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The Science of Rights (originally in German: Grundlage des Naturrechts nach Principien der Wissenschaftslehre) by Johann Gottlieb Fichte, was originally written in 1796 and later translated by Adolph Ernst Kroeger into English.

Using examples and analysis, Abramson gives an account of gaslighting and its immorality, and argues that such a discussion can help us understand other aspects of social life—from racism and sexism to the structure of interpersonal trust.

The underground cult bestseller! Essays that redefine the psychogeographical nooks of autonomy. Recipes for poetic terror, anarcho -black magic, post-situ psychotropic surgery, denunciations of spiritual addictions to vapid infotainment cults - this is the bastard classic, the watermark impressed upon our minds. Where conscience informs praxis, and action infects consciousness, T.A.Z. is beginning to worm its way into above-ground culture.

Awkwardness discusses how we ostracize and punish those who fail to fit into existing social categories, how we all depend on-and are limited by-social scripts and norms for guidance, and how these norms frequently let us down when we need them.

Wonder and awe lie at the heart of life's most profound questions. Wonderstruck shows how these emotions respond to our fundamental need to make sense of ourselves and everything around us, and how they enable us to engage with the world as if we are experiencing it for the first time.

Ele surgiu há pouquíssimo tempo e o sucesso foi estrondoso. Não dá mais para viver sem: tanto que hoje o número de aparelhos supera o de pessoas no Brasil. Mas como esse pequeno dispositivo se tornou indispensável? Além da praticidade do uso no dia a dia, o celular é ferramenta política poderosa, seja para discutir ideias, denunciar mazelas e também, por outro lado, disseminar rapidamente fake news. É esse poder que a jornalista Neuza Sanches esmiúça em um trabalho de fôlego para entender o atual cenário político brasileiro.

O ciberpopulismo é a combinação eficiente de técnicas de propaganda do século XX com as possibilidades abertas pela tecnologia no século XXI. Como hoje as redes sociais são a praça pública, é desse ambiente virtual que vem o novo na política. E isso inclui o velho populismo repaginado. Replicando a velocidade do avanço tecnológico, o ciberpopulismo já começou a causar alterações estruturais nos países e na geopolítica.

È PROPRIO VERO CHE SE AMIAMO IL NOSTRO LAVORO NON LAVOREREMO MAI UN GIORNO NELLA NOSTRA VITA O SIAMO SOTTO L’EFFETTO DI UN INCANTESIMO? “Oggi sembra impossibile fare del lavoro – che è diventato una vera e propria tortura di massa – uno strumento di educazione al vivere comune. Eppure è una delle poche strade rimaste per non autodistruggerci in una manciata di anni. Ma per dare nuova dignità al lavoro, bisogna cominciare con il metterlo seriamente in discussione.” Efficienti, dinamici, creativi. Ma anche: sovraccarichi, avviliti, depressi.

Sages from Cicero to Oprah have told us that forgiveness requires us to let go of negative emotions and that it has a unique power to heal our wounds. In Failures of Forgiveness, Myisha Cherry argues that these beliefs couldn’t be more wrong—and that the ways we think about and use forgiveness, personally and as a society, can often do more harm than good. She presents a new and healthier understanding of forgiveness—one that will give us a better chance to recover from wrongdoing and move toward “radical repair.”

You might not know it yet, but you and everyone on Earth are experimental philosophers; building our view on life, and the worlds inside and outside us. We experience, research, and discover these worlds, beginning in childhood and continuing to do so for as long as we live.

In quest'opera di Friedrich Nietzsche le idee del "superuomo" e dell'"eterno ritorno" raggiungono una forma compiuta. Dopo dieci anni di solitudine Zarathustra sente il bisogno di donare agli uomini la sua sapienza, ma il popolo distratto ride delle sue parole. Dovrà così cercarsi dei discepoli cui indirizzare i suoi discorsi. Tema dei discorsi è la ribellione alla cultura e alla morale dominanti e la visione della vita come forza indomabile e della volontà come strumento di affermazione.

