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Las ideas artísticas de Ayn Rand que completan su sistema filosófico. En su filosofía moral, Ayn Rand ensalza la virtud del egoísmo, y en su concepción del arte no es menos radical. Este libro contiene su original y audaz teoría estética, que estipula los principios indispensables para juzgar una obra de arte de manera objetiva. Rand sostiene que esos estándares objetivos son posibles porque el arte es una necesidad fundamental de la vida y tiene una función esencial como expresión condensada de la mente racional del ser humano.

But what is inspiration? When we train artists, we typically identify them by their talent and train them in technique. We talk very little about the crucial creative spark of inspiration. Where does it come from? What does it want from us? How can we get more of it? In The Discipline of Inspiration, Carey Wallace meditates on this vital spark and on the ways artists have negotiated with it across genres and throughout history.

This numismatic edition of Andrew Weston's modern translation is richly annotated with living historical context to enhance your experience of the ancient philosophy text. The deeply personal thoughts in Marcus Aurelius’ Meditations reach out across the ages, resounding with truth and meaning…. an antidote to chaos now, as it was then. You will gain valuable insight into ancient Greek and Roman philosophy through the eyes and contemplations of one man, who ruled an empire, and sought to do so wisely.

Many of the artists that we encounter are completely unaware of the mathematics that bubble beneath their craft, while some consciously use it for inspiration. Our instincts might tell us that these two subjects are incompatible forces with nothing in common – mathematics being the realm of precise logic and art being the realm of emotion and aesthetics – but what if we’re wrong? Blueprints asks us to consider that mathematics and art may not be polar opposites after all.

In all animals, mating is a deal. But few creatures behave as if sex is a simple transaction. Many treat it with reverence, suspicion, angst and violence. In the case of the Black Grouse, the bird at the center of Matt Ridley’s investigation, the males dance and sing for hours a day, for several exhausting months, in an exhausting and sometimes deadly ritual called a ‘lek’. To prepare for the ordeal, they grow, preen and display fancy, twisted, bold-colored feathers.

As an interiors photographer, Penny Wincer found that walking through a stranger’s home, listening to them explaining the history of the space, and the meaning of precious objects, was one of most joyful aspects of her work. And in Home Matters Penny does exactly that, taking us through the houses of 13 artists, designers and writers, inspiring us to reflect on how we want our own homes to feel.

To avoid the hurt from life's failures, we allow in more pain by downsizing our dreams. You know that you can reach that mountain top, yet deny it out of conditioned fear. The only way up is to remove every single layer of faulty programming.

Il tema della bellezza viene qui affrontato da Umberto Galimberti, come nel suo stile, con un ritorno alle sorgenti della nostra cultura. Se quella ebraica era una cultura della parola, quella greca era invece una cultura della visione, dominata dal senso della finitudine e della misura. Così anche la bellezza per l'uomo greco antico è ciò che rispetta delle misure, e cioè ha proporzioni calcolabili. Il cristianesimo porterà poi sulla scena un Dio che si fa corpo visibile, dando in questo modo maggior spazio all'immagine e quindi all'arte figurativa.

La misteriosa natura del bello, a cui faceva riferimento Simone Weil, non è puramente estetica, cioè riconducibile a questioni di gusto. Essa è piuttosto ontologica ed etica, strettamente unita com'è al vero, al giusto e al bene. È questo il senso della bellezza che si ritrova nei testi classici della grecità, da Omero a Saffo ai tragici. Umberto Curi vi si sofferma ampiamente in questo suo saggio, che ha al centro l'analisi del rapporto tra bellezza e tempo.

From his vantage point as a garden designer and writer based in Kyoto, Marc Peter Keane examines the world around him and delivers astonishing insights through an array of narratives. How the names of gardens reveal their essential meaning. A new definition of what art is. What trees are really made of. The true meaning of the enigmatic torii gate found at Shinto shrines. Why we give flowers as gifts. The essential, underlying unity of the world.

