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Reacher finds himself caught in a high-stakes game of cat and mouse between US Military Intelligence and the KGB in this thrilling tale of espionage …

Deuce Mora—a pulls-no-punches columnist and meticulous detective—keeps turning up information, bit by bit, only to find some Fed in her face, at her door, emerging from the shadows, always guarding the edges of the story, insisting it will not be told. Yes, the Feds are aware of the trafficking ring. Yes, they have a plan to move on it. No, Deuce can’t be told about the plan, and under no circumstances can she write about its existence.

Deuce Mora’s one tough cookie: a female sleuth with a conscience and an attitude; fiery, tough, athletic, a dirty fighter when she has to be. In Jean Heller’s first mystery featuring the scrappy newspaper columnist, Deuce finds out in short order that if you mess with organized crime, you have to be tough—and you’d better be as much detective as reporter. When she walks into a seedy neighborhood bar in a suburb of Chicago—all six feet of her, topped with auburn curls—she’s searching for a human-interest story.

The year 1894. The monstrous Hound of the Baskervilles has been dead for five years, along with its no less monstrous owner, the naturalist Jack Stapleton. Sir Henry Baskerville is living contentedly at Baskerville Hall with his new wife, Audrey, and their three-year-old son, Harry. Until, that is, Audrey’s lifeless body is found on the moors, drained of blood. It would appear some fiendish creature is once more at large on Dartmoor and has, like its predecessor, targeted the unfortunate Baskerville family.

Three hundred thirty-three fatalities and no survivors. So begins Pulitzer Prize finalist Jean Heller’s chilling hard-boiled saga, as a flight crashes on takeoff when one of its engines explodes in midair. After that, it’s a toss-up—you may or may not be able to catch your breath as the thriller loops and careens to a twisty climax.

A wildfire rages in the foothills outside Evangeline Everhardt’s hometown, and the power utility company has accused Eve’s brother of starting it. Aaron Ashe seems like the type: a long-time drug addict, a disgruntled former employee, and recently killed resisting arrest by a sheriff’s deputy. He’s not even buried before SE&G is pointing the finger. When Eve’s husband, Sergeant Deputy Hank Everhardt, won’t fight to clear Aaron’s name, Eve takes the investigation into her own hands.

Just days before Morris Cutter, a retired powerful oil executive, is scheduled to give a pseudo-scientific report to Congress that will delay crucial action on climate change for decades, he and his wife are found shot to death in their Greenwich, Connecticut, home. The police call it murder-suicide. The couple’s son refuses to accept the official conclusion and hires Geneva Chase, crime reporter turned private detective, to prove otherwise.

A year has passed since Pete Fernandez’s latest, closest brush with death. After months of recovery, the newly sober Pete has managed to rebuild his life, contentedly running a small Miami bookstore and steering clear of the dangers of private eye work. So when an aging Cuban mobster asks Pete to find out who killed his drug-addicted jazz-pianist son and to locate his missing daughter-in-law, Pete balks. Until another victim suggests that the murder of the gangster’s son may be connected to the people who nearly ended Pete’s life.

Pete Fernandez has settled into an easy, if somewhat boring life as a PI. The days of chasing murderous killers are behind him. Or are they? When his sometimes partner Kathy Bentley approaches him with a potential new client, Pete balks. Not because he doesn’t need the money, but because the case involves Gaspar Varela, a former Miami police officer serving a life sentence for the murder of his wife—one of the most infamous crimes in Miami history. The client? None other than Varela’s daughter, Maya, who’s doggedly supported her father’s claims of innocence.

Pete Fernandez should be dead. His life—professional and personal—is in ruins. His best friend is dead. His newspaper career is past tense. His ex is staying with him as her own marriage crumbles. On top of that, the former journalist finds himself in the eye of a dangerous storm; investigating a missing girl with an unexpected partner and inching closer and closer to a vicious, calculating killer cutting a swath of blood across Miami—while at the same time battling his own personal demons that refuse to be silenced.

They call him el Carnicero—the Butcher. He is the most powerful drug lord on the planet, and when the city of New York incurs his wrath, he utters a single word: “¡Venganza!” With military precision, he strafes Central Park with 4,000 pounds of cocaine, killing hundreds of innocent people enjoying a summer afternoon.

