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Dress Rehearsals is a raw and beautiful exploration of what it means to be feminine. Beginning with teenage yearning, these poems both celebrate and grieve Madison's sexual awakening as they transition into the glittering femme fatale. Navigating first love, menstruation, chronic illness, sex and patriarchal power dynamics, Dress Rehearsals is a coming-of-age story that has never been told—a decade of performing womanhood in an elaborate and shifting costume.

In the 1970s, gay men and lesbians were openly despised and drag queens scared the public. Yet that was the era when Doris Fish (born Philip Mills in 1952) painted and padded his way to stardom. He was a leader of the generation that prepared the world not just for drag queens on TV but for a society that welcomes and even celebrates queer people. How did we get from there to here? In Who Does That Bitch Think She Is? Craig Seligman looks at Doris’s short but overstuffed life as a way to provide some answers.

A queer minister, politician and staunch activist for LGBTQ rights, Cheri DiNovo went from living on the streets as a teenager to performing the first legalized same-sex marriage registered in Canada in 2001. From rights for queer parents to banning conversion therapy, her story will inspire people (queer or ally) to not only resist the system—but change it.

By the time Will Schwalbe was a junior at college, he had already met everyone he cared to know: the theater people, writers, visual artists and comp lit majors, and various other quirky characters including the handful of students who shared his own major, Latin and Greek. He also knew exactly who he wanted to avoid: the jocks. The jocks wore baseball caps and moved in packs, filling boisterous tables in the dining hall, and on the whole seemed to be another species entirely, one Will might encounter only at his own peril.

Transitioning is an alignment of the invisible and the physical. It is truth rising to the surface. It is one of the most fundamental aspects of the human condition—a part of our experience as a conscious being, no matter who we are. As time goes on, we all develop as people. None of us ever becomes someone else entirely—regardless of how we identify—but nor do we stay the same forever. We all transition. It's what binds us, not what separates us.

Hilarious and earnest, this collection of essays, how-tos, and more goes far beyond what we know of Bretman Rock from social media. Who is Bretman Rock Sacayanan behind the screen and how did he become the original superstar influencer and today’s beloved best friend of the internet?

J.R. Jamison spends his days in a world of trigger warnings and safe spaces, while his trigger-happy dad, Dave, spends his questioning why Americans have become so sensitive. Yet at the height of the 2016 election, the two decide to put political differences aside and travel together to rural Missouri for Dave’s fifty-five year class reunion. But with theco nstant backdrop of the Trump vs. Clinton battle at every turn, they are forced to explore one formidable question: Will the trip push them further apart or bring them closer together?

In this brave and thoughtful book, Max Robinson goes beyond the ‘before' and ‘after' of the transition she underwent and takes us through the processes that led her, first, to transition in an attempt to get relief from her distress, and then to detransition as she discovered feminist thought and community.

What if your first love was a forbidden one? At 23, Felice Cohen was--like other recent college grads--hesitant about entering the real world with the added stress of coming out in the early '90s. Focused on how to land a full-time position as a writer, falling in love was the last thing on her mind. But fall in love she did. With her boss, a woman 34 years older.

As a multiracial household in Chicago’s North Side community of Rogers Park, race is at the core of Francesca T. Royster and her family's world, influencing everyday acts of parenting and the conception of what family truly means. Like Maggie Nelson’s The Argonauts, this lyrical and affecting memoir focuses on a unit of three: the author; her wife Annie, who's white; and Cecilia, the Black daughter they adopt as a couple in their forties and fifties.

When fourteen-year-old Lamya H realizes she has a crush on her teacher—her female teacher—she covers up her attraction, an attraction she can’t yet name, by playing up her roles as overachiever and class clown. Born in South Asia, she moved to the Middle East at a young age and has spent years feeling out of place, like her own desires and dreams don’t matter, and it’s easier to hide in plain sight. To disappear. But one day in Quran class, she reads a passage about Maryam that changes everything: When Maryam learned that she was pregnant, she insisted no man had touched her.

Long based in Chicago, Iliana and her new wife, Anna, decided to create a culinary destination, the Milkweed Inn, located in Michigan’s remote Upper Peninsula, where much of the food served to their guests would be foraged by Regan herself in the surrounding forest and nearby river. Part fresh challenge, part escape, Regan’s move to the forest was also a return to her rural roots, in an effort to deepen the intimate connection to nature and the land that she had long expressed as a chef, but experienced most intensely growing up.

La niñez de Jesse fue destrozada de forma violenta. Nació en San Diego, en los años setenta, hijo de inmigrantes mexicanos e indígenas de la clase obrera. Cuando tenía once años, un encuentro en una tienda de regalos lo dejó con un secreto aterrador entre manos. Herido, con el apoyo de nadie y temiendo por su vida, Jesse se perdió en el mundo híper masculino de las calles de San Diego, donde silenció su dolor con lo que fuera que encontrara: alcohol, drogas y prostitución.

Emerson Whitney writes, "Really, I can't explain myself without making a mess." What follows is that mess—electrifying, gorgeous, defiant. At Heaven's center, Whitney seeks to understand their relationship to their mother and grandmother, those first windows into womanhood and all its consequences. Whitney retraces a roving youth in deeply observant, psychedelic prose—all the while folding in the work of thinkers like Judith Butler, Donna Haraway, and C. Riley Snorton—to engage transness and the breathing, morphing nature of selfhood.

Hidden in the margins of history books, classical literature, and thousands of years of stories, myths and legends, through to contemporary literature, TV and film, there is a diverse and other-worldly super community of queer heroes to discover, learn from, and celebrate. Queer Heroes of Myth & Legend brings to life characters who are romantic, brave, mysterious, and always fantastical. It is a magnificent celebration of queerness through the ages in all its legendary glory.

On a sweltering summer day in 2007, having just lost her brother to illness, Livia Manera Sambuy finds herself standing before a 1924 photograph of a stunningly elegant Indian princess at a museum in Mumbai. What's written in the caption will change her life forever. This gorgeous Punjabi princess, it's said, sold her jewels in occupied Paris to save Jewish lives, only to be arrested by the Gestapo and sent to a concentration camp, where she died within a year. Could it be true? And if so, how could such a sensational story have gone unnoticed?

Having spent over 20 years in the adult entertainment industry, I have grown tired of the typical ill adjusted, drug addicted stripper story. Contrary to the reigning stereotype, I offer a candid look at my own adventures in the industry and how it has affected my life. I present my memoirs as a rebuttal to the talk show depiction of exotic dancers as chemically challenged, poorly disguised prostitutes with severe daddy and body image issues.

Father Shannon Kearns is familiar with liminal spaces. He’s lived in them his whole life. And while his experience as a transgender man has often made it difficult for him to fit in—especially in the context of Christianity—it has also shaped his perspective in important ways on complicated, gender-transgressing aspects of theology and Scripture.

Jonathan is thirty-one-years-old, living in Milan with his boyfriend of three years and their two cats when he gets a fever. But unlike most, this fever doesn’t go away. After spending weeks Googling his symptoms and documenting his illness, he finally sees a doctor. A series of blood tests, hospital visits, and repeated misdiagnoses ensue, until the truth is finally revealed: Jonathan is HIV-positive. In the vein of Edouard Louis, Fever is at once a deeply personal story and a searing examination of class, poverty, prejudice, and opportunity in modern Europe.

My Uncle Gloria is his nephew Steven's story. Told from his perspective, it is a gritty, graphic, and salacious memoir that digs deep into the core of a dysfunctional family, as they find a way to not only cope with each other, but also how to "accept" each other.