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"Jeg har fortalt, at jeg levede adskilt fra den synlige verden, men jeg har ikke sagt, at jeg levede alene. Intet menneske kan leve i total ensomhed. I mangel af fællesskab med de levende, vil han uundgåeligt søge fællesskab med eksistenser, der ikke hører til den fysiske verden, eller hvis livscyklus for længst er tilendebragt." Denne novelle er forfattet i juni 1917 af H. P. Lovecraft og udgivet første gang i 1922 i marts-nummeret af The Vagrant.

It is autumn 1981 when inconceivable horror comes to Blackeberg, a suburb in Sweden. The body of a teenager is found, emptied of blood, the murder rumored to be part of a ritual killing. Twelve-year-old Oskar is personally hoping that revenge has come at long last—revenge for the bullying he endures at school, day after day. But the murder is not the most important thing on his mind. A new girl has moved in next door—a girl who has never seen a Rubik’s Cube before, but who can solve it at once. There is something wrong with her, though, something odd.

Still grieving his toddler’s death, Detective Dan Brennan of the Philadelphia P.D. returns to the force and is assigned to investigate a socialite’s fatal fall down her mansion’s staircase. But the open-and-shut case is turned on its head when the victim’s daughter alleges her mother was murdered. Her evidence? The dead. The vintage photographs of past murder victims displayed on the mansion’s walls have told her so. Compelled to listen to the reclusive teen’s pleas, Brennan begins to investigate her mother’s death and the disturbing secrets hidden in that house.

When her life as a New York City attorney becomes an unbearable moral burden, Lois Golden packs up her teenage daughter Janet and heads to rural Vermont to fulfill her childhood dream of owning a small town inn. However, this inn holds a wealth of dark secrets, full of deceit, death, and horrifying experiments that have left an undeniable mark of evil. When a vengeful spirit emerges, forcing all within the inn to experience their greatest fears, will Lois be able to fight back and salvage her dream from the nightmare it has become?

Mary Shelley began writing Frankenstein when she was only eighteen. At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of committed science student Victor Frankenstein and his creation. Obsessed with discovering the cause of generation and life and bestowing animation upon lifeless matter, Frankenstein assembles a human being from stolen body parts but; upon bringing it to life, he recoils in horror at the creature's hideousness.

Robert Louis Stevenson's masterpiece of the duality of good and evil in man's nature sprang from the darkest recesses of his own unconscious—during a nightmare from which his wife awakened him, alerted by his screams. More than a hundred years later, this tale of the mild-mannered Dr Jekyll and the drug that unleashes his evil, inner persona—the loathsome, twisted Mr Hyde—has lost none of its ability to shock. Its realistic police-style narrative chillingly relates Jekyll's desperation as Hyde gains control of his soul.

Bram Stoker’s masterpiece, in which the instantly recognisable Count Dracula plans to sate his dreadful appetites in England only to be thwarted by an intrepid band of friends, remains an enthralling story. Exploring themes of sexuality, religion, technology and good versus evil, and told through journal entries, letters and telegrams, its cultural and literary significance is undisputed.

In the spring of 1912, American writer Arthur Pearce is reeling from the wounds inflicted by a disastrous marriage. But his plans to travel abroad, write a new novel, and forget about his ex-wife are interrupted by a young woman he encounters on a London-bound train. Her name is Sarah Coyle, and the tale she tells him chills his blood. Sarah’s younger sister has been entranced by Count Richard Dunning, who is rumored to dabble in bizarre religious rites and experimental medicine. Arthur agrees to help, but he has no idea of what awaits him at Altarbook, Sarah’s ancestral mansion

A glimpse of eight-year-old Ivor in a pretty market town inspires young artist Gemma Palmer to write and illustrate a children’s book. Gemma next meets Ivor when she is 29 and he 16. They become lovers, to the consternation of Gemma’s friends…for the real Ivor is quite different from the sunny character she turned him into in her much-loved books. Lurking in the secret places of his heart are impulses that are dangerous and malign. It can only be a matter of time before they are released, ready to strike. But when? Where? At whom?

Shirley Dobbins wants nothing more than to live a quiet life and become a head housekeeper at a prestigious house. So when she is invited to come work for the mysterious baronet Sir Joseph Hunting at his estate, she thinks it is the chance of a lifetime. However, from the moment she arrives, things are not what they seem. As she becomes wrapped up in more of the baronet's radical science, she realizes something dark and otherworldly is loose within the estate. And if left unchecked, it'll claim the lives of all she holds dear.

