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This memoir is an open invitation into Joshua's life, a connection point for those facing or who have faced similar hardships, and a beacon of hope and empowerment for anyone in need of strength. Through his experiences, Joshua illustrates that despite monumental setbacks, it is possible to emerge stronger and more resilient.

In 1959, the year Terry Galloway turned nine, the voices of everyone she loved began to disappear. No one yet knew that an experimental antibiotic given to her mother had wreaked havoc on her fetal nervous system, eventually causing her to go deaf. As a self-proclaimed "child freak," she acted out her fury with her boxy hearing aids and Coke-bottle glasses by faking her own drowning at a camp for crippled children. Ever since that first real-life performance, Galloway has used theater, whether onstage or off, to defy and transcend her reality.

At fifteen years old, Daphne Scholinski was committed to a mental institution and awarded the dubious diagnosis of Gender Identity Disorder. For three years and more than a million dollars of insurance, the problem was “treated”—with makeup lessons and instructions in how to walk like a girl. With a new epilogue by Scholinski, whose name is now Dylan and who identifies as nonbinary, this revised edition of The Last Time I Wore a Dress looks back at those experiences and their life since.

Accidentally on Purpose dives into Kristen Kish’s childhood as a Korean adoptee in the Midwest, finding purpose in kitchens, and becoming the season 10 winner of—and now host—of Top Chef all the while navigating life in the spotlight, coming out in her adult years, and all the life lessons in between.

In the early aughts, Kate Moennig and Leisha Hailey—both young artists trying to figure it all out—met at auditions for what they thought was just an unknown little TV show. Given that it was a show about lesbians living in LA, with the first ever ensemble cast of openly queer female characters, Kate and Leisha knew the project was going to be unlike anything else out there. What they didn't foresee was just how huge The L Word would become.

Gay icon, great poet, leather daddy, eccentric professor, English, American, biker, non-driver, drug addict, hedonist, intellectual, enigmatic, friendly, Everyman, one-of-a-kind, brother, roommate, HIV-negative, paradigmatic AIDS writer, Nazi belt wearer, Jeff Dahmer scholar, Guggenheim Genius, secret philanthropist, Formalist, Existentialist, prolific letter writer, some-sort-of-an-angel...Thom Gunn was all of these and more... But hovering above these figures lay the memory of his mother.

For over half a century, Child has collaborated with the world’s most celebrated artists creating timeless classics, such as Bon Jovi’s “Livin' On A Prayer” and “You Give Love A Bad Name,” as well as Ricky Martin’s “Livin’ La Vida Loca” and “The Cup Of Life,” amongst his vast catalog. But in his memoir, Child himself takes center stage to share his transformational story of a misfit outsider to cultural pacesetter.

In December 1982, I met Ray at a coffee evening in Pimlico, and our differences in race and background immediately drew me to him, sparking a deep connection that would shape the next 17 years of my life. Ray, with his roots in Detroit and my own in Glasgow, became my close friend, mentor, and teacher, challenging my perceptions of race, spirituality, and leadership.

Book about transgenders.

In 2009, Juliet Patterson was recovering from a serious car accident when she learned her father had died by suicide. His death was part of a disturbing pattern in her family. Her father’s father had taken his own life; so had her mother’s. Over the weeks and months that followed, grieving and in physical pain, Patterson kept returning to one question: Why? Why had her family lost so many men, so many fathers, and what lay beneath the silence that had taken hold?

I met Amber when I moved across the street from her. As I got to know her, I learned some things about myself. My goal in writing this book is to help anyone that is going through the loss of a loved one or has lost someone. This is not just my own personal journey through grief, but a message of hope and love and a love that survived beyond death. This book is a memoir of personal reflections of the beginning, middle, and end of a soulful relationship between two women and a connection which brought about valuable lessons from love, life, grief, and letting go.

