検索キーワード： ユーモア・風刺文学・フィクション

It’s 1988 and Dexter Mayhew and Emma Morley have only just met. But after only one day together, they cannot stop thinking about one another. Over twenty years, snapshots of that relationship are revealed on the same day—July 15th—of each year. Dex and Em face squabbles and fights, hopes and missed opportunities, laughter and tears. And as the true meaning of this one crucial day is revealed, they must come to grips with the nature of love and life itself.

Rebecca Bloomwood verdient ihren Lebensunterhalt damit, anderen Leuten gute Tipps in Geldfragen zu geben. Ihre Freizeit verbringt sie mit Einkaufen. Kein Wunder, dass sie sich ständig gezwungen sieht, sich durch ausgiebiges Shoppen zu entspannen - ein Teufelskreis. Schließlich droht sie in ihrem selbst geschaffenen Chaos unterzugehen, da sie sich gleichzeitig die Bank vom Leib halten, den attraktiven Luke Brandon beeindrucken und ihrer täglichen Arbeit nachgehen soll...

Academy Award winner Dustin Hoffman gives an understated and exemplary performance of this satiric look at the unreality of American media culture. Chance, the enigmatic gardener, becomes Chauncey Gardiner after getting hit by a limo belonging to a Wall Street tycoon. The whirlwind that follows brings Chance to his new status of political policy advisor and possible vice presidential candidate. His garden-variety political responses, inspired by television, become heralded as visionary, and he is soon a media icon.

In his first novel, Stephen Clarke gives a laugh-out-loud account of the pleasures and perils of being a Brit in France. Less quaint than A Year in Provence, less chocolatey than Chocolat, A Year in the Merde will tell you how to get served by the grumpiest Parisian waiter; how to make perfect vinaigrette every time; how to make amour - not war; and how not to buy a house in the French countryside.

Joe Goldberg is ready for a change. Instead of selling books, he’s writing them. And he’s off to a good start. Glenn Shoddy, an acclaimed literary author, recognizes Joe’s genius and invites him to join a tight-knit writing fellowship at Harvard. Finally, Joe will be in a place where talent matters more than pedigree . . . where intellect is the great equalizer and anything is possible. Even happy endings. Or so he thinks, until he meets his already-published, already-distinguished peers, who all seem to be cut from the same elitist cloth.

Filled with relentless drinking in seamy bars and glamorous nightclubs, wild, drug-fuelled parties, and dispassionate sexual encounters, Less than Zero - narrated by Clay, an 18-year-old student returning home to Los Angeles for Christmas - is a fierce coming-of-age story, justifiably celebrated for its unflinching depiction of hedonistic youth, its brutal portrayal of the inexorable consequences of such moral depravity and its author’s refusal to condone or chastise such behaviour.

Warning: You may have a huge, invisible spider living in your skull. This is not a metaphor. You will dismiss this as ridiculous fearmongering. Dismissing things as ridiculous fearmongering is, in fact, the first symptom of parasitic spider infection - the creature secretes a chemical into the brain to stimulate skepticism, in order to prevent you from seeking a cure. That’s just as well, since the “cure” involves learning what a chain saw tastes like. You can’t feel the spider, because it controls your nerve endings.

The Mississippi River, 1861. When the enslaved Jim overhears that he is about to be sold to a new owner in New Orleans and separated from his wife and daughter forever, he decides to hide on nearby Jackson’s Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father who recently returned to town. Thus begins a dangerous and transcendent journey by raft along the Mississippi River, towards the elusive promise of the free states and beyond.

In the years following the First World War a new generation emerged, wistful and vulnerable beneath the glitter. The Bright Young Things of 1920s London, with their paradoxical mix of innocence and sophistication, exercised their inventive minds and vile bodies in every kind of capricious escapade. In these pages a vivid assortment of characters, among them the struggling writer Adam Fenwick-Symes and the glamorous, aristocratic Nina Blount, hunt fast and furiously for ever greater sensations and the hedonistic fulfillment of their desires.

Miranda July’s second novel confirms the brilliance of her unique approach to fiction. With July’s wry voice, perfect comic timing, unabashed curiosity about human intimacy, and palpable delight in pushing boundaries, All Fours tells the story of one woman’s quest for a new kind of freedom. Part absurd entertainment, part tender reinvention of the sexual, romantic, and domestic life of a forty-five-year-old female artist, All Fours transcends expectation while excavating our beliefs about life lived as a woman.

