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In The Gilded Auction Block, the acclaimed poet Shane McCrae considers the present moment in America on its own terms as well as for what it says about the American project and Americans themselves. In the audiobook’s four sections, McCrae alternately responds directly to Donald Trump and contextualizes him historically and personally, exploding the illusions of freedom of both black and white Americans. This is a moving, incisive, and frightening exploration of both the legacy and the current state of white supremacy in this country.

Along the ever-changing border of gentrifying Los Angeles, 17-year-old Monique Darson is found dead at a condominium construction site, hanging in the closet of an unfinished unit. Homicide Detective Elouise "Lou" Norton's new partner, Colin Taggert, fresh from the comparatively bucolic Colorado Springs police department, assumes it's a teenage suicide. Lou isn't buying the easy explanation. For one thing, the condo site is owned by Napoleon Crase, a self-made millionaire...and the man who may have murdered Lou's missing sister, Tori, 30 years ago.

Los Angeles Homicide Detective Elouise "Lou" Norton and her partner, Colin Taggert, arrive at the scene of a tragic house fire. Juliet Chatman perished in the blaze, along with her two children. Left behind is grieving husband and father Christopher Chatman, hospitalized after trying to rescue his family. Chatman is devastated that he couldn't save them. Unless, of course, he's the one who killed them.

On a rainy spring day in Los Angeles, Homicide Detective Elouise "Lou" Norton is called away from a rare lunch date to Bonner Park, where the body of 13-year-old Chanita Lords has been discovered. Chanita was interested in photography and, much like Lou, a black girl destined to leave the housing projects behind. Her death fits a chilling pattern of exceptional African American girls - dancers, artists, honors scholars - gone recently missing in the same school district, the one Lou attended not so long ago.

After a long Labor Day weekend, 73-year-old Eugene Washington is found dead in his Leimert Park home. At first blush, his death seems unremarkable- heat wave combined with food poisoning from a holiday barbecue. But something in the way Washington died doesn’t make sense. LAPD Homicide Detective Elouise "Lou" Norton is called to investigate the death and learns that the only family Washington had was the 6,000-member congregation of Blessed Mission Ministries, led by Bishop Solomon Tate. But something wicked is lurking among the congregants of this church.

The LaCroixs are four beautiful Haitian American women bound by money and blood. On the surface, the LaCroix Group is a venture capitalist company, but underneath, it’s so much more. The four sisters run long cons, targeting wealthy, prominent business figures. They have a system: Find the perfect mark, create the problem, then present the solution. For a cost....

Keeping busy with work helps Vandy deal with the grief of losing her daughter, stitching the seams, cementing the gaps. The memories will always remain, and they come crashing back to the surface when her ex-husband, Phil Bolden, walks back into her life. Promising everything, returning home, restoring family. Until she answers her door to the news that Phil has been murdered. And Vandy decides Phil is now her client.

When eldest son Roman Carruthers is summoned home after his father’s car accident, he finds his younger brother, Dante, in debt to dangerous criminals and his sister, Neveah, exhausted from holding the family—and the family business—together. Neveah and their father, who run the Carruthers Crematorium in the run-down central Virginia town of Jefferson Run, see death up close every day. But mortality draws even closer when it becomes clear that the crash that landed their father in a coma was no accident and Dante’s recklessness has placed them all in real danger.

Reverend Sabre Winfrey, Jr., shepherd of the Seven Seals Missionary Baptist Church, believes in God, his own privilege, and enterprise. He owns the barbershop and the radio station, and generally keeps an iron hand on every aspect of society in Dominion, Mississippi. He and his wife, Priscilla, have five boys; the youngest, Emanuel, is called Wonderboy—no one sings prettier, runs as fast, or turns as many heads. But Wonderboy, his father, and all the structures in place that keep them on top are not as righteous as they seem to be.

Carl Phillips has aptly described his work as an “ongoing quest”; Then the War is the next step in that meaningful process of self-discovery for both the poet and his listener. The new poems, written in a time of rising racial conflict in the United States, with its attendant violence and uncertainty, find Phillips entering deeper into the landscape he has made his own: a forest of intimacy, queerness, and moral inquiry, where the farther we go, the more difficult it is to remember why or where we started.

