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Lois Gibbs, Luella Kenny, and other mothers loved their neighborhood on the east side of Niagara Falls. It had an elementary school, a playground, and rows of affordable homes. In the spring of 1977, pungent odors began to seep into these little houses, and it didn’t take long for worried mothers to identify the curious scent. It was the sickly-sweet smell of chemicals.

The Latin term for the female genitalia, pudendum, means “parts for which you should be ashamed”. Until 1651, ovaries were called female testicles. The fallopian tubes are named for a man. Named, claimed, and shamed: Welcome to the story of the female body, as penned by men. Today, a new generation of (mostly) women scientists is finally redrawing the map. With modern tools and fresh perspectives, they’re looking at the organs traditionally bound up in reproduction—the uterus, ovaries, vagina—and seeing within them a new biology of change and resilience.

When Germany invaded Holland in May 1940, Sabine Zuur joined the resistance movement without a moment’s hesitation aged just 22. Helping to hide those avoiding the German authorities, she was soon betrayed and subjected to repeated violent interrogations. Many of her friends were executed, but Sabine was instead sent to the Mauthausen concentration camp, via the Amersfoort and Ravensbrück camps. Enduring gruelling conditions and backbreaking forced manual labour, she survived through a combination of guile and good fortune.

Venerada tanto por su espíritu salvaje, como por su arte, Frida Kahlo es un símbolo de creatividad arriesgada.Durante décadas sus pinturas han permanecido atemporales, cautivando admiradores de distintas generaciones alrededor del mundo.

From Cartimandua, the forgotten Iron Age Queen of the North, to Woodbine-smoking football player Lily Parr, Kate, with her trademark wit and sense of fun, shows how these astonishing trailblazers laid the ground for modern stars from Victoria Wood to Little Mix. Nicola Adams, Betty Boothroyd and Helen Sharman all have these unsung northern champions to thank for paving their way.

At her execution Mary, Queen of Scots wore red. Widely known as the colour of strength and passion, it was in fact worn by Mary as the Catholic symbol of martyrdom. In 16th-century Europe, women's voices were suppressed and silenced. Even for a queen like Mary, her prime duty was to bear sons. In an age when textiles expressed power, Mary exploited them to emphasise her female agency.

Sita, the beloved princess of Mithila, is one of the most revered women in Indian history; so well known, yet probably the least understood. At every crossroad of her life, she chose acceptance and grace over self-pity. Her life was filled with sacrifice yet wherever she was, there was abundance. It was as if she was carved out of an intense longing for Rama, yet she had infinite patience.

What does it mean to be a “woman” in America? Award-winning gender and sexuality scholar Lillian Faderman traces the evolution of the meaning from Puritan ideas of God’s plan for women to the sexual revolution of the 1960s and its reversals to the impact of such recent events as #metoo, the appointment of Amy Coney Barrett to the Supreme Court, the election of Kamala Harris as vice president, and the transgender movement.

Brunhild was a Visigothic princess, raised to be married off for the sake of alliance-building. Her sister-in-law, Fredegund, started out as a lowly palace slave. And yet - in sixth-century Merovingian France, where women were excluded from noble succession and royal politics was a blood sport - these two iron-willed strategists reigned over vast realms for decades, changing the face of Europe. The two queens commanded armies, developed taxation policies, established infrastructure and negotiated with emperors and popes.

La conquista de la igualdad es un proceso en marcha. En pleno siglo XXI, esa igualdad se acepta con normalidad en los países democráticos, pero aún quedan obstáculos que salvar, como la violencia de género y la creciente ola reaccionaria que pone en duda los avances y ambiciones del feminismo.

Comic Book Women offers a feminist history of the golden age of comics, revising our understanding of how numerous genres emerged and upending narratives of how male auteurs built their careers. Considering issues of race, gender, and sexuality, the authors examine crime, horror, jungle, romance, science fiction, superhero, and Western comics to unpack the cultural and industrial consequences of how women were represented across a wide range of titles by publishers like DC, Timely, Fiction House, and others.

