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  • 1992 - April: Soundgarden "Badmotorfinger"

    1992 - April: Soundgarden "Badmotorfinger"
    2025/02/03
    Soundgarden emerged as a pioneering force in the Seattle grunge scene, bringing elements of heavy metal and alternative rock into what would come to be known as the Seattle sound. The group originally found lead singer and primary songwriter Chris Cornell singing from behind a drum set where he was the group's percussionist, but it became clear that this would not work well in live concerts, so Cornell switched to vocals and rhythm guitar while turning over percussion work to Matt Cameron. Badmotorfinger, the third studio album, finds the group just before it's breakout into grunge superstardom, an event that would occur with the release of their next album. Taking its name from a spoof on a popular Montrose song, Badmotorfinger sports a strong heavy metal sound, but with tighter songwriting, and a bit of complexity in time signatures and tunings. It would become the band's highest charting album to date, peaking at number 39 on the Billboard 200 chart, and going double platinum by 1996. It was also considered a success by critics, and was nominated in 1992 for a Grammy award for Best Metal Performance.While the album definitely has grunge elements in it, as a whole it may be considered more alternative, heavy metal, or hard rock. The band's development makes this album more difficult to pin down into a single genre, and perhaps this makes for a more interesting listening experience.We hope you enjoy this foray into the roots of the grunge movement as Lynch brings us the album for today's podcast. Rusty CageThe opening track to the album was the third single released, and reflects a longing for freedom and a breaking out of the “rusty cage” that life can be. The guitars are tuned down significantly, giving the riffs a jangling sound. Johnny Cash would cover it a few years later, turning the song into a country anthem. OutshinedThis track combines themes of self-doubt and internal struggle with appearances of external success and confidence, creating a clash within the singer. Cornell creates depth and passion through his vocals. “Show me the power, child. I'd like to say that I'm down on my knees today.”Jesus Christ PoseUnlike many tracks, this first single released from the album is credited to all four band members. The lyrics are a rant against the hypocrisy of religious leaders who turn belief into a means of acquiring power. This track is an example of a Soundgarden song that is more metal than grunge at this point.Slaves & BulldozersThis song is often described as “doom metal,” and utilizes drop-tuned guitars to create a slow burn, darker sound. The lyrics encourage the listener to consider how their situation may be turning them into either an obedient slave or a nihilistic bulldozer. It was the last song Soundgarden played live before Chris Cornell's death in 2017. ENTERTAINMENT TRACK:Theme from the television series “The Cosby Show”This staple of 80's sitcom had their final episode and went off the air in April 1992. STAFF PICKS:I Want to Touch You by Catherine WheelWayne kicks off the staff picks with the Manchester sound. This post-psychedelic song deals with the raw emotions of a shy guy who is infatuated with a particular woman. “It would really make my day if you'd only move away, 'cause I'm scared that if you stay, I'll want to touch you.” Just Take My Heart by Mr. BigRob brings us a power ballad that peaked at number 16. It was the fourth single from the second album by Mr. Big entitled “Lean Into It.” The song features some excellent finger picking on an electric guitar toned down to an almost acoustic consistency. Eric Martin is the lead singer and co-writer of the song.Cold Day in Hell by Gary MooreBruce features a guitar virtuoso from Northern Ireland. Gary Moore got his start in an Irish band called Skid Row in the late 1960's but is better known as a member of Thin Lizzy. This lead-off track to his ninth solo studio album called “After Hours” is a straightforward announcement that the man and his lover would never be getting back together. Silent Lucidity by QueensrycheLynch closes out the staff picks with beautiful and epic piece off the Empire album. Chris DeGarmo, guitarist and primary songwriter for the group, was inspired to write this song after reading a book about lucid dreams. The first iteration of the song was acoustic guitar and vocals only, and instrumentation was added later. INSTRUMENTAL TRACK:The Simpsons by Danny GattonA rock/blues guitar cover of the main theme of “The Simpsons” takes us out for today's session. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you ...