Nick Ackerman’s life is an aimless circuit between his uninspiring job and the local bar until a note from a stranger changes everything. He learns he has a 14-year-old son, Billy, whose grandmother can no longer look after him. Railroaded into fatherhood, Nick takes in the resentful Billy and shuffles Grandma Evie off to the nearby dementia ward at Prairie View Manor. Things get off to a rocky start: father and son are little more than strangers, and Nick struggles with his new caretaking role while Billy can’t seem to let go of his.

Thomas Mann's vivid, dramatic, and thought-provoking The Magic Mountain is firmly established as one of the classic epic novels of the twentieth century. Part surreal comedy, part grim tragedy, Mann's story depicts a decaying European society on the eve of the First World War.

Grim Wolds, England: Winifred Notty arrives at Ensor House prepared to play the perfect governess—she’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But long, listless days spent within the estate’s dreary confines come with an intimate knowledge of the perversions and pathetic preoccupations of the Pounds family—Mr. Pounds can’t keep his eyes off Winifred’s chest, and Mrs. Pounds takes a sickly pleasure in punishing Winifred for her husband’s wandering gaze.

Chef-d’œuvre du grand écrivain et philosophe Voltaire, Candide, ou l'Optimisme, publié en 1759, est un conte qui suit les aventures de Candide, un jeune homme naïf, élevé dans une vision du monde optimiste. Ce principe de l'optimisme, enseigné par son mentor Pangloss, est sans cesse mis à l'épreuve dans une série de catastrophes et de malheurs : guerres, tremblements de terre, naufrages, et trahisons, dont la guerre de Sept Ans et le séisme de 1755 à Lisbonne.

Disaster struck the morning of the Chucklefest Comedy Festival. Not with a bomb, but with a canine whimper. Vanlife convert Max Effort's best buddy, Anxious the Jack Russell Terrier, managed to disassemble his favorite toy, leaving him bereft. But help was on hand, and Min, Max's ex-wife, hightails it across the country, determined to deliver a replacement bestie. Feeling chilled and in good spirits, Max's mood soon soured when he reached into the festival freezer and discovered a smiling face staring back at him. Shame it wasn't attached to the rest of the comedian's body.

After much searching, Amber and Stevie find the perfect house - a bit shabby but with potential - in Grimaldi Square. Just the two of them; a place where they can start their lives together. Recently married, they want to begin a family (with the help of their gay best friend, Jack). Despite the rundown pub across the way, the overgrown garden and a decidedly nosy neighbour, it's the house of their dreams. But they are not alone in this dream.

Meet Rachel Walsh. She's been living it up in New York City, spending her nights talking her way into glamorous parties before heading home in the early hours to her hot boyfriend Luke. But her sensible older sister showing up and sending her off to actual rehab wasn't quite part of her plan. She's only agreed to her incarceration because she's heard that rehab is wall-to-wall jacuzzis, gymnasiums and rock stars going cold turkey - plus it's about time she had a holiday.

See Jane smile. Thirty-nine-year-old Jane Osborne appears to the world like she has a charmed life. Her daughter attends private school. Jane chairs the PTA. Even her marriage to Dan, the handsome, prominent surgeon, is blissfully happy. Her universe is stable, and her future is fixed...just like that smile. Because it’s all a ruse. Unbeknownst to anyone, after eighteen years of marriage, Dan’s revealed that he’s been living a double life and is in love with a man. But for the sake of his career, Jane must keep that secret, secret.

Well, this year, after the Spring Planting season, I’m really gonna relax and put down roots. It’s the slow life for me. Sure, the talking animals and cultivators coming to live with me are a bit weird, but this year everything is gonna be basically normal. There definitely won’t be any Heavenly Tribulations, ancient formations, or cultivator issues to deal with . . .

In the third sequel to The Darling Buds of May, Charley and Mariette decide to get baby Blenheim christened, leading to a wholesale christening of all seven of the Larkin children. Chaos abounds as the vicar, Mr Candy, is run ragged by the naughty twins, Zinnia and Petunia, and finds himself the object of desire for Pop's second eldest, Primrose. To top it all off, Pop buys a fairground on a whim, and Mlle Dupont arrives to discover that Pop is not a Lord, nor does he live in a mansion.