This audiobook is devoted only to the first named, and we will not attempt to describe the others at this time, although we will have something to say upon all of these great branches of Yoga, in future writings.

A compelling argument for the necessity for art in life, Nietzsche's first book is fuelled by his enthusiasms for Greek tragedy, for the philosophy of Schopenhauer and for the music of Wagner, to whom this work was dedicated. Nietzsche outlined a distinction between its two central forces: the Apolline, representing beauty and order, and the Dionysiac, a primal or ecstatic reaction to the sublime. He believed the combination of these states produced the highest forms of music and tragic drama, which not only reveal the truth about suffering in life, but also provide a consolation for it.

Kant ataca por primera vez el problema estético, y aunque sus ideas fundamentales acerca del arte y la belleza se hallan sistemáticamente expuestas en su obra posterior, la Crítica del Juicio, tienen, sin embargo, las Observaciones sobre el sentimiento de lo bello y lo sublime cierto interés para el conocimiento de los orígenes de la estética kantiana. Pero sobre todo constituyen, una serie de delicadas ocurrencias, de certeras observaciones, de agudas críticas, sin el aparato solemne de la exposición didáctica.

Immanuel Kant, seiner Zeit voraus und besonders spannend im Kontext aktueller Geschlechter- und Rassismusdiskussionen zu lesen, positioniert sich in der Rolle des Beobachters und beschreibt seine Erfahrungen gegenüber dem Gefühl des Schönen und Erhabenen - in vier verschiedenen Kontexten.

We live in an age when the pursuit of authenticity—from living our 'best life' to eating artisan food—matters more and more to us, but where the forces of inauthenticity seem to be taking over. Our world is full of people and products that are not what they seem. We no longer know whether we are talking to a person or a machine. But we can fight back—and this award-winning book shows us how. Authenticity argues that although our counterfeit culture is shaped by the most powerful forces of evolution, economics and technology, we can still come together to reclaim reality.

"This is a declaration of war. In the name of our creator, we declare a revolutionary war against both the gods and those titans who were gods before them! In the name of our liberator, we declare a revolutionary war against fatalism and every other form of tyranny! We think from out of the end of all things, with an indomitable will to achieve either victory or a martyrdom that inspires enduring rebellion in those to whom we pass the torch of our example."

Más que de estética, en el sentido estricto de la palabra, este tratado explora asuntos diversos como la moral, la psicología, la descripción de los caracteres individuales y nacionales. Temas que pueden ocurrirse alrededor del asunto principal. Es una obra sencilla, llena de ingenio y alegría. Kant, ataca por primera vez el problema estético, y aunque sus ideas fundamentales acerca del arte y la belleza se hallan sistemáticamente expuestas en su obra posterior, la "Crítica del Juicio", tienen aquí cierto interés para el conocimiento de los orígenes de la estética Kantiana.

Wer durch irgendetwas auf Hermann Broch stößt, hat es bald mit Kitsch zu tun. Oder umgekehrt: wer das Phänomen Kitsch auf den Begriff bringen will, kommt an ihm nicht vorbei. Broch sagt Wesentliches zum Thema. Und er ist nicht zimperlich dabei. Seine sehr anspruchsvolle Aufklärung ist fundamental und rigoros. Wer sich darauf einlässt, hat viel gewonnen.

"Ueber das Erhabene" wurde erstmals 1801 als Essay veröffentlicht und war Bestandteil des Bandes "Kleinere prosaische Schriften". Im Gegensatz zu Kant sind bei Schiller die Begriffe Schönheit und Erhabenes gleichwertig und bilden zusammen die Basis eines vollwertigen moralischen Menschen. Zur vollendeten Menschlichkeit gehört laut Schiller zudem die Kunst, die bei Kant ebenfalls autark auftritt.

Fiction is an Art in every way, worthy to be called the sister and the equal of the Arts of Painting, Sculpture, Music, and Poetry; that is to say, her field is as boundless, her possibilities as vast, her excellences as worthy of admiration, as may be claimed for any of her sister Arts.