Hollywood, the late 1930s. Raymond Chandler writes detective stories for pulp magazines and drinks more than he should. Boris Karloff plays monsters in the movies. Together, they investigate mysterious matters in a town run by human and inhuman monsters. Joh Devlin, an investigator for the DA’s office who scores high on insubordination, enlists the pair to work a case that threatens to expose Hollywood’s most horrific secrets. Together, Chandler and Karloff will find out more than they should about the way this town works.

Rushmore McKenzie, former St. Paul police detective and unexpected millionaire, does the occasional, unofficial private detective work - mostly favors for friends. He’s faced kidnappers, domestic terrorists, art thieves, among others, and had a hand in solving some of the most perplexing mysteries of the Twin Cities. But this time, his prodigious luck and intuition may have finally failed him: He was shot in the back by an unknown assailant and lies in a coma.

No matter how fabulously he’s being courted, infamously dour “art hog” Arthur Wordell isn’t keen on favoring the new Guggenheim Museum with his extensive collection. Even at the urging of his beloved daughter, Nadia. Then, the night after the museum’s fête, Arthur takes a 20-story plunge from the window of his Times Square office. Nadia thinks it’s no mere coincidence. Eccentric, yes. Suicidal, no. Private Investigator Nero Wolfe and his assistant, Archie Goodwin, agree.

Archie Goodwin is chipper as he strolls home from his weekly poker game, money in his pocket and a smile on his lips. He has just reached Nero Wolfe’s stately brownstone on West 35th Street when a sedan whips around the corner and two gunshots ring out, nearly hitting Goodwin. It is a warning, and the message is clear: The next bullet will not miss. Rotund investigator Nero Wolfe has made more than his fair share of enemies over the years, and it seems one of them has decided to strike, targeting Wolfe’s indefatigable assistant.

In 1930, young Archie Goodwin comes to New York City hoping for a bit of excitement. In his third week working as a night watchman, he stops two burglars in their tracks - with a pair of hot lead slugs. Dismissed from his job for being “trigger-happy”, he parlays his newfound notoriety into a job as a detective’s assistant, helping honest sleuth Del Bascom solve cases like the Morningside Piano Heist, the Rive Gauche Art Gallery Swindle, and the Sumner-Hayes Burglary. But it’s the kidnapping of Tommie Williamson that introduces Goodwin to the man who will change his life.

A plague has brought death to the city. Two feuding crime families with blood on their hands need our hard-boiled hero, The Redeemer, to broker peace. Both his instincts and the vacant streets warn him to stay indoors, but The Redeemer ventures out into the city’s underbelly to arrange for the exchange of the bodies they hold hostage.

Louise Wykoff is arguably the most recognizable woman living in Minnesota, known for her presence in over 100 paintings by the late and brilliant Randolph McInnis. Louise, known better as “That Wykoff Woman”, was just a young apprentice when her intimate representation and the fact of the McInnis’ marriage caused rumors to fly - and Louise to hide away for decades. All of McInnis’ paintings are in museums or known private collections, until Louise confesses to having three more that no one has ever heard of - and now they’ve been stolen.

Once a police detective in St. Paul, Minnesota, Rushmore McKenzie has become an unlikely millionaire and an occasional unlicensed private investigator, doing favors for friends. The favor, this time, is for a friend of a friend - Erin Peterson, a local business person and owner of a growing food company called Salsa Girl. Someone seems to have a beef with her: The outside locks on her factory having been systematically filled with superglue. But for some reason, Erin doesn’t want to report this harassment to the police.

Once a police detective in St. Paul, Minnesota, Rushmore McKenzie has become not only an unlikely millionaire, but an occasional unlicensed private investigator, doing favors for friends and people in need. When his stepdaughter Erica asks him for just such a favor, McKenzie doesn’t have it in him to refuse. Even though it sounds like a very bad idea right from the start. The father of Malcolm Harris, a college friend of Erica’s, was found murdered a year ago in a park in New Brighton, a town just outside the Twin Cities.