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Part memoir and part exploration, She Wanted More is a call-to-arms for women of all ages, and a radical rejection of the belief that we should be grateful for what we've been given. It charts the societal revolution taking place among mid-life women and older, where traditional norms are being dismantled in order to reclaim a fundamental part of themselves. The book will follow Poorna's own journey as a woman in her forties trying to figure out what life should look like now and in the future.

England, 1794. Now in her thirties, Lady Harriet Bessborough, already the veteran of several liaisons, finds herself pursued by a much younger man. This isn’t unusual in her circle, where married women often take younger lovers. No one minds much, provided they follow the rules of the game: Don’t embarrass your husband, maintain complete discretion at all times, and never ever make the mistake of falling in love. So when Harriet meets Lord Granville—brilliantly handsome, insistently ardent, and twelve years younger than her—she’s confident she can manage their affair.

This biography of Jessica Mitford, fifth of the six famous Mitford Girls, tells the wild and unlikely story of a British aristocrat who became an American Communist, bringing her astonishing self-transformation to life with a riveting, often hilarious, account of trading wealth and status for a life of radical activism.

In the years before World War II, thousands of young Jewish men and women escaped Europe, seeking safety in the British Mandate for Palestine. By 1942, horrifying reports began to spread about ghettos being liquidated, industrialized killing centers in Poland, and a chilling campaign to exterminate Europe’s entire Jewish population. When it became clear that the Allies were unwilling to spare any forces from the war effort to save civilians, the Jewish community in Palestine came up with a daring plan.

In 1978, Greta Rideout was the first woman in United States history to accuse her husband of rape, at a time when the idea of “marital rape” seemed ludicrous to many Americans and was a crime in only four states. After a quick and conservative trial acquitted John Rideout and a defense lawyer lambasted that “maybe rape is the risk of being married,” Greta was ridiculed and scorned from public life, while John went on to be a repeat offender.

Born on a Montana ranch in 1880, Jeannette Rankin knew how to ride a horse, make a fire, and read the sky for weather. But most of all, she knew how to talk to people, how to convince them of her vision for America. It was this rare skill that led her, in 1916, to become the first woman ever elected to the House of Representatives. As her first act, Rankin introduced the legislation that would become the 19th Amendment. Throughout her two terms in 1916 and 1940, she continued to introduce and pass legislation benefiting unions, protecting workers, and increasing aid for children in poverty.

When most of us think of nuns, we picture hands clasped in prayer, solemn shuffles down cloistered halls, and that iconic habit silhouette. But what about the nuns who ate spiderwebs, erupted into jealous fights over makeup, or chain-produced manuscripts for extra cash? In reality, these women were no one-dimensional martyrs. 16th- and 17th-century nuns were resourceful, rebellious, and refreshingly relatable—and their lives hold surprising lessons for us today.

Angelica and Elizabeth Schuyler, born to wealth and privilege in New York’s Hudson Valley during the latter half of the eighteenth century, were raised to make good marriages and supervise substantial households. Instead they became embroiled in the turmoil of America's insurrection against Great Britain—and rebelled themselves, in ways as different as each was from the other, against the destiny mapped out for them.

Seit Jahrhunderten werden Frauen unterdrückt. Frauen, die in irgendeiner Weise Stärke ausgestrahlt, sich selbst ermächtigt und zur Wehr gesetzt haben, werden belächelt, verurteilt und dämonisiert. Auf der Suche nach den Ursprüngen von Female Rage taucht Tara-Louise Wittwer (Sorry, aber …) in die europäische Geschichte ein und erzählt die ungehörten Geschichten der Frauen, die sich gegen das männliche Narrativ der Schwäche und Passivität gestemmt haben. Von den Sagen der Antike, bis zur Realität des 21.

From the most successful women of their day to those who struggled to make ends meet, Economica takes you on a journey that begins in the Stone Age and ends in the twenty-first century, spanning the world’s historic centers of prosperity: Egypt, Mesopotamia, Peru, the Indus Valley, the Roman Empire, the Islamic Empire, China, Europe, and the United States. By shining a light on the women whose contributions to the economy have been hidden for far too long, Economica is more than a history of women—it is a more accurate economic history of us all.

