps Ayoola from posting pictures of her dinner to Instagram when she should be mourning her “missing” boyfriend. Not that she gets any credit. Korede has long been in love with a kind, handsome doctor at the hospital where she works.

Ein Krieg bricht aus, eine Finanzkatastrophe ereilt die Menschheit – und dann wird sie auch noch von einem Virus heimgesucht, das alle Frauen unfruchtbar macht. In dieser schweren Stunde landet eine kleine, bunt zusammengewürfelte Gruppe Schiffbrüchiger mit dem Kapitän Adolf von Kleist auf einer fiktiven Galápagos-Insel. Während die übrige Menschheit ausstirbt, wird hier ein neues Menschengeschlecht mit winzigen Gehirnen begründet.

"Animal Farm" is Orwell's classic satire of the Russian Revolution - an account of the bold struggle, initiated by the animals, that transforms Mr. Jones's Manor Farm into Animal Farm - a wholly democratic society built on the credo that All Animals Are Created Equal. But are they?

You know those subtle tricks your coworkers are all guilty of? The constant nodding, pretend concentration, useless rhetorical questions? These tricks make them seem like they know what they're doing when in fact they have no clue. This behavior is so ingrained, so subtle, and so often mistaken for true intelligence that identifying it, calling it out, or compiling it into an exhaustive digest has never been attempted. Until now.

"I've experienced a whole lot the last few years and I have a lot to share. So I hope that you'll take a moment to sit back, relax and enjoy the words I've put together for you in this book. I think you'll find I've left no stone unturned, no door unopened, no window unbroken, no rug unvacuumed, no ivories untickled. What I'm saying is, let us begin, shall we?" (Ellen DeGeneres)

Adolf Hitler: Mit Charme, Scheitel und Youtube. Er ist wieder da: Adolf Hitler höchstpersönlich. Der Führer ist im globalisierten Deutschland des 21. Jahrhunderts auferstanden und versucht 2011 erneut, die Weltherrschaft an sich zu reißen. Aber wie erobert ein seit 70 Jahren verstorbener Diktator aus Berlin die Welt zurück? Klar, als Medienstar. Der Führer, der vergeblich seinen Bunker, seine Armee und eine Erklärung sucht, startet eine beachtliche Karriere als Adolf-Hitler-Imitator.

Heroic bookseller Laurent Letellier comes across an abandoned handbag on a Parisian street. There's nothing in the bag to indicate who it belongs to, although there's all sorts of other things in it. Laurent feels a strong impulse to find the owner and tries to puzzle together who she might be from the contents of the bag. Especially a red notebook with her jottings, which really makes him want to meet her. Without even a name to go on, and only a few of her possessions to help him, how is he to find one woman in a city of millions?

Chichikov, a mysterious stranger, arrives in a provincial town with a bizarre but seductive proposition for local landowners. He proposes to buy the names of their serfs who have died but who are still registered on the census, saving their owners from paying tax on them. But what collateral will Chichikov receive for these "souls"?

Tricked into a world of banished gods, demons, goblins, sprites and magic, Richter must learn to meet the perils of The Land and begin to forge his own kingdom. Actions have consequences across The Land, with powerful creatures and factions now hell-bent on Richter's destruction. Can Richter forge allegiances to survive this harsh and unforgiving world or will he fall to the dark denizens of this ancient and unforgiving realm? A tale to shake "The Land" itself, measuring 10/10 on the Richter scale, how will Richter's choices shape the future of The Land and all who reside in it?

Entrusted with the lives of Jesus Christ's top servicemen, YouTube superstars Matt Watson and Ryan Magee must travel to the farthest reaches of the earth and terminate public enemy number one: Osama bin Laden. Discovering along their journey that things aren't always so easy for two incredibly rich and handsome celebrities, the dynamic duo is put through the ultimate trial of courage, patriotism, and friendship.

A monument to sloth, rant and contempt, a behemoth of fat, flatulence and furious suspicion of anything modern—this is Ignatius J. Reilly of New Orleans, noble crusader against a world of dunces. The ordinary folk of New Orleans seem to think he is unhinged. Ignatius ignores them, heaving his vast bulk through the city's fleshpots in a noble crusade against vice, modernity and ignorance. But his momma has a nasty surprise in store for him: Ignatius must get a job. Undaunted, he uses his new-found employment to further his mission.

B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film by an enigmatic outsider - a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made, a three-month-long stop-motion masterpiece that took its reclusive auteur 90 years to complete, B. knows that it is his mission to show it to the rest of humanity.

The “best short story writer in English” (Time) is back with a masterful collection that explores ideas of power, ethics, and justice, and cuts to the very heart of what it means to live in community with our fellow humans. With his trademark prose—wickedly funny, unsentimental, and perfectly tuned—Saunders continues to challenge and surprise: here is a collection of prismatic, deeply resonant stories that encompass joy and despair, oppression and revolution, bizarre fantasy and brutal reality.

Maria, Niall and Celia have grown up in the shadow of their famous parents. Their father is a flamboyant singer and their mother is a talented dancer. Now pursuing their own creative dreams, all three siblings feel an undeniable bond, but it is Maria and Niall who share the secret of their parents' pasts.

A Feast of Hungry Ghosts combines Magic Realism, Chronicle, and Travelogue, exploring the cognitive dissonance, muck-raking, and duplicity of our times, to unearth humanist catch-22’s and provide clues to reconcile the past. Set in contemporary Taipei, Taiwan, this darkly ironic satire challenges current, dominant American “woke” academic thought regarding memory, sex, race, and desire.

Inhuman Fruit is the story of a modern-day ne’er-do-well, known only as The Rabbi. Known by most, beloved by some, and to several an object of lust, his ability to get into mischief is unparalleled.

Poems filled with emotions that ignite the senses.

All Calvin Elkan has ever wanted to do is escape his mother and her Pentecostal church, the Lighthouse. Calvin is eternally at odds with the brutal abuses and ignorance of his upbringing in a right-wing evangelical sect in Ohio. Under the guidance of his great-grandfather, he turns to art and music to escape his mother’s blows and the grip of the Lighthouse. He spins the dark world around him into a satirical comic called The Brother Cobweb Chronicles. After high school, Calvin moves out and enrolls in art school, finally free of his oppressive childhood home.