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For as long as Adam can remember, the legends passed down from his world-traveling grandfather have called him to a crumbling manor in the Highlands. His closest friend Nicola longs for the same adventure, as well as for Adam himself. She'll follow him just about anywhere—even to the remote wilds of Scotland—if it pushes the pair to surrender to their shared attraction.

Folklore 517: Local Legends and Urban Myths, taught by a woman called the Professor. Most students believe the Professor's stories are just fiction. There isn't a man in Hollywood who you can call to find out the time you'll die. There's not a haunted hotel bar in Los Angeles that the devil likes to frequent. There's no such thing as magic. But, most students don't have the same tragic past as Holland St. James.

Folklore 517: Local Legends and Urban Myths, taught by a woman called the Professor. Most students believe the Professor’s stories are just fiction, but Holland St. James has always been convinced that magic is real. When she tracks down a local legend named the Watch Man, who can supposedly tell you when you’ll die, the world finally makes sense. Except that the Watch Man tells her she will die at midnight tomorrow unless she finds an ancient object called the Alchemical Heart.

There are places on earth where nature’s powers gather. Girls raised there are bequeathed strange gifts. A few have powers so dark that they fear to use them. Such a place is Wild Hill, on the tip of Long Island. For centuries, the ghost of a witch murdered by colonists claimed the beautiful and fertile Wild Hill…until a young Scottish woman with strange gifts arrived. Sadie Duncan was allowed to stay.

In Man, F*ck This House, Sabrina Haskins and her family have just moved into their dream home. At first glance, the house is perfect. But things aren’t what they seem. Sabrina’s hearing odd noises, seeing strange visions. Their neighbors are odd or absent. And Sabrina’s already-fraught relationship with her son is about to be tested in a way no parent could ever imagine. Because while the Haskins family might be the newest owners of this house, they’re far from its only residents …

December, 1914: After the death of her aunt, Alma Timperley is surprised when she suddenly finds herself the heiress to the Timperley Spiritualist Hotel in a pretty coastal town in Cornwall. But not everything is as it seems... the hotel offers guests a very special service: the chance to communicate with the dead.

Nestled in the shadowy embrace of ancient oaks, the Idlewood Plantation whispers with secrets of the past. Carrie Jo and Ashland, bound by fate and mysteries untold, find themselves once again at Idlewood's enigmatic threshold. A fortuitous stroke of luck grants them a chance to complete their unfinished work, but the plantation's eerie corridors are not done with them yet.

Longtime residents of Harper’s Cove believe that something is wrong with the Widow’s Point Lighthouse. Some say it’s cursed. Others claim it’s haunted. Originally built in 1838, three workers were killed during the lighthouse’s construction, including one who mysteriously plunged to his death from the catwalk. That tragic accident was never explained, and it was just the beginning of the terror. In the decades that followed, nearly two dozen additional deaths occurred in or around the lighthouse.

Once a prominent fixture in Omaha’s high society, Nina Wilson is now drowning in debt and disgrace following the untimely death of her father. Her engagement has been broken off, her family’s grand estate has fallen into disrepair, and her mother, consumed by grief, is incapable of running the household.

There'd always been something wrong with Charlie Hall. Crooked from the day she was born. Never met a bad decision she wasn't willing to double down on. She may be good enough to steal a shadow from a tower, but will she be good enough to steal back a heart?

A classic of alienation and horror, The Birds was immortalised by Hitchcock in his celebrated film. The five other chilling stories in this collection echo a sense of dislocation and mock man's sense of dominance over the natural world.

In the present day, following the break-up of a controlling marriage, single mother Nell moves into the crumbling Victorian Merry Hall with her teenage daughter, Fern. She’s determined to make a new life but the noises, moving objects, and strange smells in her new home make her increasingly unsettled.

Many full moons ago, a young American boy with ambition in his belly and the moon in his veins followed his destiny west, determined to carve a path to success no matter the carnage. Two centuries later, a city is captivated by the strange and savage murder of a young woman. Her roommate, Natasha, no longer able to afford their apartment alone—and hounded by both rumors of wolves and a pop-star’s angry fan-swarm—has resorted to living in her car. There’s nothing left for her ... except vengeance.

The Berisha family runs one of the largest import-export companies in the world, and they’ve always been lucky. Their rivals suffer strokes. Inconvenient buildings catch on fire. Earthquakes swallow up manufacturing plants, destroying harmful evidence. Things always seem to work out for the Berishas. They’re blessed. At least that is what Zef, the patriarch, has always told his three children.

Rachel Galloway is bored in class. She spends the dreary fall days sketching in her notebook—adorable pigs munching on her boring teachers—and imagining a utopia where all the horrors of Burnskidde High School disappear. But when her classmates start to believe this utopia could be real, Galloway finds herself at the center of an elaborate, and quickly spreading, new religion. Before long, the town is split between believers and nonbelievers. As tensions rise and the rituals become more dangerous, Galloway can’t be sure what’s real and what’s not, or who she can trust.

Nathan Underhill is right at the cutting edge of stem-cell research: attempting to recreate mythological creatures in order to cure medical conditions like Alzheimer’s and MS. After five years of research, he loses his funding. He discovers that Doctor Zauber, owner of the local care home, has brought to life the basilisk, which could reputedly kill any living thing with a single stare. When Nathan’s wife, Grace, is put into a coma after nearly being killed, Nathan is forced to choose...

Braydon Harris and Suki, his little girl, are leaving her grandparent's house when a huge truck jack-knifes in front of their car. Suki is thrown from the vehicle and ends up in hospital suffering with terrible burns. Luckily, cryptozoology professor Nathan Underhill is working on a perfect cure. Underhill breeds mythological beasts, and lately he's been working with the legendary phoenix – whose cells he believes might hold exceptional healing properties against burns.

A series of horrific fires has left top arson investigator Ruth Cutter baffled. The victims seem to have nothing in common except the unnatural intensity of the flames that engulfed them—and the child who haunts each crime scene. Ruth doesn't believe in the paranormal—in her job she needs to be level-headed, factual. She can't be distracted by superstitions and coincidences.

Fifteen years ago, on Halloween night, a group of teenagers performed a summoning ritual on Hallows Hill. The next day, one of them was dead. Mia has never forgotten the chilling vision she saw that night, and which she believes foretold the death. Now the remaining friends gather for Halloween again. But when another death occurs, Mia starts to doubt everything around her. Is there a malevolent supernatural force that means them harm, or is human evil at play? Mia must take a long, hard look at her friends, herself and the folklore of Hallows Hill.

Miles away from town or city, and centuries away from civilization, three witches dance around a great brass cauldron, singing songs of horror and hatred. The Crone raises her voice to ask: “When shall we three meet again?” … only for the cauldron to emit a thick, poisonous smoke, sending her, and her fellow actresses, fleeing for their lives. For the director, it’s the last straw. Macbeth is famously a cursed play, but the incident, not the first in a long line of creepy events, makes him wonder if someone—or something—is trying to sabotage the play.