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Reckless, angry and adrift, Bigger Thomas has grown up trapped in a life of poverty in the slums of Chicago. But a job with the affluent Dalton family provides the setting for a catastrophic collision between his world and theirs. Hunted by citizen and police alike, and baited by prejudiced officials, Bigger finds himself the cause célèbre in an ever-narrowing endgame.

I'm a protector, and my family is my responsibility. When it comes to my team, I'm the same way. They are family and the reason that me and Capone are able to do us in the streets, knowing they are tucked away safe. As a man, you sometimes fall short, and something—someone—falls through the cracks. I know one thing; I put that on my grandson that I'm going to crack his uncle's skull. He has hurt his own family, tossed them out to the wolves, and has hurt mine. I don't take too kindly to people hurting mine.

There were a lot of things that I could live without. I had lived without freedom for the past fifteen years. My wife was someone that I couldn't live without, and I needed her. Alaia saved a lot of people with just a touch of her hand on my arm. She calmed the beast within me, reminded me what I had at home. Alaia was someone that I refused to live without, and now, they took her from me. They touched my wife and thought they would be able to live to talk about it. You didn't touch a Delgato and thought you would live. You didn't touch what was mine and think you could live.

My family was taken away from me. I was too young to know what went on, but now that I know, it's time to get it back in blood. Protecting my sister and my niece or nephew is more important than basketball. Making sure the man who was behind trying to end me is ended is more important. With mentors like Capone and Cappadonna behind me, I can't lose. My head is in the game. I'm focused, and I want revenge. I refuse to sit down until someone's blood is on my hands for taking Joie and our child away from me. I refuse to lose, and I'm making sure my family is protected by any means necessary.

Detective Easy Rawlins has settled into the happy rhythm of his new life when a dark siren from his past returns and threatens to destroy the peace he's fought for, in the latest installment from "master of craft and narrative" Walter Mosley in a legendary series (National Book Foundation).

An ancient prophecy comes to pass. The shackled and the oppressed gain unimaginable powers. And the re-evolution of Earth begins. In 1850s Mississippi, a young enslaved woman named Mirabelle barely survives day to day, praying for a better life. Then, a solar eclipse envelops the world in an eerie glow. Suddenly, not only Mirabelle but all Black people become virtually unkillable. The enslaved throw off their shackles. And all that was is now–undone. But evil will always find a way. So it falls on Mirabelle and her allies to outrun their enemies and unlock the secrets of an ages-old prophecy.

Billie has always advocated for the people over the powerful. But when her son gets in trouble, her silence can make it go away. With her son’s freedom at stake and mounting tensions threatening her marriage, she’ll need all her resources and skills to save her family and expose the corruption…if a conspiracy doesn’t drown her first.

Iesha Chic moved to New York to follow her dreams and her long-distance boyfriend at the time. She had dreams of becoming a fashion designer and starting her clothing line. However, after four years and multiple broken promises, she finds herself back in Brookwood with her tail tucked between her legs. She doesn't have the career she thought she would have or the boyfriend. Moving back home to Brookwood was the last place she thought she would ever be. Instead of sitting around licking her wounds, she applies for a junior designer position for Fashion Don.

Ranging from the 17th century to the present and crossing multiple continents, Counternarratves’ novellas and stories draw upon memoirs, newspaper accounts, detective stories, interrogation transcripts, and speculative fiction to create new and strange perspectives on our past and present.

The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

One Missing Person. Two Rival Detectives. Infinite Chemistry. This rollicking thrill ride told in alternating “he said/she said” perspectives is an irresistible blend of mystery, sexual tension, and humor.

When Another Country appeared in 1962, it caused a literary sensation. James Baldwin's masterly story of desire, hatred and violence opens with the unforgettable character of Rufus Scott, a scavenging Harlem jazz musician adrift in New York. Self-destructive, bad and brilliant, he draws us into a Bohemian underworld pulsing with heat, music and sex, where desperate and dangerous characters betray, love and test each other to the limit.

Recovering from heartbreak, unlucky-in-love events manager Cara has vowed to avoid relationships. That is until fate throws her into the path of handsome and kind Henry, who is worlds apart from the men she’s dated before. Unfortunately, this encounter is short-lived when Cara misses her coach home—and with it, any chance of seeing him again. But fate is not finished with the mismatched couple.

Aidan Thomas is staying at his brother’s apartment while his own home is being remodeled, but the apartment isn’t as vacant as he was led to believe. Pushed out of her own place by a rent increase, Letty Garcia, his sister’s gorgeous best friend, is staying there, too. The involuntary cohabitation is a temporary solution, one they can both endure unscathed. Maybe. The intense attraction that’s long lingered between them sure is making things hard.

Poems on Various Subjects, Religious and Moral was the first published book of poetry by an African-American woman. Phillis Wheatley was a servant to a family in Massachusetts, and initially promoted her poetry in Boston newspapers to find a publisher. When she was initially unable to find a publisher in America, she sent her poetry overseas to England, hoping to eventually find someone who would both believe in the authenticity of her words and allow them to be widely printed.

DeShawn lives a high, creative, and promiscuous life in San Francisco. But when he’s called back to his cramped Alabama hometown for his uncle’s funeral, he’s hit by flashbacks of handsome, doomed neighbors and sweltering Sunday services. Amid prickly reminders of his childhood, DeShawn ponders family, church, and the men in his life, prompting the question: Who deserves love?

Nairobi's epic-fail of a St. Patrick's Day party leaves her depressed and #foreveralone. She goes to work, dreading another night of returning to an empty bed. When she returns home, there's someone waiting for her. An attractive, six-foot-five, emerald-eyed Irishman is trapped in her bedroom with an outlandish claim. "I'll grant you three wishes," he says. That intense shamrock stare tells Nairobi he's looking for more. Three wishes he says? Game on.

Claudia Rankine's bold new audiobook recounts mounting racial aggressions in ongoing encounters in 21st-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV - everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive.

Sylvia Blackwell has it all, or so she thinks. She and her handsome husband, Garrett, are the epitome of success: an immaculate house of their dreams, a beautiful and talented 17-year-old daughter, flourishing careers, and nearly 20 years of perfectly wedded bliss. Just as they are making plans for their vow renewal celebration, a call in the middle of the night interrupts their picture-perfect lives. Now Sylvia has to deal with the reality of Garrett's dead mistress and a love child she never knew about.

In 1804, shortly before the Caribbean island of Saint Domingue is renamed Haiti, a group of women gather to bury a stillborn baby. Led by a lesbian healer and midwife named Mer, the women's lamentations inadvertently release the dead infant's "unused vitality" to draw Ezili - the Afro-Caribbean goddess of sexual desire and love - into the physical world. As Ezili explores her newfound powers, she travels across time and space to inhabit the midwife's body - as well as those of Jeanne, a mixed-race dancer and the mistress of Charles Baudelaire living in 1880s Paris, and Meritet.