検索キーワード： 美学

Are you tired of repeating the same old patterns that leave you feeling alone and unheard? You're not the only one. Studies show that unresolved conflicts and lack of emotional intimacy are among the top reasons couples split up or live in misery. But what if you could change all that starting today? What if you had the tools to build a love that lasts—passionate, honest, and unbreakable? That's where Shadow Work Guide for Couples comes in. In this intimate guide, you'll embark on a transformative journey into the hidden depths of yourself and your partner.

What happens when we die? Life begins with an orgasm, can this be topped at the end? The greatest moment of the author's life was watching his mother-in-law die. At this moment, observing her in a state of ecstasy, he came to understand death maybe is not the end. This began his years of work as a hospice volunteer and a student of the sometimes supernatural dying process.

As an interiors photographer, Penny Wincer found that walking through a stranger’s home, listening to them explaining the history of the space, and the meaning of precious objects, was one of most joyful aspects of her work. And in Home Matters Penny does exactly that, taking us through the houses of 13 artists, designers and writers, inspiring us to reflect on how we want our own homes to feel.

Many of the artists that we encounter are completely unaware of the mathematics that bubble beneath their craft, while some consciously use it for inspiration. Our instincts might tell us that these two subjects are incompatible forces with nothing in common – mathematics being the realm of precise logic and art being the realm of emotion and aesthetics – but what if we’re wrong? Blueprints asks us to consider that mathematics and art may not be polar opposites after all.

La elegancia, en su etimología, está emparentada con la elección (eligĕre), de tal manera que una persona elegante, entre otras cosas, es aquella que sabe elegir. El pensamiento elegante moldea a un sujeto que no lucha por mostrarse distinto entre la multitud sino que se eleva hacia una vida distinguida.

While much recent ecocriticism has questioned the value of nature as a concept, Thought's Wilderness insists that it is analytically and politically indispensable, and that romanticism shows us why. Without a concept of nature, Greg Ellermann argues, our thinking is limited to the world that capitalism has made. Defamiliarizing the tradition of romantic nature writing, Ellermann contends that the romantics tried to circumvent the domination of nature that is essential to modern capitalism.

Artists have learnt to pay attention. The rest of us spend most of our time on auto-pilot, rushing from place to place, our overfamiliarity blinding us to the marvellous, life-affirming phenomena of our world. But that doesn't have to be the case. In his typical engaging style, Will Gompertz takes us into the minds of artists - from contemporary stars to old masters, the well-known to the lesser-so, and from around the world - to show us how to look and experience the world with their heightened awareness.

The central argument of Chromophobia is that a chromophobic impulse—a fear of corruption or contamination through color—lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge color, either by making it the property of some foreign body—the oriental, the feminine, the infantile, the vulgar, or the pathological—or by relegating it to the realm of the superficial, the supplementary, the inessential, or the cosmetic.

Your artistry involves you intimately with the world around and beyond you. So your artistry involves profound but simple philosophical matters. As a human person, you are artful and philosophical, at the core of your being. Doorway to Artistry offers a playful, everyday philosophical approach necessary for life, integration, healing, and thriving in artistry. It reflects on the real and how we are involved with it, especially in our creative effort. In short, the real hospitably welcomes us, and in our artistry we reciprocate in noble courtesy.

Featuring an enlightening introduction by the book's translator, Michael T. H. Sadler, providing generational and cultural context for Kandinsky and his work, Concerning the Spiritual in Art gives testimony to the mind and creative expression of Kandinsky and other artists of his generation. This seminal and thought-provoking book exploring the heart of the artistic endeavor belongs in the library of every serious artist and student of modern art.

Desde o garbo e a elegância nos primeiros anos da República até a atual banalização das cirurgias plásticas, História da beleza no Brasil trata das transformações ligadas aos padrões estéticos e aos cuidados com o corpo, mas também do martírio causado pela feiura e da tumultuada luta para driblar o envelhecimento, a solidão e o fracasso.

What part of your beautiful self were you taught to hate? We spend a lot of time trying to improve our 'defects', according to society's ideals of beauty. But these ideals that are often reductive, tyrannical and commercially entangled, imposed upon us by oppressive systems and further strengthened by our conditioned self-loathing. This book encourages unruliness, exploring the ways in which we can rebel against and subvert the current system.

Received opinion holds that art is culturally determined and relative. We are told that whether a picture, a movement, a text, or sound qualifies as a "work of art" largely depends on social attitudes and convention. Drawing on examples ranging from Paleolithic cave paintings to modern pop music and building on the ideas of James Joyce, Oscar Wilde, Gilles Deleuze, Carl Jung, and others, J.F. Martel argues that art is an inborn human phenomenon that precedes the formation of culture and even society.

The book draws on history and sociology, and more personally on the author's early career as a professional cellist, as well as on his later work as a city planner and social thinker. It traces the evolution of performing spaces in the city; the emergence of actors, musicians, and dancers as independent artists; the inequality between performer and spectator; the uneasy relations between artistic creation and social and religious ritual; the uses and abuses of acting by politicians. The Janus-faced art of performing is both destructive and civilizing.

Philosopher Alva Noë explores the inseparability of life, art, and philosophy, arguing that we have greatly underestimated what this entangled reality means for understanding human nature. Life supplies art with its raw materials, but art, Noë argues, remakes life by giving us resources to live differently. Our lives are permeated with the aesthetic. Indeed, human nature is an aesthetic phenomenon, and art is the truest way of understanding ourselves. All this suggests that human nature is not a natural phenomenon.

L'idea che la bellezza sia qualcosa di oggettivo e naturale è una superstizione moderna. Infatti non è mai esistita un'epoca in cui non convivessero estetiche e sensibilità diverse. Il culto della bellezza è diventato una prigione solo di recente: quando le coercizioni materiali verso le donne hanno iniziato ad allentarsi, il canone estetico nei confronti del loro aspetto è diventato rigido e asfissiante, spingendole alla ricerca di una perfezione irraggiungibile.

The idea that a small group of dedicated aspirants could work together to help dissipate the heavy enshrouding glamours which oppress humanity and deflect the light of truth, was initially quite a startling one. Spiritual progress has for so long held no meaning for the individual other than his own personal growth, that to consider spiritual experience in direct relation to world conditions is for many a revolutionary idea.