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    47 分
  • 1974 - June: Lynyrd Skynyrd "Second Helping"

    1974 - June: Lynyrd Skynyrd "Second Helping"
    2025/01/27
    Lynyrd Skynyrd was a success with their debut album, and continued to build a fan base when they opened for The Who on their Quadrophenia tour. Many of the songs on their debut album were staples of their concerts in Jacksonville, Florida, where they had built their style over the years since the 60's. Therefore it was not a sure thing that they would be able to sustain their success over time. Those concerns were put to rest when they released their second album.Second Helping, a southern colloquialism for getting more of the same thing at the dinner table, cemented Lynyrd Skynyrd as the flag bearer for the Southern Rock genre. At a time when a number of British artists - most notably the Rolling Stones - were digging into the rock and blues music of the American South, Lynyrd Skynyrd was the real thing. They rode the power of their triple guitar set and the wit of Ronnie Van Zandt's lyrics to a commercial success, with the album going to number 12 on the Billboard 200 chart and certified as gold by September 1974. While contemporary critics were more lukewarm, those reviews have been revised way upward over time. Second Helping also contains the biggest hit of the group as well, the Southern anthem "Sweet Home Alabama."Lynyrd Skynyrd would go on to produce many more hit songs and records in the southern rock genre before tragedy took front man Ronnie Van Zant, Steve Gaines, and backup singer Cassie Gaines in October 1977. But Second Helping is the album that solidified their standing as an internationally successful band.Wayne takes us through this album for this week's podcast, and Brian Dickhute joins us in Bruce's absence. The Needle and the SpoonThis song would not be the only anti-drug track in the Skynyrd discography. The lyrics describe a man coming out of rehab, and makes use of a wah wah pedal effect that was not common to most of Skynyrd's music, but fit with the heroin subject of the song. Swamp MusicAlthough not released as a single, this song got plenty of air play on FM radio, as did most of the tracks on this album. This fast -paced track describes life in the Florida swamps. The members of Lynyrd Skynyrd were well acquainted with outdoor life, fishing for catfish, hunting, and other "redneck" activities.Sweet Home AlabamaEveryone knows this anthem of Southern rock. This song was written in response to Neil Young's "Southern Man," in which the band felt like the entire Southern United States was blamed for slavery. Between the hook of the leading riff and the catchy lyrics, this song has become a staple of classic rock. This is Skynyrd's only top 10 hit, as it went to number 8 on the US charts. Interestingly, none of the band members are from Alabama.Don't Ask Me No QuestionsGary Rossington and Ronnie Van Zandt wrote this song during a fishing trip. Many think this is about a relationship, but it was a message to the record managers who were apathetic towards the band during the early days, but who turned demanding after they were a success. ENTERTAINMENT TRACK: Main theme from the television series, "Gomer Pyle, U.S.M.C."In this sitcom spin-off from "The Andy Griffith Show," Jim Nabors plays the lovable but naive Gomer Pyle, now enlisted into the Marine Corp. Frank Sutton, who played Sergent Carter in this series, passed away in June 1974. STAFF PICKS:Help Me by Joni MitchellRob starts the staff picks with a single from Mitchell's sixth studio album, "Court and Spark." This track is Mitchell's biggest single, and her only song to crack the top 10 in the US, going to number 7 on the Billboard Hot 100. The lyrics describe a singer who knows she is falling for the wrong man, but is either powerless to stop it or doesn't want to call things off.Dancing Machine by the Jackson 5Brian brings us a song that hit number 2 on the Billboard Hot 100 after a multi-year dry spell. The Jackson 5 appeared on "Soul Train" performing this song, and Michael Jackson introduced the world to "the robot" dance routine. The Jackson 5 had a Saturday morning cartoon which kept the group in the public conscious.Waterloo by ABBALynch features the song that made ABBA a household name when the Swedish group won the 1974 Eurovision Song contest singing this tune. The lyrics compare falling in love to Napoleon's defeat at Waterloo. The name "ABBA" comes from the first letter of each of the singers' names.Tell Me Something Good by RufusWayne presents a funky song from a group featuring Chaka Kahn as lead vocalist. Rufus is a one-hit wonder, with this song peaking at number 3 on the Billboard Hot 100. Stevie Wonder wrote this song about a woman looking for a deeper relationship, not just a one night stand. It was the first hit song that utilized the vocoder. INSTRUMENTAL TRACK:Dance with the Devil by Cozy PowellWe close out with a drum instrumental based on Jimi Hendrix' "Third Stone from the Sun." Thanks for listening to “What the Riff?!?” NOTE: To...
