『the body is the brain』のカバーアート

the body is the brain

the body is the brain

著者： Hope Mohr
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 the body is the brain is a podcast about art and social justice hosted by artist and attorney Hope Mohr. Through conversations with artists and cultural workers, we explore the practice, production, and politics of contemporary artmaking.Hope Mohr アート
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  • Episode 10: Chris Evans & Rhiannon Evans MacFadyen

    Episode 10: Chris Evans & Rhiannon Evans MacFadyen
    2025/06/14
    "People don't acknowledge how much capital is in cultural capital. So people will hoard it. That is what creates the gatekeeping. We were there to care. Rather than being the gatekeepers, we became the caregivers." --Rhiannon MacFadyenWe talk about artist-led mutual aid, regranting in community, reparations partnerships, calls to action for arts funders, defining who an artist is for eligibility purposes, and more…ABOUT THE ARTISTSChris Evans is an Oakland-based interdisciplinary artist with a foundation in music and dance. She is a Certified Pilates Instructor, Certified Massage Therapist, and a soon-to-be Certified Eden Energy Medicine Practitioner. She is also the founder of Deep Breath Pilates studio.Her movement background includes Modern Dance, Ballet, Aikido, and years as a competitive junior tennis player. Using tools such as the cello, improvisation, dance, literature, language, research, and collaboration, Evans creates moments of community that honor, challenge, and hold space for our imaginations, stories, and bodies.Evans is the founder of the Black Women’s Self-Care Reparations Project, co-founder of Idora Park Project Space with Ernest Jolly, and director of the Reconstruction Study Project. She was a member of the House Full of Black Women collective led by Ellen Sebastian Chang and Amara Tabor-Smith, and of A Simple Collective, founded by Rhiannon MacFadyen Evans.She received an Isadora Duncan Award for Outstanding Achievement in Music/Sound/Text in 2013, and was nominated again in 2016 for her work on Reconstruction Study 1A.@⁠deepbreathpilates⁠Rhiannon Evans MacFadyen is a curator, consultant, project-based artist, and a San Francisco native with over 20 years of in-depth experience in the performing and visual arts. Inspired by productive discomfort, their curatorial focus is on projects that push formal and contextual boundaries and her cross-discipline personal work engages symbols, identity, communication, and the unseen. Founder of A Simple Collective and the experimental project space Black & White Projects, Rhiannon has curated exhibitions and presented work nationally, including USF’s Thacher Gallery, Yerba Buena Center for the Arts and Root Division in San Francisco, SCOPE in New York, and Pro Arts in Oakland. They have been featured in the San Francisco Chronicle, KQED Arts, SF Weekly, The New Asterisk Magazine, SFArts, and Art Practical, among other publications. Deeply involved with community-building through the arts, she is on the Curatorial Committee for Root Division and is the Curator in Residence at India Basin Waterfront Park in SF’s Bayview–Hunters Point neighborhood and is a career coach for artists and creative entrepreneurs. Rhiannon is also a founding member of Pacific Felt Factory and Co-Director of Emerging Arts Professionals San Francisco/Bay Area.@curation.culture.community@emergingartsRESOURCES Artist Adaptability CirclesEmerging Arts ProfessionalsDeep Breath Pilates StudioEquus InspiredRed Clay Sound HausBlack and White ProjectsMonthly Full Moon Water Rituals at India Basin Waterfront ParkCompton FoundationMedicine for NightmaresCommunity Ownership and Self-Determination: Lessons from Atlanta, Boston, Lisjan Territory, and New Orleans, Rebecca Marx, Brett Theodos, and Tené Traylor (Urban Institute May 29, 2025)Norma Wong, When No Thing Works: A Zen and Indigenous Perspective on Resilience, Shared Purpose, and Leadership in the Timeplace of Collapse, North Atlantic Books (2024) ///Are you an artist in need of legal support? Are you a mission-driven organization in need of consulting or capacity-building? Reach out to Movement Law, Hope Mohr's client-driven law practice, dedicated to helping artists, arts organizations, and mission-driven organizations build power and navigate change. Schedule your free 30 minute consultation today at https://www.movementlaw.net/
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    37 分
  • Episode 9: slowdanger