Intersexion is a life-giving true story about choosing between social acceptance or health, fear or authenticity. Cynthia, an adjunct professor with a trunk full of ungraded papers and snack wrappers, has been an LGBTQIA+ ally for years—in convenient ways. She enjoys the company of her queer friends—but her support isn’t risky; it hasn’t cost her anything. Until she meets Danny.

Der Kampf für Gerechtigkeit und trans* Rechte? – ein Kampf für uns alle! Eine Rose ist eine Rose ist eine Rose ist eine Rose… Sprache, Identität und vor allem: Empathie Der Name einer Sache verkörpert deren Bild, unsere Vorstellung davon und die damit verbundenen Gefühle. Oder: Eine Sache wird zur Sache durch ihre Benennung. Doch wie können wir diesen einfachen Gedanken auf unsere Umgebung übertragen? Phenix Kühnert ist sich sicher: mit Empathie. Wir leben in einer Gesellschaft, die alle ausschließt, die von der Norm abweichen.

“I say, ‘the Black Period,’ and mean ‘home’ in all its shapeshifting ways.” In The Black Period, Hafizah creates a space for the beauty of Blackness, Islam, disability, and queerness to flourish, celebrating the many layers of her existence that America has time and again sought to erase.

In this third volume of his memoirs, following the critically acclaimed Palm Trees on the Hudson and his breakout best seller Taking Woodstock, Elliot Tiber chronicles his hilarious, madcap, and often heartbreaking adventures in the entertainment industry. Guided as much by chutzpah as by his creative drive, Tiber travels around the world always looking to grab the brass ring. And everywhere he goes, from Hollywood to Brussels, Tiber makes his indelible, irreverent, unique mark.

This Boy and His Mother: Healing from Trauma as a Gay Latter-day Saint chronicles Preston Jenkins' journey back to faith and activity in the Church of Jesus Christ of Latter-day Saints. Speaking with authenticity, Preston offers gospel insights gleaned from his experiences involving same-sex attraction, sexual and emotional abuse, an early return from an LDS mission, mental illness, and the eventual completion of a mission. Hope, faith, and never-failing charity are strikingly displayed. So, too, is the sufficient grace of Jesus Christ to holistically heal all wounds.

Kodo Nishimura ist ein buddhistischer Mönch aus einer langen Linie japanischer Mönche. Und er ist LGBTQ+-Aktivist sowie international bekannter Makeup-Artist. Er verbringt sein Leben zwischen einem Kloster in Tokio und den Fashion-Shows dieser Welt. An einem Tag trägt er traditionelle Mönchsgewänder und am nächsten glitzernde High Heels. Er ist stolz auf seine buddhistischen Wurzeln, seine Sexualität und seine Leidenschaft für Mode und Make-Up. Doch das war nicht immer so. Nishimura versteckt sein wahres Selbst viele Jahre vor seinen Lehrer:innen und Freund:innen.

For the best part of five decades, within a hyper-masculine sporting environment, Danielle Laidley harboured a secret. As a boy growing up in the backblocks of Perth, as a teenager and young man playing AFL, as a married father of three, she knew she was female, regardless of the gender she was assigned at birth. For years Danielle lived a compartmentalised life, managing her secret first with a relentless quest for sporting success and workaholism, and eventually with substances that dulled the pain.

This is the true story of a male couple's quest for a life in the West...one is American, the other is Iraqi. The American learns about gays in the Middle East and human trafficking as he helps his partner escape from Turkey by raft, sneak their way into Athens, and seek asylum in Amsterdam.

"I was caddywonked from the get-go." That’s how this memoir begins, as an embryonic Jeff Batton was whisked away to a home for unwed mothers in Savannah, Georgia. His new parents arrived in the form of the Battons, and his new home, a 700-acre peanut and tobacco farm. While the memoir has the South as its launching point, the narrative travels far and wide to New York City, Hong Kong, and beyond. Lovingly told, Grinnin’ Like a Jackass Eatin’ Briars is about uncovering our truth, looking at the world from a different angle, and finding the courage to embrace what we find.