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    34 分
  • 1985 - December: Talking Heads “Little Creatures”

    1985 - December: Talking Heads “Little Creatures”
    2025/01/20
    The Talking Heads is known as one of the more quirky bands of the 70's and 80's, and terribly innovative in their approach to both music and performance. Consisting of Tina Weymouth on bass, Chris Frantz on drums, Jerry Harrison on keyboards and guitar, and fronted by David Byrne on vocals and guitar, the Talking Heads helped to shape the landscape of alternative and new wave rock through the 80's and 90's. They really hit mainstream consciousness with their fifth album called "Speaking in Tongues" in 1983. They followed this up with the live album "Stop Making Sense," which showcased the elaborate stage setups and their visual presence, complete with Byrne's iconic "big suit" fashion wear.Little Creatures was their sixth studio album and the best selling album of the group's career. The Talking Heads toned down their experimental tendencies on this one in favor of a more stripped-down, accessible approach. While there are still elements of art music and new wave present in the tracks, they play a more whimsical role. The songs blend in pop, folk, and country influences as well, giving the album a bright, catchy feel in addition to the wit and quirkiness for which the group was known.The album cover was created by artist Howard Finster, and incorporates themes of Americana and everyday life. This complemented the songs well, and was selected by Rolling Sone magazine as the album cover of the year.The group would go on to produce two more studio albums before disbanding in 1991. They were inducted into the Rock and Roll Hall of Fame in 2002.Show co-founder Brian Dickhute is back to present this album in Bruce's absence for today's podcast. The Lady Don't MindThere's a certain amount of weirdness that is difficult to explain in the lyrics of just about every Talking Heads song, and this is no exception. This reggae-tinged song talks about a lady who is hard to pin down or figure out. "Last time she jumped out the window, well, she only turned and smiled. You might think she would say something, but you'd have to wait a while." Perfect WorldWhile most songs were written by David Byrne, this one features lyrics composed years earlier by drummer Chris Frantz. It is a deeper cut, and a mini-love story. Stay Up LateThis track was the fourth single released from the album. It is a song about Byrne's sister's baby, and describes an adult keeping the baby up late despite the consequences, just to have fun and enjoy this new life. Road to NowhereThis song was released as a single, and went to number 25 on the Billboard Mainstream Rock Tracks chart. Byrne describes it as "a song that presented a resigned, even joyful look at doom." The gospel choir that leads off the track was added after the song was concluded to complete what is essentially a two-chord song. ENTERTAINMENT TRACK:Soul Finger by the Bar-Kays (from the motion picture Spies Like Us)Chevy Chase and Dan Aykroyd star in this spy comedy where novice spies are sent into the Soviet Union.STAFF PICKS:West End Girls by Pet Shop BoysLynch starts the staff picks with a song about class and pressures of city life in London, inspired by a T.S. Eliot poem. It was released twice as a single, once in April 1984 when it became a club hit, and this version as a re-recorded single in October 1985. It went to number 1 on the Billboard Hot 100.It's Not Love by DokkenWayne takes us in a more hair metal direction with a head banger tune from Dokken's third album, "Under Lock and Key." This was the third single released from the album. The video contains scenes where the band is playing from a flat bed truck, and was actually recorded on the road. They received several tickets during the process, despite having permission to film.Magic Power by TriumphRob features a Canadian power trio from their live double album, “Stages.” Originally recorded on their studio album, “Allied Forces,” the song describes the healing power of music. It is one of the group's signature songs, and the live format gives a good sense of the band's chemistry on stage.Tonight She Comes by The CarsBrian closes out the staff picks with a previously unreleased song from the Cars' Greatest Hits album, released in October 1985. Ric Ocasek wrote the song, and originally intended it for his solo album, but brought it to the group instead. It was their fourth and last single to be a top 10 hit. NOVELTY TRACK:Strokin' by Clarence CarterWe find out how Clarence Carter makes love in this concluding track from this week's podcast. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can...