A body found hanging from the ceiling fan in the tower room of the old manor house on Storm Island: For 19 years, Kate Pomeroy has suppressed that memory. A second-year resident in surgery, she thinks she has her life under control. But a curious conversation overheard while taking a catnap launches her on a descent into a world filled with nightmarish visions that cause her to doubt her own sanity. Sent to Storm Island to rest and recuperate from an apparent breakdown, Kate is forced to come to grips with memories of the summer her mother died as well as new terrors.

It’s 1852 and Margaret Lennox, a young widow, attempts to escape the shadows of her past by taking a position as governess to an only child, Louis, at an isolated country house in the west of England. But Margaret soon starts to feel that something isn’t quite right. There are strange figures in the dark, tensions between servants, and an abandoned east wing. Even stranger is the local gossip surrounding Mrs. Eversham, Louis’s widowed mother, who is deeply distrusted in the village.

Man weiß nicht viel vom alten Fettes - außer dass er ein trinkfester Schotte mit medizinischem Wissen ist, der nicht viel spricht. Eines Tages jedoch gibt es einen medizinischen Notfall. Als Fettes den Namen des Notarztes hört, wird er leichenblass: McFarlane! Etwa der McFarlane, mit dem Fettes damals Leichname für den Anatomiekurs auf nächtlichen Friedhöfen ausgegraben hatte? Eine wunderbar klassische Gruselgeschichte für Fans des Genres.

Was hat es mit der krummen Janet nur auf sich? Alle Bewohner des Dorfes schwören, sie sei vom Teufel besessen. Allerdings: Pastor Soulis ist ein unerschrockener Mann. Und so nimmt er sie als Haushälterin in seinen Dienst... Klassische Schauergeschichte, die seit jeher als eines der Meisterwerke des Genres gilt.

With the stroke of a pen, twenty-three-year-old Ivy Radcliffe becomes Lady Hayworth, owner of a sprawling estate on the Yorkshire moors. Ivy has never heard of Blackwood Abbey, or of the ancient bloodline from which she’s descended. With nothing to keep her in London since losing her brother in the Great War, she warily makes her way to her new home.

The Ambrose curse has stopped Amelia from following her heart. She’s accepted her fate as part of the generations of Ambrose women who’ve lost their husbands too young. So Amelia is determined to never marry, to never allow herself to fall in love. Grigg Edison has been patient long enough. Two years, in fact. When Amelia confesses that she’s ready to test the power of the curse, all he wants is a chance. He’ll do anything, including risking his heart to uncover the origin of the ancient legend. But for Amelia, the risk may be too great, and the roots of family lore too deep.

Once upon a time, a man who believed in fairy tales married a beautiful, mysterious woman named Indigo Maxwell-Casteñada. He was a scholar of myths. She was heiress to a fortune. They exchanged gifts and stories and believed they would live happily ever after—and in exchange for her love, Indigo extracted a promise: that her bridegroom would never pry into her past. But when Indigo learns that her estranged aunt is dying and the couple is forced to return to her childhood home, the House of Dreams, the bridegroom soon finds himself unable to resist.

Nell'ascolto di Hotel Thoreau verrete trasportati in un mondo denso di realismo soprannaturale, in una raccolta di racconti brevi che toccano il genere horror, psicologico e grottesco attraverso atmosfere cupe, di prigionia ed esilaranti. Emmanuele Rossi riesce a sfiorare genere dopo genere senza forzature e senza rimanerne incastrato. Questo alternarsi di stili ha dato vita a sequenze narrative particolari e uniche, ma allo stesso tempo naturali e accoglienti. Utilizzando le sue parole, quella che incontrerete, è una "narrativa dimezzata".

On her 16th birthday, Marianne’s world gets turned upside down. After her parents die suddenly in an accident, she and her brother, Marcus, must fend for themselves as they adjust to a new life with a dysfunctional extended family. Marianne begins to unravel one dark secret after another, revealing a sinister past and awakening the spirits who inhabit Azalea House, the Southern Louisiana estate owned by her family for generations. Among those spirits are her dead twin brothers, who drowned under mysterious circumstances before Marianne was born.

In the midst of the woods stands a house called Lichen Hall. This place is shrouded in folklore—old stories of ghosts, of witches, of a child who is not quite a child. Now the woods are creeping closer, and something has been unleashed. Pearl Gorham arrives in 1965, one of a string of young women sent to Lichen Hall to give birth. And she soon suspects the proprietors are hiding something. Then she meets the mysterious mother and young boy who live in the grounds—and together they begin to unpick the secrets of this place.