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Enter the wonderfully weird, always uncomfortable, side-splittingly funny world of The Terrifying Realm of the Possible, where your worst fears of who you are or might become are always just around the corner. In these masterful short stories from the singular mind of the actor and comedian Brett Gelman, you’ll meet five individuals, each navigating a uniquely strange stage of life.

At 28, Casey Pendergast is not where she thought she’d be. Sure, she’s killing it at her high-paying advertising job, but when she thinks about the idealistic English major she used to be, she can’t help the nagging feeling that perhaps her best friend Susan is right–Casey is a sellout who’s traded her dreams for a high-rise condominium, expense account, and designer handbags.

When Mona Ramsey married Lord Teddy Roughton to secure his visa—allowing him to remain in San Francisco to fulfill his wildest dreams—she never imagined she would, by age 48, be the sole owner of Easley House, Teddy’s grand, romantic country manor in the UK. She also didn't imagine that she’d need to open the manor’s doors to paying guests to afford the electric bill and repair the leaking roof. Yet somehow she and her young friend Wilfred--whom guests assume is serving as Easley’s charming-but-clumsy butler--and the loopy old gardener Mr. Hargis, are making it work.

The wizards at Ankh-Morpork’s Unseen University are renowned for many things—wisdom, magic, teatime—but athletics, not so much. When Lord Vetinari, the city’s benevolent tyrant, strongly suggests to Archchancellor Mustrum Ridcully that the university revive its sports program and field a football team composed of faculty, students, and staff—or lose the funding that pays for their nine daily meals—the wizards of UU find themselves in a quandary. First, they have to understand what makes foot-the-ball so popular with Ankh-Morporkians.

At 27, Naomi is just trying to be a normal person. A normal person who works at the Museum of Jewish Heritage, who cares for lost things, found things, sacred things and her family. A person who finds herself going on bad blind dates, having cringe-worthy sex, a tumultuous, toxic affair, and falling for a man called Moses.

De’Andrea Whitman, her husband Malik, and their five-year-old daughter, Nina, are new to the upper-crust white suburb of Rolling Hills, Virginia—a move motivated by circumstance rather than choice. De’Andrea is heartbroken to leave her comfortable life in the Black oasis of Atlanta, and between her mother-in-law’s Alzheimer's diagnosis, her daughter starting kindergarten, and the overwhelming whiteness of Rolling Hills, she finds herself struggling to adjust to her new community. To ease the transition, her therapist proposes a challenge: make a white girlfriend.

Every family is complicated, and the Benedettos are no exception. A few years after a reality TV show skyrocketed them to pop-culture fame, the five twentysomething sisters are living together in their parents’ crumbling McMansion, nearly broke and teetering towards rock-bottom. Lilly, the sensible second-eldest sister, is all too aware that her family is viewed as a spectacle, but she’s focused on holding herself and her family together, and unlike her siblings she tends not to care what the world thinks.

Avishay is up for the Nobel Prize for Economics. There’s just one problem—he’s dead. His four closest friends agree that the well-earned prize must stay within his grasp, and so conspire to conceal Avishay’s corpse until the committee’s announcement. The potential of a glorious legacy for their late friend – and by extension, for them all – is only a mere eight days away. What could go wrong?

Meet Nell. Her life is a mess. When her business goes bust and her fiancé with it, Nell's happy ever after in California falls apart and she moves back to London to start over. But a lot has changed since she’s been gone. All her single friends are now married with children, a sky-high real estate market forces her to rent a room in a stranger’s house, and everyone has seemingly perfect Instagram-ready lives. Starting from scratch she feels like a f**k up . . . a forty-something f**k up.

Carol is a divorced teacher living in a small town in Ireland, her only son now grown. A second chance at love brings her unexpected connection and belonging—and sparks a flurry of speculation. What does a woman like her see in a man like that? What happened to his wife who abandoned him and his children all those years ago? Carol and Declan know their relationship is the talk of the town, but the gossip only serves to bring the couple closer.

City dweller Gwen feels like she’s living a secondhand life. She’s thirty-eight, perpetually single, and in dire need of a dentist’s appointment. Her friends are busy procreating in the country, and conversations with her parents seem to revolve entirely around hedge borders and the trash pickup schedule. Above all she’s lonely. But then, isn’t everyone? Then she’s let go from a job she drifted into a decade ago and never left, and Gwen realizes it’s time to make a change, starting with cleaning out her apartment.

On a remote archeological site in Greece, the mythic home of the first Olympics, four women discover an unusual artifact. It’s a piece of history that definitely shouldn’t exist. And for the head archaeologist in charge, a relic himself, it means something’s gone horribly wrong.

Bob Comet is a retired librarian passing his solitary days surrounded by books and small comforts in a mint-colored house in Portland, Oregon. One morning on his daily walk he encounters a confused elderly woman lost in a market and returns her to the senior center that is her home. Hoping to fill the void he’s known since retiring, he begins volunteering at the center. Here, as a community of strange peers gathers around Bob, and following a happenstance brush with a painful complication from his past, the events of his life and the details of his character are revealed.

The Beidermeier might be several rungs lower on the ladder than the real-life Barbizon, but its residents manage to occupy one another nonetheless. There’s Katherine, the first-floor manager, lightly cynical and more than lightly suggestible. There’s Lucianne, a workshy party girl caught between the love of comfort and an instinctive bridling at convention, Kitty the sponger, Ruth the failed hairdresser, and Pauline the typesetter. And there’s Stephen, the daytime elevator operator and part-time Cooper Union student.

Frederick Fife was born with an extra helping of kindness in his heart. If he borrowed your car, he’d return it washed with a full tank of gas. The problem is there’s nobody left in Fred’s life to borrow from. At eighty-two, he’s desperately lonely, broke, and on the brink of homelessness. But Fred’s luck changes when, in a bizarre case of mistaken identity, he takes the place of grumpy Bernard Greer at the local nursing home. Now he has warm meals in his belly and a roof over his head—as long as his poker face is in better shape than his prostate and that his look-alike never turns up.

Sharply observant and outrageously funny, Rejection is a provocative plunge into the touchiest problems of modern life. The seven connected stories seamlessly transition between the personal crises of a complex ensemble and the comic tragedies of sex, relationships, identity, and the internet.

Everyone in Mythria knows the story of how best friends Beatrice and Elowen, handsome ex-bandit Clare, and valiant leader Galwell the Great defended the realm from darkness. It’s a tale beloved by all—except the heroes. They haven’t spoken in a decade, devastated by what their quest cost them. But when they all receive an invitation to the queen of Mythria’s wedding, it’s a summons they can’t refuse . . . and a reunion for the ages.

Meet Florence Gordon, a blunt, brilliant feminist. At seventy-five, Florence wants to be left alone to write her memoir and shape her legacy. But when her son and his family come to visit, they embroil Florence in their dramas, threatening her coveted solitude. Marked with searing wit, sophisticated intelligence, and a tender respect for humanity, Florence Gordon is cast with a constellation of unforgettable characters. Chief among them is Florence herself, who can humble fools with a single barbed line, but who eventually finds that there are some realities even she cannot outwit.

In her late thirties, Jane Louise Parker has just married a man whose native decency leaves her almost breathless at her good fortune. After the wedding, she returns to work at a small and tony publishing house whose finances are in disarray. Alongside her best friend, Edie, Jane Louise patiently waits to become pregnant, wondering if a baby will provide a sense of rootedness that still seems to elude her. When that longed-for child arrives, it transforms the Parkers’ lives in a way that is as unexpected as it is rapturous.