検索キーワード： エッセイ

This powerful anthology brings together thirty-four writers—educators, journalists, poets, and scientists—to share their emotions in the face of environmental crisis. They share their solastalgia, their beloved places, their vulnerability, their stories, their vision of what we can create.

Spanning more than thirty five years of Lawrence Wright’s reporting for The New Yorker, Texas Monthly, Rolling Stone and other magazines, these pieces remind us what a brilliant observer Wright has been of institutions, of political maneuverings, and of people—dangerous, eccentric, or beloved.

A sharply personal and expansive essay collection dedicated to the strange and absurd beauty of horror films, exploring the complications of gender, the insidiousness of class ascension, and the latent violence hidden in our own uncanny reflections.

"私はここからどう老いていこう？自分自身が最も心地よく過ごせる「エイジングの流派」を、見つけたい。"

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With their powerful blend of political and aesthetic concerns, Edward W. Said's writings have transformed the field of literary studies. This long-awaited collection of literary and cultural essays, the first since Harvard University Press published The World, the Text, and the Critic in 1983, reconfirms what no one can doubt—that Said is the most impressive, consequential, and elegant critic of our time—and offers further evidence of how much the fully engaged critical mind can contribute to the reservoir of value, thought, and action essential to our lives and our culture.

For over half a century, Werner Herzog has challenged, enriched, and expanded our understanding of the truth. His films and books have mixed fiction and nonfiction, documentary and drama, reality and imagination. Invariably, Herzog goes beyond the appearance of what is true in search of a higher truth, or what he has often referred to as the “ecstatic truth.” In The Future of Truth, a great artist essays an answer to one of humanity’s deepest, most eternal questions.

アウト老とは、はみ出し老人のことなりアウト老（ロー）とは、はみ出し老人のことなり。大人げないまま新型高齢者となったみうらじゅんの珍妙な日常や妄想、愛のメモリーがてんこ盛り！

History Matters brings together selected essays by beloved historian David McCullough, some published here for the first time, written at different points over the course of his long career but all focused on the subject of his lifelong passion: the importance of history in understanding our present and future. Edited by McCullough’s daughter, Dorie McCullough Lawson, and his longtime researcher, Michael Hill, History Matters is a tribute to a master historian and offers fresh insights into McCullough’s enduring interests and writing life. The book also features a foreword by Jon Meacham.

Common Cyborg has descriptive copy which is not yet available from the Publisher.

林真理子さん阿川佐和子さん絶賛のエッセイ◎林真理子さん驚嘆大絶賛！天才を母に持ったことの喜劇と悲劇を越えて、さらにブラックさえほの見えるこの本、とにかく面白い。母もすごいが娘たちも負けてはいない。

While his masterpiece On the Road languished on the desks of unresponsive editors, Kerouac turned to Buddhism, and in 1953 began writing reading notes on the subject intended for his friend Allen Ginsberg.

Inspired by Saeed Jones and Maggie Smith’s conversations in the wake of the 2024 election, this is a collection of poems, essays, and visual art on what we—individually and collectively—can hold onto, and what we can work towards. In times of difficulty, with a government working against its own people, we must turn to our friends and loved ones to provide context, language, energy, and hope. The People’s Project offers a range of perspectives, drawing wisdom from their communities and histories.

How, in the space of a few decades, has food gone from “fact of life” to “national past time”; something to be thought about—and talked about—24/7? In this startlingly original, deeply irreverent cultural history, Ruby Tandoh traces how our culinary tastes have been transformed; how they’ve been pulled into supermarket aisles and seduced by Michelin stars, transfixed by Top Chefs and shaped by fads. All Consuming is a deep dive into the social, economic, cultural, legislative, and demographic forces that have reshaped our relationship with food.

From global bestseller and creator of Jack Reacher, comes Lee Child’s first-ever autobiographical collection. From urgently scribbling out his debut Killing Floor in pencil (the stub of which he still owns), to taking a step back with Blue Moon, and everything in between, here are 24 honest, witty and wise personal reflections on his life and work, crafted across decades.

The essays in Does This Make Me Funny? introduce us to Zosia Mamet in all her glory—from her early days growing up in literary and dramatic circles, to her years as a young adult pining for acceptance and love, to her first attempts to make it as an actor, to where she and Shosh are now. A gripping, funny, and earnest look at what it means to be a girl in the world and how to define yourself amid the bustle of show business, Does This Make Me Funny? is a captivating debut from a natural-born storyteller.

In Fires Which Burned Brightly, Faulks, a reluctant memoirist, offers readers a series of detailed snapshots from a life in progress. They include a post-war rural childhood – ‘cold mutton and wet washing on a rack over the range’ – the booze-sodden heyday of Fleet Street and a career as one of the country’s most acclaimed novelists.

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Beginning with a jaw-dropping rumination on a centuries-old painting featuring a white man with a Black man's leg surgically attached (with the expired Black leg-donor in the foreground), contracts law scholar and celebrated journalist Patricia J. Williams uses the lens of the law to take on core questions of identity, ethics, and race.

Since 2023, the best-selling and award-winning author and journalist has been reflecting, with deep empathy, on the horrific October 7th attacks on Israeli citizens, rising anti-Semitism, and the brutal violence against civilians in Gaza in her column for the Globe and Mail. As one of the leading Canadian voices on Jewish identity, Lederman’s impassioned work in the Globe has been a lifeline for listeners since October 7th, 2023. The work collected in this book captures the pain of so many: Marsha’s prose has a way of cutting through the noise and capturing the humanity behind the headlines