Das wichtigste Buch vom Autor des Weltbestsellers „Der Schwarze Schwan" Nassim Nicholas Taleb. Wir leben in einer unsicheren Welt, und das System, das sie beherrscht, hat auf dramatische Weise vorgeführt, wie zerbrechlich es ist. Und doch haben wir nichts daraus gelernt und setzen dieser Fragilität keine „Antifragilität“ entgegen. Nassim Nicholas Taleb zeigt uns indes, wie das gehen kann. In seinem Weltbestseller „Der Schwarze Schwan“ problematisierte Taleb die zunehmende Unberechenbarkeit der Welt.

Breaking Away differs from countless other books on secession and decentralization in that it considers examples, benefits of secession, and radical decentralization in a much broader historical, geographical, and theoretical context.

Das „Manifest der Kommunistischen Partei“ wurde von Karl Marx und Friedrich Engels im Auftrag des zweiten Kongresses des „Bundes der Kommunisten“ (November /Dezember 1847) ausgearbeitet und Ende Februar 1848 in London in deutscher Sprache als Programm des Bundes veröffentlicht. Es ist die Geburtsurkunde des wissenschaftlichen Kommunismus und das erste marxistische Parteiprogramm in der internationalen Arbeiterbewegung, es markiert den Beginn der internationalen kommunistischen Bewegung.

Sette luoghi comuni. Sette bugie. Da “studia tanto e tutto andrà bene” a “se lavori come si deve presto avrai i soldi per comprare casa”, da “la politica si occuperà dei giovani” a “ormai facciamo sempre così, è troppo tardi per cambiare”: Beniamino Pagliaro racconta i problemi che le generazioni recenti si sono trovate ad affrontare, dai contratti meno tutelati a pensioni fantasma e quantomai ipotetiche, sempre con la certezza di trovarsi poi, per la prima volta in più di un secolo, più poveri dei propri genitori.

Von jeher muss der Mensch seinen "Stoffwechsel mit der Natur" organisieren. Für Marx war der wichtigste Faktor dabei die Arbeit. Als Prometheus, dem Mythos zufolge, das Feuer auf die Erde brachte, kam ein weiterer entscheidender Input hinzu. Seit Hunderttausenden Jahren wird es genutzt, um Nahrung zu garen und Werkzeuge zu härten. In diesem Sinne lässt sich sagen: Alle Geschichte bedeutet die Geschichte von Applikationen des Feuers.

Wait, are you you, or are you the other one? Which is the evil twin? Have you ever switched partners? Can you read each other’s mind? Twins get asked the weirdest questions by strangers, loved ones, even themselves. For Helena de Bres, a twin and philosophy professor, these questions were never far from philosophy’s most unnerving unknowns. What makes someone themself rather than someone else? Can one person be housed in two bodies? What does perfect love look like? Can we really act freely? When does wonder morph into objectification?

Hannah Arendt would’ve recognized the extremes of our century from her own: the disenchantment with politics; the rise of conspiracy theories; self-censorship; powerlessness; racism; mass displacement; tyranny and occupation. She had lived through it already.

Political and generational divides often dictate how questions such as these are answered, and when asked most people give automatic answers that roughly align with the broader position they believe is right - though many flounder when asked to detail their reasoning. This creates cultural and political tribes, makes people nervous about engaging at all, or leads to the issues to be trivialised or attributed to the excessive sensitivity of 'snowflakes' to 'identity politics'.

Except most of the ideas that form Western Civilisation are just that—ideas. Taking cues from Greek philosophy and honed in the Enlightenment, certain notions about humanity and human society grew into the tenets we live by, and we haven't questioned them a great deal since. But isn't it time we asked who really benefits from the values at the core of our society? How much truth lies in a science that conjured up 'race'? Who do laws and nations really protect? Why does it feel like time is money? What even is 'art'?