    Episode 9: slowdanger
    2025/05/28
    "Space is just a container. How do we work filling that container in different ways from the street to the nightclub to the proscenium? They're forms to be fucked with."--Anna Thompson, slowdangerWe talk about: coming up in Pittsburg's queer club culture, staying connected to a DIY approach while making performance for the proscenium stage, what it means to queer dance, Sara Ahmed, abstraction, re-imagining Hector Berlioz's Symphonie Fantastique, working together through the Creative Administration Research program through the National Center for Choreography, and much more...ABOUT THE ARTISTStaylor knight & anna thompson are co-founding artistic directors of slowdanger, a multidisciplinary performance organism based out of Pittsburgh, PA since 2013. slowdanger uses systematic approaches to movement, technology, sound, queer world building and ontological examination to produce performance work, utilizing process based practice to delve into circular life patterning including effort, transformation, and death. From directing music videos to scoring plays, they transform their shape to adapt to a variety of different containers. slowdanger has performed across the United States, Canada and Europe in venues ranging from proscenium theater and gallery to nightclub and dive bar. Their work has been shared at the Carnegie Museum of Art (Pittsburgh), Dance Place (DC), The Warhol Museum (Pittsburgh), Kelly Strayhorn Theater (Pittsburgh) and more. They have held residencies at Carnegie Mellon University’s STUDIO for Creative Inquiry, Texas A&M School for Performance, Visualization, and Fine Art, University of Maryland’s Clarice Smith Performing Arts Center, and more.www.slowdangerslowdanger.com@__slowdanger__CALL TO ACTIONClick here to Email Congress and Tell Them to Save the NEAPersonalized outreach is critical. Remind your elected official of the value of the arts in your community.SHOW RESOURCES Creative Administration Research, National Center for ChoreographyVIA Festival, Pittsburg music and new media festivalKahlon, Curated by Baltimore-based rapper Abdu AliSara Ahmed, Orientations: Toward a Queer PhenomenologySara Ahmed, Queer Phenomenology: Orientations, Objects, OthersLuciana Achugar, Pleasure Body, Plant BodyKatherine Profeta, Dramaturgy in Motion: At Work on Dance and Movement PerformanceMiguel Gutierrez, Does Abstraction Belong to White People?, BOMB MagazineHector Berlioz, Symphonie FantastiquePBS Keeping Score - Symphonie Fantastique///Are you an artist in need of legal support? Are you a mission-driven organization in need of consulting or capacity-building? Reach out to Movement Law, Hope Mohr's client-driven law practice, dedicated to helping artists, arts organizations, and mission-driven organizations build power and navigate change. Schedule your free 30 minute consultation today at ⁠⁠https://www.movementlaw.net/.⁠
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    40 分
  • Episode 8: Sholeh Asgary

    Episode 8: Sholeh Asgary
    2025/05/18
    "When we gather together, the forces around us become louder. There's a danger in gathering, but there's a grounding in it as well."--Sholeh AsgaryWe talk about: the relationship between photography and sound practice, the politics of sound, transcribing the waterways of Iran into music, incorporating the politics of a venue into site-specific installation, how sound becomes object, and much more...ABOUT THE ARTISTSholeh Asgary engages performance, interdisciplinary forms, and collective processes to investigate, memorialize, and express the complexities of joy and survival inherent in diasporic and refugee experiences. Her work challenges colonial assumptions about what is heard, proposing new futures through sound.Featured in Art in America's 2022 "New Talent Issue," Asgary was a Bay Area Now 9 artist at YBCA, a 2023 Artadia Finalist, and part of the San Francisco Electronic Music Festival (2024). She is exhibited in PST-Getty's Atmosphere of Sound and supported by institutions such as the Portland Institute of Contemporary Art, MASS MoCA, and Headlands Center for the Arts. Asgary is a Lecturer at the University of California, Berkeley, and California College of the Arts and serves on the Southern Exposure curatorial council. She holds an MFA from Mills College and BA from San Francisco State University.⁠https://www.sholehasgary.com/⁠@⁠sholehasgary⁠Debut Album: آبـان (Aban) ⁠Sming Sming Books⁠⁠crystalline morphologies⁠⁠https://sholehasgary.bandcamp.com/album/aban⁠Protect the NEA: Resources for ActionFind your elected officials at congress.gov/members.Email: Use Americans for the Arts’ Arts Advocacy Alert to send an email to your elected officials.Phone: Refer to Americans for the Arts’ Arts Advocacy Alert phone script when calling your Members of Congress OR use the 5calls NEA script.DO MOREIf your award was rescinded: The Americans for the Arts Resources & Guidance Amplify the call to protect the NEA with the Americans for the Arts Social Media ToolkitShare how the arts have enriched your life with Americans for the Arts to fuel their advocacy efforts///Are you an artist in need of legal support? Are you a mission-driven organization in need of consulting or capacity-building? Reach out to Movement Law, Hope Mohr's client-driven law practice, dedicated to helping artists, arts organizations, and mission-driven organizations build power and navigate change. Schedule your free 30 minute consultation today at ⁠https://www.movementlaw.net/.⁠
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    43 分

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