Histories of the United States often overlook the women who shaped the nation. Museums, textbooks, historical sites, and even documentaries omit essential parts of the whole because they leave out her story. Join Allison K. Lange, historian and professor, as she guides you through the fascinating lives of 12 early Americans, all of them women.

In July 1956, Marilyn Monroe arrived in London, on honeymoon with her husband Arthur Miller, to make The Sleeping Prince (later released as The Prince and the Showgirl) with Laurence Olivier. When the couple arrived at London Airport, they were looking forward to a peaceful stay. Marilyn would work during the day at Pinewood Studios, while Arthur would write. Then, in the evening, the couple would be able to relax together in their private English country cottage. It didn't quite turn out that way.

Heiresses: Surely they are among the luckiest women on earth. Are they not to be envied, with their private jets and Chanel wardrobes and endless funds? Yet all too often those gilded lives have been beset with trauma and despair. Before the 20th century a wife’s inheritance was the property of her husband, making her vulnerable to kidnap, forced marriages, even confinement in an asylum. And in modern times, heiresses fell victim to fortune-hunters who squandered their millions.

Un relato emocionante, profundo y divertido de la historia de la humanidad en clave femenina. Juana de Arco, Malinche, Sofonisba Anguissola, Mary Wollstonecraft, Victoria Kent, Jane Austen, Marie Curie, Simone Weil o Rosa Parks también estuvieron ahí. Con brillantez y elegancia, Cristina Oñoro construye un fascinante relato que desmonta las narraciones sobre la humanidad y derriba los discursos misóginos heredados.

Only the Clothes on Her Back uncovers practices, commonly known then, but now long forgotten, which made textiles - clothing, cloth, bedding, and accessories, such as shoes and hats - a unique form of property that people without rights could own and exchange. The value of textiles depended on law, and it was law that turned these goods into a secure form of property for marginalized people, who not only used these textiles as currency, credit, and capital, but also as entree into the new republic's economy and governing institutions.

Le protagoniste di questo libro sono trentaquattro donne, intraprendenti, controcorrente, spesso perseguitate, a volte incomprese ma forti e generose, sempre pronte a lottare per raggiungere traguardi che sembravano inarrivabili, se non addirittura impensabili: da Ilaria Alpi, la giornalista uccisa mentre indagava su scomode verità, a Kathrine Switzer, la prima donna a correre la maratona di Boston; da Ipazia, che nel IV secolo, contro i divieti ecclesiastici, osò scrutare il cielo per rivelare il movimento dei pianeti, a Olympe de Gouges.

1542. A French noblewoman is left abandoned on a small island north of Nova Scotia. She has a crossbow, arquebuses and gunpowder. The island is populated only by wild beasts. She may be pregnant at this time. Centuries later, whilst mothering her young children, a woman begins writing what she believes to be a television script about the life of Marguerite de la Rocque and her incredible story of survival against the odds. As she draws closer to the nature of Marguerite, the woman begins to question her ability to tell this story.

Iris Murdoch, Mary Midgley, Philippa Foot and Elizabeth Anscombe were philosophy students at Oxford during the Second World War when most male undergraduates (and many tutors) were conscripted. Taught by refugee scholars, women and conscientious objectors, the four friends developed a philosophy that could respond to the war's darkest revelations.

Esta Historia de las mujeres responde a la necesidad de ceder la palabra a las mujeres. Alejadas, desde la Antigüedad, del escenario donde se enfrentan a los dueños del destino, reconstruir su historia significa describir su lento acceso a los medios de expresión y su conversión en persona que asume un papel protagonista. Este análisis implica, asimismo, que las relaciones entre los sexos condicionan los acontecimientos, o la evolución de las sociedades. No se buscan conclusiones tajantes sino que las mujeres encuentren, al fin, su espacio propio.