検索キーワード： 大衆文化

For more than forty years, Diana, Princess of Wales, has been mythologized to the most extraordinary degree. Adored and lionized by some, ridiculed and traduced by others, Diana has always commanded a cultural presence unmatched by any other member of the royal family. In Dianaworld, Edward White offers both a portrait of the princess and a group portrait of those who existed in her orbit—from her royal in-laws, her servants, and the dilapidated ranks of the British aristocracy from which she rose, to drag performers, artists, Britain’s ethnic minorities, and the Gen Z superfans.

Why does the Twilight saga continue to inspire both passionate fandom and heated critique? In Why We Love (and Hate) Twilight, Sarah Elizabeth Gallagher unpacks the cultural obsession with Bella Swan, Edward Cullen, and the supernatural love story that redefined YA literature and pop culture forever.

As an internet culture critic for The New York Times, Amanda Hess had built a reputation among readers as a sharp observer of the seductions and manipulations of online life. But when Hess discovered she was pregnant with her first child, she found herself unexpectedly rattled by a digital identity crisis of her own. In the summer of 2020, a routine ultrasound detected a mysterious abnormality in Hess’s baby. Without hesitation, she reached for her phone, looking for answers.

Elevate beyond the everyday into a mind-space of fashion. Let your mind wonder, into a realm of thoughts about style. Enjoy fanciful lyrics and imagine living among the elite; in the fashion scene.

In this blazing, razor-sharp takedown of popular culture in the twenty-first century, Girl on Girl turns 90s and 00s nostalgia on its head, and shows how the media of that era repackaged the feminist movement as a containable, commodifiable (and hugely successful) product: 'Girl Power'. From the Spice Girls to the Kardashians, to #GirlBoss and OnlyFans, Pulitzer Prize-finalist Sophie Gilbert illustrates how the cultural forces of the last few decades have systematically shaped - and warped - women's relationships with themselves and other women.

This book provides an engaging, rigorous and thought-provoking exploration of cancel culture. Listeners will leave with a nuanced understanding of its complexities, ethical dimensions, and long-term implications. Cancel culture has emerged as one of the most controversial and complex phenomena in modern society. This course provides a deep dive into its origins, mechanisms, ethical debates, and real-world consequences. We will critically examine the role of social media, corporate responses, public backlash, and the psychological and societal effects of cancellation.

"Atenție, nelegiuiții pe două roți nu mai sunt la porțile orașului! Sunt chiar printre noi!" Așa ar fi sunat titlul vreunui ziar local din America anilor 1960 după ce Hell’s Angels ar fi dat năvală în oraș, doar ca să se distreze în stilul lor caracteristic: motoare, raiduri, femei, droguri și bere. Mituri, exagerări sau adevăruri îngrozitoare? Prejudecăți sau fapte dovedite? Ziariștii îi adorau pentru că le ofereau subiecte de scandal, iar publicul era fascinat de aerul lor amenințător și, într-un fel, misterios de răzvrătiți și antieroi neînțeleși.

What happened to feminism in the twenty-first century? This question feels increasingly urgent after a period of cultural and legislative backlash, when widespread uncertainty about the movement’s power, focus, and currency threatens decades of progress. Sophie Gilbert identifies an inflection point in the late 1990s and early 2000s, when the energy of third-wave and “riot grrrl” feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization.

We all deal with bad days and hard times that leave us feeling frustrated, angry, and defeated. Bestselling author and self-proclaimed instigator “The Captain” is the funny and wise friend we need most in times like these: someone who tells it like it is and gives us the tough-love advice we need to get back up and meet our challenges head on.

This Must Be the Place introduces and examines music's relationship to cities. Not the influence cities have on music, but the powerful impact music can have on how cities are developed, built, managed, and governed.

Released in January 2019 with assistance from BePublished.org, CLEARING THE AIR is Author Mylia Tiye Mal Jaza’s 28th published work and her first of 12 solely dedicated to utilizing “fear-facing” or “embarrassment therapy” to push herself and others away from any lingering fear that keeps them trapped by lies and prevents them from completing goals or finding prolonged peace.“

Laughing Through the Stink: Fart Humor for the Humorless dives into the surprisingly sophisticated world of flatulence comedy. From the science behind farts to their place in literature, workplace pranks, and viral social media moments, this book offers a hilarious yet insightful look at why passing gas has universal appeal. Whether you’re the life of the party or someone who needs a little push to embrace your silly side, this guide will have you giggling through every pfft and blarp. Perfect for anyone who’s ever wondered, “Why are farts so funny?”—even if they won’t admit it!

When the Going Was Good is Graydon Carter's lively recounting of how he made his mark as one of society's most talented editors and shapers of culture. Carter arrived in New York from Canada with little more than a suitcase, a failed literary magazine in his past and a keen sense of ambition. He landed a job at Time, went on to work at Life, cofounded Spy magazine and edited The New York Observer before catching the eye of Condé Nast chairman Si Newhouse, who tapped him to run Vanity Fair.

As all aspects of our social and informational lives increasingly migrate online, the line between what is "real" and what is digitally fabricated grows ever thinne rand that fake content has undeniable real-world consequences. A History of Fake Things on the Internet takes the long view of how advances in technology brought us to the point where faked texts, images, and video content are nearly indistinguishable from what is authentic or true.

Singer-songwriter. Trailblazer. Mastermind. The Beatles of her generation. From her genre-busting rise in country music as a teenager to the economic juggernaut that is the Eras Tour, Taylor Swift has blazed a path that is uniquely hers. But how exactly has she managed to scale her success—multiple times—while dominating an industry that cycles through artists and stars like fashion trends? How has she managed to make and remake herself time and again while remaining true to her artistic vision?

Since her canonical 2017 essay “On Liking Women,” the Pulitzer Prize-winning critic Andrea Long Chu has established herself as a public intellectual straight out of the 1960s. With devastating wit and polemical clarity, she defies the imperative to leave politics out of art, instead modeling how the left might brave the culture wars without throwing in with the cynics and doomsayers. Authority brings together Chu’s critical work across a wide range of media—novels, television, theater, video games—as well as an acclaimed tetralogy of literary essays first published in n+1.

With a bit of know-how and money, you, too, can have it all. At least, that's what teen pop culture was selling in surround sound at the turn of the millennium. From movies like Clueless to TV's Dawson's Creek to the music videos on MTV's Total Request Live and the catalogs of Abercrombie & Fitch, a consumer-minded ethos drove pop culture storytelling as millennials came of age in the late 1990s and early 2000s. But in the long shadow of the Great Recession, the upwardly mobile aspirations fostered by the era's popular culture and media seem to have been thwarted.

EP06: Quadrinhos

At the ripe age of three, Mike Drucker got his very first Nintendo console—the Nintendo Entertainment System—and he was hooked. Every video game felt like a new chapter was opening in his life, expanding his world for the better and—sometimes—for worse. In this fond and joyful memoir, Drucker combines ridiculous personal stories and fascinating gaming history to explore the poignant ways that electronic entertainment can save us from ourselves. Good Game, No Rematch is a love letter to video games and the people who play them, from a very nerdy voice in the world of comedy.

Contemporary cultural style boosts transparency and instantaneity. These are values absorbed from our current economic conditions of disintermediation: cutting out the middleman. Like Uber, but for art. Immediacy names this style to make sense of what we lose when the contradictions of twenty-first-century capitalism demand that aesthetics negate mediation. Surging realness as an aesthetic program synchs with the economic imperative to intensify circulation when production stagnates. Flow is the ultimate twenty-first-century buzzword, but speedy circulation grinds art down to the nub.