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Captain Tova Lir chose a life as a courier rather than get involved in her family’s illustrious business in politics. Set in humanity’s far future, hiring a planetary courier is essential for delivering private messages across the stars. Encouraged by friends, Tova begins mentoring baby bots, juvenile AI who are developmentally in their teens, and trains them how to interact within society essentially becoming their foster mom. Her latest charge, Agatha Panza von Sparkles, named herself on their first run from Luna to Phoebe station.

Seconds from a meteoric career launch, cellist Courtney Starling suffers a frightening migraine attack during a key performance. While harmful rumors fly, she escapes to her happy place—her best friend’s Kansas bookshop. Courtney’s working incognito when a scream sends her leaping off a shelving ladder to find the woman who screamed cowering near the register.

Lucy Carmichael is jilted at the altar. But no matter. Her loving and kind family never liked her explorer fiancé anyway. Instead of moping or falling into her supportive family’s arms, however, Lucy abandons their suburban home. Heading for the country, she takes up a teaching position in the industrial town of Ravonsbridge. There, she finds solace in her work, in her new (rather gossipy) colleagues – and rediscovers her sensible young self. But if Lucy has, despite everything, kept her head – where lies her heart?

‘Down among the women. What a place to be!’ So says Wanda, a former radical who left her husband and raised her daughter Scarlet to be as liberated as she. But twenty-year-old Scarlet, with an abortion already behind her, is about to discover real liberation – as a single mother in Fifties’ London. Yet Scarlet’s not alone. Meet her friends: Sylvia, the born victim; respectable Jocelyn, willingly trapped in a dull, bourgeois marriage; Audrey, bristling to break free of her conventional life; and Helen, beautiful, vibrant – and very doomed.

As the healer’s daughter, Malka has seen how the wood’s curse has plagued her village, but the Ozmini Church only comes to collect its tithe, not to listen to heretics with false stories of monsters in the trees. So when a clergy girl wanders too close to the forest and Malka’s mother is accused of her murder, Malka strikes an impossible bargain with a zealot Ozmini priest: bring the monster out and spare her mother from execution.

William Thorn had his life all planned out… until his long-term boyfriend Archie cheats, breaking his heart. Distraught, William kicks him out of their home, where tragedy strikes when Archie is killed instantly in a car accident. Riddled with guilt, William is shocked to learn that he’s inherited a manor in the quaint village of Stonewall, left to him in Archie’s will. He leaves the city with plans to make a new start for himself, but is surprised by the rundown state of the manor, and the unwelcoming villagers who want him gone.

Rafe Hawthorne is a master glassblower with a commitment problem. He loves his life of artistic and romantic freedom, but the older he gets, the more he realizes he needs help to reach the heights of the glass world. As much as he hates to admit it, his old rival, Jake Mathers, might be the only person who can help him level up his career.

Fire Captain Cassidy Harris is as dedicated to her team as they come. Proud, stubborn, and fiercely protective, she's not about to let anyone waltz in and mess with Phoenix Ridge Fire Department. Of course she clashes immediately with Evelyn Ford—a stone cold Ice Queen tasked with modernizing the fire department. Cassidy is ready to fight tooth and nail against Evelyn's changes, but then there is the one thing she didn't expect . . . the heated chemistry between her and her sworn enemy Evelyn.

Festering masses of worms and flies have taken root in dark corners across Appalachia. In exchange for unwavering loyalty and fresh corpses, these hives offer a few struggling humans salvation. A fresh start. It’s an offer that none refuse. Crane is grateful. Among his hive’s followers, Crane has found a chance to transition, to never speak again, to live a life that won’t destroy him. He even met Levi: a handsome ex-Marine and brutal killer who treats him like a real man, mostly.

After Cece finds her Formula 1 driver husband, Ethan, cheating, she turns to his alpha racing rival, Luca, for an intimate kind of solace. It’s exactly what she needs. But Ethan isn’t letting her go. And what happens between the three of them is scandalous enough to set the track on fire.

I fell for him in the heat of the summer. I fell for the stars in his eyes. The way he said my name. I'll never love anyone the same. But our story ended when it was just beginning. Fame gave me more than I could ever imagine, but I'll forever suffer the cost. The summer of love and loss would forever be a stain on my heart.

It's said the simplest solution is usually the right one—but there's nothing simple about the complications that arise when their primary suspect for the white rabbit killer shows up on Malcolm and Seong-Jae's doorstep, dead and mutilated beyond recognition. All it takes is one body to make their entire case timeline fall apart.

Jamie Wendon-Dale (transmasc they/them) creates haunted houses for a living. Haunting is their life—but nobody working New Orleans' spooky circuit actually believes in ghosts. Edgar Lovejoy (cis he/him) is 100% haunted. No, really. Ghosts have tormented him since childhood and he’s organized his life around attempts to avoid them. Opposites? Get ready to attract. But while Jamie’s biggest concern is that Edgar sometimes seems a bit distracted, Edgar’s fears are much greater.

When Rickey Laurentiis debuted in 2015 with Boy With Thorn, the poetry world heralded the arrival of an astonishing new lyric talent. “Call Rickey Laurentiis’ stylistic range virtuosity or call it correctly, necessity,” Terrance Hayes wrote. In the past decade, as Laurentiis has transitioned, her ideas of the lyric and poetry have transformed, as has the America in which she lived. This staggering, irreverent, gentle and erotic book is a record of that ten-year journey. It draws on, expands, and then fractures the many poetic traditions which informed Laurentiis’ poetics.

Harriet Lockhart never planned to marry. She has spent her life defying expectations, playing male roles on London’s seediest stages, and doing whatever she pleases. When Harry is contacted by her hitherto anonymous father, she finds herself at risk of losing the trust fund that’s subsidized her lifestyle—unless she begins to lead a more respectable life, starting with finding a husband.

Each year, when no one is paying attention, The Dead of Night Halloween store appears in a new location with its giant sign and great low prices. No one sees them setting up or tearing down—one day it’s just there and then, two days after Halloween, it’s gone. Pepper White knows exactly how this works. For five years, ever since the last Keeper of the Store tricked her, she has been cursed—appearing when the store does, and disappearing when it goes away. People will remember The Dead of Night, but they’ll completely forget Pepper. That is, until Christina Loring walks in the door.

The narrator of Middle Spoon appears to be living the dream: He has a doting husband, two precocious children, all the comforts of a quiet bourgeois life—and a sexy younger boyfriend to accompany him to farmers markets and cocktail parties. But when his boyfriend abruptly dumps him, he spirals into heartbreak for the first time and must confront a world still struggling to understand polyamorous relationships. Faced with the judgment of friends and the sting of rejection, he’s left to wonder if sharing a life with both his family and his lover could ever truly be possible.

Girl Next Door has descriptive copy which is not yet available from the Publisher.

From award-winning and USA Today bestselling author Kosoko Jackson comes his adult fantasy debut, a stand-alone novel blending of art history, time- and globe-hopping adventure, and dark horror and fantasy about ten cursed paintings and the lengths people will go to collect them, destroy them…or be destroyed.

The forms of intimacy and care that we’ve been sold are woefully inadequate and problematic. In a world that treats those who are sick and traumatized as problems in need of a cure, nonbinary writer, artist, educator, and Instagram creator Margeaux Feldman offers a different story. Trauma, which all too often manifests as chronic illness, tells us that there is something deeply wrong with the world we live in. A world that promotes individualism, fractures us from community through violence and systemic oppression, and leaves us traumatized. That is what we need to cure.