We often think of the enduring tropes of the Gothic in terms of fiction and film—breath-catching escapes that tap into our fears, anxieties, forbidden desires, and unsettling dreams. But what if some of these chilly vibes are rooted in the experiences of real and tragic people who danced a macabre waltz with love and death? That's why we're here. Take the case of teenage Mercy Brown, victim—or was it predator?—of Rhode Island's vampire hysteria of the 1890s. Marguerite de la Roque, a French noblewoman condemned for "sexual crimes" to Canada's long-lost Isle of Demons.

The experiences of heroic older women have traditionally been dismissed or buried in history books, and the skateboarding industry has mirrored this trend. Female skateboarders rarely get mentioned beyond a token paragraph, and stories of their contributions and barrier-breaking have almost never been told. Until now. With enthusiasm and empathy, Girl Gangs, Zines, and Powerslides celebrates the relentless participation of women in skateboarding from the 1960s onward who defied a hostile industry to carve out their own space through underground networks.

This revised edition of Ar'n't I a Woman? reviews and updates the scholarship on slave women and the slave family, exploring new ways of understanding the intersection of race and gender and comparing the myths that stereotyped female slaves with the realities of their lives. Above all, this groundbreaking study shows us how black women experienced freedom in the Reconstruction South—their heroic struggle to gain their rights, hold their families together, resist economic and sexual oppression, and maintain their sense of womanhood against all odds.

Betty Jean, the author’s grandmother, had a house along a bayou in Texas, a home paid for and run without a man by her side. This home served as the center of Bonét’s family’s universe, the one place that was a constant through all of life’s changes. Mama Connie, one of Betty Jean’s eleven children, vowed that her life would be different. And in many ways it was: she got married, lived in suburbia, and built a life resembling the American dream. But when it came to raising children of her own, she was more like Betty Jean than she cared to admit.

In the spring of 1790 two of the most gifted artists in Europe met in Rome and became fast friends, sharing their views on art, visiting the city’s ancient sites and making trips to the opera together. The Swiss history painter Angelica Kauffman and the French portraitist Elisabeth Vigée Le Brun are no longer household names in the early twenty-first century but were much-fêted celebrities in the late eighteenth. Franny Moyle uses their meeting in the eternal city as the point of departure for a lavishly illustrated 'life and times’ biography of two brilliant but neglected women artists.

In 17th century Paris, a group of women who called themselves conteuses (female storytellers) came together to weave the very first fairy tales. One of them, Marie-Catherine d’Aulnoy, actually coined the term ‘fairy tale’ and some of these stories contain many familiar (and well-loved) elements that appear in tales like Rapunzel and Beauty and the Beast. Unfortunately, these women, and their tales, have mostly been forgotten to history. Women of the Fairytale Resistance uncovers seven of these writer’s biographies—and retells 12 of their original stories.

Milena and Margarete loved each other at the risk of their lives. But in the post-war survivors’ accounts, lesbians were stigmatized, and survivors kept silent. This book explores those silences, and finally celebrates two strong women who never gave up and continue to inspire. As Margaret wrote: “I was thankful for having been sent to Ravensbrück, because it was there I met Milena.”

One of Rome's most powerful women, Clodia has been maligned over two thousand years as a promiscuous, husband-murdering harlot, thanks to her starring role in one of Cicero's most famous speeches in the Forum. But Cicero was lying, in defense of his own interests. Like so many women libeled or erased from history, Clodia had a life that was much more interesting, complex, and nuanced than the corrupted version passed down through generations.

From the moment they met in 1940 in Ravensbrück concentration camp, Milena Jesenska and Margarete Buber-Neumann were inseparable. Czech Milena was Kafka's first translator and epistolary lover, and a journalist opposed to fascism. A non-conformist, bi-sexual feminist, she was way ahead of her time. With the German occupation of Czechoslovakia, her home became a central meeting place for Jewish refugees. German Margarete, born to a middle-class family, married the son of the Jewish philosopher Martin Buber.

From the moment John Brown arrived as a servant to Queen Victoria's household, he became known across the land as her loyal companion, her fierce protector, and her right-hand man, their friendship immortalised in print and later on-screen. But what if there was more to their relationship than we know? And what has history been hiding from us? In this provocative exploration of Victoria's emotional world, and her passionate midlife, the acclaimed historian Fern Riddell re-examines everything we thought we knew about one of Britain's most iconic women.