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Esta es la crónica de la afortunada transformación de un hombre. Omar Ramos, como muchos gays en México, pasó de sufrir bullying a usar tacones con orgullo, de conocer a unos pocos hombres en la barra de un bar a coincidir con cientos en la pantalla de su teléfono, y de vivir con miedo al VIH a disfrutar plenamente su sexualidad.

Die Zeugen Jehovas sind Jolandas Zuhause. Gehorsam erfüllt sie alle Erwartungen, die an sie gerichtet werden, kommt ihren Diensten nach und stellt das Weltbild der Zeugen Jehovas nicht in Frage. Das ändert sich schlagartig, als Nicky auftaucht. Denn Nicky ist eine Frau - und Jolanda verliebt sich in sie. Von einem Tag auf den anderen ist nichts mehr, wie es war. Jolanda entscheidet sich, die Zeugen Jehovas zu verlassen und ein vollkommen neues Leben zu beginnen.

Why I Was Late fuses text with performance, bringing a transmasculine wisdom, humor, and experience to bear upon tailgates, spaceships, and wrestling rings. Fierce, tender, convention re-inventing—Petch works hard. And whether it’s as a film union lighting technician, a hospital bed allocator, a Toronto hot dog vendor, or a performer/player of the musical saw, the work is survival. Heroes are found in unexpected places, elevated by both large and small gestures of kindness, accountability and acceptance.

In her bittersweet memoir, Mary Fairhurst Breen sketches scenes from a life darkened by generations of mental illness and addiction. Despite the odds, Mary’s sense of humor and willingness to practice “radical acceptance” see her through the chaos to a life full of friends, art, and the joys of being a grandmother. Ultimately, she must face her greatest challenge of all when her daughter becomes one of the tens of thousands of people every year to die of opioid poisoning. This is a journey of awakening and activism, and a portrait of a life to be celebrated in all its complexity.

Für Menschen, die anders lieben, ist ein Outing im Job nach wie vor ein großes Wagnis. Im schlimmsten Fall kann es das Ende der Karriere bedeuten. Matthias Herzberg ist schwul - und hat einen langen Kampf um Anerkennung hinter sich. Er wurde aufgrund von Intrigen gefeuert, von Kollegen diffamiert und zwangsgeoutet. Heute führt er glücklich und erfolgreich sein eigenes Trainingsunternehmen. Hier erzählt er seine persönliche Geschichte und viele weitere, die von der homophoben Führungs- und Arbeitskultur in Deutschland zeugen.

Poesía contra la discriminación para celebrar el amor y la belleza. Alberto Ramos tenía solo 15 años cuando decidió meter en una maleta su esperanza y voluntad, abandonar Málaga y establecerse en Estocolmo, buscando una nueva vida. Y realizar su sueño de estudiar en el extranjero su bachillerato internacional. El instituto está situado en Södertälje, un peculiar municipio de Estocolmo con una gran influencia del cristianismo (católico y ortodoxo) e ideologías inflexibles y totalitarias por su población proveniente de las diásporas asiria (assyrier/syrianer) y árabe.

Buddy Cole, the acid-tongued raconteur created by comedian Scott Thompson, earned international fame as one of the most beloved characters on Kids in the Hall. Originally published in 1998, Buddy’s classic faux-memoir was a master class in pushing the envelope and pissing off the censors. Now, 20 years later, Scott Thompson is bringing Buddy back to the stage, with an international tour and also a reissue of Buddy Babylon, presented with new never-before-seen material, introducing Buddy to new generations.

Dall'11 maggio 2016 le unioni civili sono legge. E se sul matrimonio è stato scritto molto e sulle donne altrettanto, sulle donne che hanno deciso di sposarsi fra loro si sa molto meno. A riempire con la sua intelligenza questo vuoto, arriva Chiara Sfregola che, a partire dalla sua esperienza di lesbica, di femminista e di moglie, racconta con un passo a metà tra saggistica e memoir cosa è stato storicamente e cosa sta diventando, oggi, il matrimonio.

In Rebent Sinner, Ivan Coyote takes on the patriarchy and the political, as well as the intimate and the personal in these beguiling and revealing stories of what it means to be trans and non-binary today, at a time in their life when they must carry the burden of heartbreaking history with them, while combatting those who would misgender them or deny their very existence. These stories span thirty years of tackling TERFs, legislators, and bathroom police, sure, but there is joy and pleasure and triumph to be found here, too.