Titus Crown is the first Black sheriff in the history of Charon County, Virginia. In recent decades, quiet Charon has had only two murders. But after years of working as an FBI agent, Titus knows better than anyone that while his hometown might seem like a land of moonshine, cornbread, and honeysuckle, secrets always fester under the surface. Then a year to the day after Titus’s election, a school teacher is killed by a former student and the student is fatally shot by Titus’s deputies. As Titus investigates the shootings, he unearths terrible crimes.

When Kitty Karr Tate, a White icon of the silver screen, dies and bequeaths her multimillion-dollar estate to the St. John sisters, three young, wealthy Black women, it prompts questions. Lots of questions. A celebrity in her own right, Elise St. John would rather focus on sorting out Kitty’s affairs than deal with the press. But what she discovers in one of Kitty’s journals rocks her world harder than any other brewing scandal could—and between a cheating fiancé and the fallout from a controversial social media post, there are plenty.

A few years after the Wright brothers’ first flight, Bessie was working the Texas cotton fields with her family when an airplane flew over their heads. It buzzed so low she thought she could catch it in her hands. Bessie was fearless. She knew there was freedom in those wings. The daughter of a woman born into slavery, Bessie answers the call of the Great Migration. She moves to Chicago, where she wins the backing of two wealthy, powerful Black men—Robert Abbott, creator and publisher of the Chicago Defender, and Jesse Binga, the founder of Chicago’s first Black bank.

Magnolia Brown is nineteen years old, broke, and effectively an orphan. She feels stuck and haunted: by her overdrawn bank account, her predatory landlord, and the ghost of her late grandmother Mama Brown. One night, while working at her dead-end gas station job, a mysterious, slick stranger named Cotton walks in and offers to turn Magnolia’s luck around with a lucrative “modeling” job at his family’s funeral home. She accepts. But despite things looking up, Magnolia’s problems fatten along with her wallet.

How to Dodge a Cannonball is funnier than the Civil War should ever be. It follows Anders, a teenage idealist who enlists and reenlists to shape the American Future—as soon as he figures out what that is, who it includes, and why everyone wants him to die for it. Escaping his violently insane mother is a bonus. Anders finds honor as a proud Union flag twirler—until he’s captured. Then he tries life as a diehard Confederate—until fate asks him to die hard for the Confederacy at Gettysburg. Barely alive, Anders limps into a Black Union regiment in a stolen uniform.

When Savvy Summers first opened Essie's soul food café, she never expected her customer-favorite sweet potato pie to become the center of a murder investigation. But when Grandy Jaspers, the 75-year-old neighborhood womanizer, drops dead at table two, she suddenly has more to worry about than just maintaining Essie's reputation for the finest soul food in the Chicagoland area.

Nina Ford doesn’t like to put all her eggs in one basket. She works multiple jobs, she enjoys multiple hobbies, she dates multiple men. In her thirty years of life, Nina has never come across a man who has all the things she’s looking for. She loves fun and excitement—and she has a man for that. She loves confidence and humor—and she has a man for that. She loves intelligence and ambition—and she has a man for that. She loves passion and romance—and she has a man for that. She’s always been content rotating a few men in and out of her life to get her needs met.

Parish “Pain” Wells is a man freshly reintroduced to society, after serving time in state prison. Prior to his fall, Pain had been a heist man who showed the promise of someone who could go on to be a legend. His trajectory changed on the night he had made the mistake of accepting a ride from a friend, and found himself behind bars for the one crime he hadn’t committed. Several years later, Pain returns home to a world that wouldn’t piss on him if he was on fire. The only one who still remains in his corner is his ailing grandmother.

Evander “Vandy” Myrick became a cop to fulfill her father’s expectations. After her world cratered, she became a private eye to satisfy her own. Now she's back in Queenstown, New Jersey, her childhood home, in search of solace and recovery. It's a small community of nine thousand souls crammed into twelve square miles, fenced by cornfields, warehouses, pharma labs, and tract housing. As a Black woman, privacy is hard to come by in "Q-Town," and worth guarding.

Òdòdó's hometown of Timbuktu has been conquered by the warrior king of Yorùbáland. Already shunned as social pariahs, living conditions for Òdòdó and the other women in her blacksmith guild grow even worse under Yorùbá rule.Then Òdòdó is abducted. She is whisked across the Sahara to the capital city of Ṣàngótẹ̀, where she is shocked to discover that her kidnapper is none other than the vagrant who had visited her guild just days prior. But now that he is swathed in riches rather than rags, Òdòdó realizes he is not a vagrant at all.