検索キーワード： 著者 "Tim Major" 文学・フィクション

Sherlock Holmes’s discovery of a mysterious musical score initiates a devious Christmas challenge set by Irene Adler, with clues that are all variations on the theme of “theft without theft”, such as a statue missing from a museum found hidden in the room it was taken from. In the snowy London lead-up to Christmas, Holmes’s preoccupation with the “Adler Variations” risks him neglecting the case of his new client, Norwegian arctic explorer Fridtjof Nansen, who has received a series of threats in the form of animal carcasses left on his doorstep.

Caitlin Hext’s first shedding ceremony is imminent, but she’s far from prepared to produce a Snakeskin clone. When her skin fails to turn to dust as expected, she must decide whether she wishes the newcomer alive or dead. Worse still, it transpires that the Hext family may be of central importance to the survival of Charmers, a group of people with the inexplicable power to produce duplicates every seven years and, in the process, rejuvenate.

Workaholic TV news producer Nina Scaife is determined to fight for her daughter, Laurie, after her partner, Rob, walks out on her. She takes Laurie to visit Rob's parents on the beautiful but remote Hope Island, to prove to her that they are still a family. But Rob's parents are wary of Nina, and the islanders are acting strangely. And as Nina struggles to reconnect with Laurie, the silent island children begin to lure her daughter away.

When Muriel Carew attends a lavish society party, the last person she expects to bump into is her ex-fiancee Henry Jekyll, a man she's not seen for many years. When Jekyll turns out to be investigating a series of missing persons in London, Muriel is intrigued. But Jekyll is not working alone, and if Muriel wants to aid in the investigation, she must work with both Henry and his partner, the monstrous and uncouth Mr Hyde.

1896. A new client at Baker Street claims he’s being threatened via the new art of the moving image. Eadweard Muybridge, pioneer of motion picture projection, believes his life is in danger. Twice he has been almost run down in the street by the same mysterious carriage, and moreover, disturbing alterations have been made to his lecture slides. These are closely guarded, yet just before each lecture an unknown hand has defaced images depicting Muybridge himself, which he has discovered, to his horror, only as he projects them to his audience.