Transparency is one of the most effective tools we have that can help us heal. It can also help us understand ourselves better as well as other people.

Maria Konner takes you on her journey from living a frustrated and bored straight-dude life to becoming a fabulous trans entertainer in San Francisco. She also begins to discover herself sexually after a Halloween costume feels better than she ever imagined. What starts as a lark, quickly becomes a lifestyle. Told in a frank and entertaining manner, Maria details her experiences at Diva's, the legendary trans bar. There, she enters into a world of alternative lifestyles, sexual experimentation, crossdressing, and hardcore kink as she tests the boundaries of her sexuality.

The body that Robyn Henderson-Espinoza inhabits is a nonbinary body, a trans body, a body in two races—and a body continually in discovery. Theirs is also a body on sojourn invested in experience, body understanding, and engagement in and for human thriving. Henderson-Espinoza relates coming into a new body story, beginning with the deep emotional work of connecting the abstract intelligence of their mind with their body's intelligence, to explore the relationship between living and becoming, doing and listening.

"Desideravo raccontare storie vere, a volte tragiche, spesso dure, altre ancora amare, qualcuna gioiosa, ma tutte assolutamente libere. Ci ho provato. Ho pedinato vite. Ho trascritto verbali, in modo onesto e partecipe e spero anche godibile." Non basta una parrucca è un viaggio nel mondo del transgenderismo raccontato direttamente dalle interessate: settanta donne "trans" scelte tra circa quattrocento interviste raccolte in più di tre anni di lavoro.

Peggy Caserta, founder of the famous Haight-Ashbury hippie boutique Mnasidika and lover and girlfriend of Janis Joplin, was a Louisiana homecoming queen turned airsick stewardess who eventually landed in 1960s San Francisco and set up shop. Her store was a hang-out for The Grateful Dead and Big Brother and the Holding Company; it was where Wes Wilson’s posters hung, where Bill Graham sold concert tickets, and where Owsley’s LSD was enjoyed.

Seven years ago, Ben was loveless, overweight, in debt and living in his parents' rumpus room, trying to find a way to quietly die. Days passed by in a haze of marijuana smoke and self-loathing. Then, one day, Ben decided not to die. He decided to change everything—starting with the Ben bit. Becoming Cadance would be more than a gender transition. It would be a transition in every way. It would mean leaving behind a rural Mudgee childhood filled with Frogger, hot chips, Godliness and a forbidden love of Sarah Parker's My Little Pony.

My Gay Church Days is the true story of a profoundly insecure evangelical pastor who eventually decided enough was enough. After failed relationships, crippling anxiety, and cult-like codependency, George broke away from rigid Christianity to pursue the thing he once found most dreadful and fearful about himself. This book is a crusade of revealing, an exploration of conformity, oppression, awakening, and self-discovery unlike any other.

Memorias LGTBI Negras. Esta es la historia de George Matthew Johnson. Una historia para todes nosotros. En estas rompedoras memorias para jóvenes adultes, George M. Johnson, destacade escritore y activista LGTBQIAP+ comparte recuerdos desgarradores a la par que gloriosos sobre lo que supone crecer como persona Negra y queer en Estados Unidos.

From experiencing heartbreaking grief to uncovering the hidden LGBTQ history of his hometown, Quincy, from overcoming body image issues and living with HIV to cultivating his personal style, Queer Eye star Jonathan Van Ness speaks out a wide range of topics with heart, honesty and flair. He not only shares his personal experiences, but with the help of conversations with experts, he also offers captivating perspectives on the wide number of issues we are dealing with today.

In the first edition of Bloodroot, Warland traced how a mother’s shared gender with her daughter can shape the very anatomy of narrative itself. In her mother’s final year, Warland quietly discovered how to disentangle a crucial, concealed story that had rendered their relationship disconnected and fraught. The 2000 edition broke new ground in memoir form and uncharted storytelling. The 2020 edition includes a new essay by Warland that explores subsequent questions, insights, and tenderness only the passage of time can enable.

Did I mention I thought I was straight back then? And that I had no clue he was gay? How was I ever that clueless. OMG! I nearly passed out.I mean, after we got naked and . . . Over the next few years, my whole world changed. I went from never-do-anything-wrong preacher’s kid to a wild child sowing his oats.