The Addams family take care of an injured motorcyclist named Rockland "Rocky" Cartwright III (Tom Lowell). The family is captivated by Rocky and his beatnik way of speaking. He, on the other hand, is trying to get a part for his bike so he can leave. After his bike is fixed, he is about to leave when he sees his domineering tycoon father (Barry Kelley) coming to the house. The children tell the father that they haven't seen Rocky. Gomez and Morticia find out it's Rocky's birthday and decide to have a surprise party for him. They call Rocky's father and invite him. At the party, the father insists that Rocky leave this "house full of kooks". Rocky tells his dad that the family are his friends and they have accepted him as he is. The father realizes his was wrong to try and mold his son into something he wasn't and the two make up.

Fivel and JohnPaul also end up digging into beatnik culture, slang, discuss movements, reminisce about Nick at Nite, Shakespeare, RL Stein, dream of a Predator Hamlet, and decide where to put our podcast homepage.

When art critic Bosley Swain (Hugh Sanders) recommends that Grandmama get a teacher to help her paint better, Gomez gladly hires none other than Picasso for Mama. Not Pablo Picasso, Sam Picasso (Vito Scotti), a penniless non-talent from Spain. Despite Bosley saying Sam's paintings are bad, Gomez believes Sam is an undiscovered master. Gomez doesn't want Sam to waste his talent. Sam soon finds himself locked in the Addams' basement until he starts cranking out masterpieces. While Sam sneaks out of the basement in one of Pugsley's tunnels, Wednesday does some painting. After catching Sam, Gomez and Morticia believe that Wednesday's paintings are his. Bosley comes by, loves the paintings and buys all of them.

Fivel Fox & JohnPaul have a discussion about modern art, how we perceive time and history, map travel, transporter craziness, Tuvix, Cannibalism, Jigsaw's bedside manner, Kiley goes full public historian, we do questions and comments, & more!

Lurch receives his annual invitation to The Butlers' Ball, which he ignores as usual because he can't dance. Morticia is determined he accept this year's invitation to avoid the reclusive direction in which he's headed. A dance teacher is hired, but due to her frequent fainting spells and then Lurch fainting, it doesn't work out. Wednesday teaches Lurch ballet. When Morticia tries to teach him the Twist, Lurch throws his back out. Gomez tries to teach him the Tango, but Gomez throws his back out. At the dance Lurch sits by himself until a disguised Morticia brings him out of his shell.

Fivel & JohnPaul hangout and talk about the THE SANDLOT, a Sideshow Bob Theory, Predator Affirmations, Dance as a cultural discussions, people pleasing, resilience, and Willem Dafoe as an Addams. PS. Hollywood Squares makes an appearance again.