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Les and Rhi kick off Not That Kind of Book Club—a bookish podcast where #wereaditsoyoudonthaveto.This isn’t your average book deep dive nor typical book club. We talk about everything from the ridiculous to the relatable, the dramatic to the delightfully unhinged corners of the book world. Whether it’s behind-the-scenes of our book clubs, meet-and-greets with bookish humans, or the absurd moments that make us laugh out loud—this is your invitation to a podcast where anything bookish goes. We’re just two girls who love to read, and we can’t wait to share this journey with you.Follow...

Los libros Tienen el poder de cambiar nuestra forma de pensar, de inspirarnos y guiarnos en nuestro crecimiento personal y profesional. Pero en un mundo lleno de información ¿Cómo encontrar y aplicar las mejores ideas?. Aquí no solo hago el resumen de contenidos, sino que analizamos juntos como llevar esas ideas a la práctica.

Unwritten Paths is a podcast for and about independent authors. It’s a chance to hear stories good and bad about the author experience. Each week, we’ll talk with someone in the industry, a writer, a bookstore owner, to dive into their challenges and successes, with hopes they may help others experiencing similar challenges.

Jede Woche ein neues Buch. Ein Gedanke. Ein Impuls. In BuchGedanken stelle ich dir jede Woche ein besonderes Buch vor – mal Klassiker, mal moderne Werke. Ich teile meine Gedanken, Zitate, Reflexionen und persönliche Notizen dazu – kompakt, ehrlich und mit Gefühl. Kein Hörbuch, keine Zusammenfassung – sondern echte Auseinandersetzung mit Text und Leben. Perfekt für alle, die Bücher lieben, aber wenig Zeit haben. Neue Folge jeden Sonntag.

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The Writing Gym podcast is a writer's go-to source for quality information about how to finish, publish, and market writing in all genres. Not only does it give you the implementable steps you need, it's fun. No snorefest here. You'll laugh at the Quirk O' the week and enjoy hard-hitting advice from top agents, best-selling authors, and publishers. Writers ask: -How do I write a novel? -How do I publish a novel? -What are literary agents looking for? -How do I get a literary agent? -How do I build an author platform? -How do I market and sell my book? Get answers to these questions PLUS a FREE...

The purpose of this study is to understand how a new medium (Facebook) is used by Twilight literature fans and how users are gratified through their use of the new medium. Fans are categorized in one of two forms (consumer-fans and producer-fans) and a two by two matrix is developed to categorize these two fan types. In relation to media, the age of a targeted audience determines the content. It has however become a blurred line in literature and film, in which case content that was intended for a younger audience is attracting the attention of an older audience (and vice versa).

For a century, magazines were the authors of culture and taste, of intelligence and policy — until they were overthrown by the voices of the public themselves online. Here is a tribute to all that magazines were, from their origins in London and on Ben Franklin’s press; through their boom — enabled by new technologies — as creators of a new media aesthetic and a new mass culture; into their opulent days in advertising-supported conglomerates; and finally to their fall at the hands of the internet.

In Earth, a planetary scientist and a literary humanist explore what happens when we think of the Earth as an object viewable from space. As a “blue marble,” “a blue pale dot,” or, as Chaucer described it, “this litel spot of erthe,” the solitary orb is a challenge to scale and to human self-importance. Beautiful and self-contained, the Earth turns out to be far less knowable than it at first appears: its vast interior an inferno of incandescent and yet solid rock and a reservoir of water vaster than the ocean, a world within the world.

We all wear hoods: the Grim Reaper, Red Riding Hood, torturers, executioners and the executed, athletes, laborers, anarchists, rappers, babies in onesies, and anyone who’s ever grabbed a hoodie on a chilly day. Alison Kinney’s Hood explores the material and symbolic vibrancy of this everyday garment and political semaphore, which often protects the powerful at the expense of the powerless—with deadly results.

Every shelf is different and every bookshelf tells a different story. One bookshelf can creak with character in a bohemian coffee shop and another can groan with gravitas in the Library of Congress. Writer and historian Lydia Pyne finds bookshelves to be holders not just of books but of so many other things: values, vibes, and verbs that can be contained and displayed in the buildings and rooms of contemporary human existence.

Among the many things expectant parents are told to buy, none is a more visible symbol of status and parenting philosophy than a stroller. Although its association with wealth dates back to the invention of the first pram in the 1700s, in recent decades, four-figure strollers have become not just status symbols but cultural identifiers.

What is silence? In a series of short meditations, novelist and playwright John Biguenet considers silence as a servant of power, as a lie, as a punishment, as the voice of God, as a terrorist’s final weapon, as a luxury good, as the reason for torture—in short, as an object we both do and do not recognize. Concluding with the prospects for its future in a world burgeoning with noise, Biguenet asks whether we should desire or fear silence—or if it is even ours to choose.

Why are there so many examples of public figures, entertainers, and normal, everyday people in blackface? And why aren’t there as many examples of people of color in whiteface? This book explains what blackface is, why it occurred, and what its legacies are in the 21st century. There is a filthy and vile thread—sometimes it’s tied into a noose—that connects the first performances of Blackness on English stages, the birth of blackface minstrelsy, contemporary performances of Blackness, and anti-Black racism.

The mall near Mat thew Newton’s childhood home in Pittsburgh, Pennsylvania, was one of the state’s first enclosed shopping malls. Like all malls in their heyday, this one was a climate-controlled pleasuredome where strangers converged. It boasted waterfalls, fish ponds, an indoor ice skating rink larger than Rockefeller Center’s, and a monolithic clock tower illuminated year-round beneath a canopy of interconnected skylights. It also became the backdrop for filmmaker George A. Romero’s zombie opus Dawn of the Dead.

For as long as people have traveled to distant lands, they have brought home objects to certify the journey. More than mere merchandise, these travel souvenirs take on a personal and cultural meaning that goes beyond the object itself. Drawing on several millennia of examples—from the relic-driven quests of early Christians, to the mass-produced tchotchkes that line the shelves of a Disney gift shop—travel writer Rolf Potts delves into a complicated history that explores issues of authenticity, cultural obligation, market forces, human suffering, and self-presentation.

During the breakdown of an unhappy marriage, writer Joanna Walsh got a job as a hotel reviewer, and began to gravitate towards places designed as alternatives to home. Luxury, sex, power, anonymity, privacy…hotels are where our desires go on holiday, but also places where our desires are shaped by the hard realities of the marketplace. Part memoir and part meditation, this book visits a series of rooms, suites, hallways, and lobbies—the spaces and things that make up these modern sites of gathering and alienation, hotels.