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    44 分
  • 1987 - January: Beastie Boys “Licensed to Ill”

    1987 - January: Beastie Boys “Licensed to Ill”
    2025/01/13
    It's not every day that we at What the Riff?!? review a rap album, but the Beastie Boys aren't your every day rap group either. Hailing from New York City, Adam “Ad-Rock” Horovitz, Adam “MCA” Yauch, and Michael “Mike D” Diamond came out of an experimental hardcore punk band (think “punk” but faster) called The Young Aborigines. After changing their name to the Beastie Boys, they saw some local success from a comedy hip hop single based on a prank call to a Carvel Ice Cream franchise. They then began to incorporate more rap and hip hop into their sets, and ended up connecting with Rick Rubin, who formed Def Jam Recordings with Russell Simmons.Many of their songs were locally distributed, and led to uncomfortable situations when three white guys would show up to perform for a mostly black audience that had heard their music but never saw the group. Their courage and live performance skills won the audience over.Shortly after supporting Madonna as an opening act on the Virgin Tour in 1985, the band recorded their debut studio and breakthrough album, Licensed to Ill. It was released by Def Jam and Columbia Records, and became one of Columbia Records' fastest-selling debut records, and had shipped over ten million copies in the United states by 2015. It was also a critical success, and was selected as one of "The Source's 100 Best Rap Albums." It was hailed for hits stylized rapping, and its combination of hip hop and punk sensibilities.The Beastie Boys would go on to greater heights of stardom in the mid to late 90's as they moved in a more alternative direction, but this is where it all started.Lynch brings us this illin' record for today's podcast. No Sleep Till BrooklynThe song that opens side 2 is inspired by an exhausting tour, and it chronicles many of the events that wear the band out along with their determination to not rest until they get back home to Brooklyn. It is often the closing song at their concerts. It also features a solo guitar riff by Kerry King of the heavy metal band Slayer. Paul RevereThis song is a fictionalized account of how the Beastie Boys met. It was inspired by an incident when they encountered Joseph Simmons aka "Run" of Run-D.M.C. in a recording studio. It features a reversed beat from an 808 drum machine.Hold It Now, Hit ItThis was the first single to be released from the album, and was ranked number 27 on VH1's 100 Greatest Songs of Hip Hop. The video switches between concert footage, and the band lip synching in front of a fish-eye lens. Brass MonkeyThis is a later-produced song that takes its name from an alcoholic drink by the Heublein Company. It samples Wild Sugar's “Bring It Here” in the song. ENTERTAINMENT TRACK:If I Only Had A Brain by Ray Bolger and Judy Garland (from the motion picture “The Wizard of Oz”)Actor, dancer, and singer Ray Bolger who played the scarecrow in “The Wizard of Oz” died in January of 1987. STAFF PICKS:Still In Hollywood by Concrete BlondeWayne kicks off the staff picks with the debut single from American alternative rock group Concrete Blonde's first and self-titled album. This post-punk sound was bubbling up in the LA street scene at the time, and the lyrics portray a life in Hollywood where the town drags you down. Right Next Door (Because of Me) by Robert CrayBruce's staff pick is a song off Robert Cray's fifth studio album, “Strong Persuader.” The lyrics chronicle an infidelity breaking up a marriage as told from the man who had an affair with the next door wife. Cray played with a number of artists, and was at the final concert with Stevie Ray Vaughan before his death in a helicopter crash. Too Hot to Stop by Benjamin OrrRob brings us a solo single from the second vocalist of The Cars. This keyboard-heavy piece was off Orr's only solo album entitled “The Lace.” After they released their Greatest Hits album in 1985, The Cars briefly split up to pursue solo projects, and both Orr and Ocasek hit the charts.Land of Confusion by GenesisLynch closes out the staff picks with a rare political track from Genesis that questions global leadership and the threat of nuclear war during the cold war era. It is famous for its video which uses puppets from Peter Fluck and Roger Law caricaturing political figures of the time, and the band members themselves. COMEDY TRACK:Ronnie's Rap by Ron and the DC CrewRonald Reagan was a hot commodity for comedy in 1987, as this satirical rap shows. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast ...
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    40 分
  • 1973 - May: the Beatles "1962-1966" and "1967-1970"

    1973 - May: the Beatles "1962-1966" and "1967-1970"
    2025/01/06
    Echoes of the trajectory of the Beatles still reverberate through music today, and they loomed quite large over the rock scene in the early 70's. In 1972 a bootleg 4-album set of Beatles songs was produced called "Alpha Omega" which sold well when marketed on TV. In response - in addition to suing - Apple and EMI/Capitol Records produced an authorized collection in two double albums. The first was called 1962-1966, also known as the Red Album, while the second was called 1967-1970, also known as the Blue Album. The Blue Album was a compilation of Lennon-McCartney original songs, avoiding many of the successful cover songs the early group had recorded. Unfortunately it also did not contain any George Harrison compositions from this time period. The Red Album did not contain any covers, as the Beatles were immensely popular on their own by this time. However, it did contain songs from George Harrison and Ringo Starr along with the numerous Lennon-McCartney originals.The album covers are notable, as they are similar photos of the group at different points in life. The cover to the Red Album used an image of the group looking down over the stairwell inside EMI's London headquarters. This was a photograph taken for the group's 1963 debut LP. The Beatles had recreated that shot in 1969 for their planned "Get Back" album, but did not use the image when the album was released in 1970 as "Let It Be."The compilation project was a success, and convinced other groups to release similar retrospective compilations. It is also a terrific way to see the progression of the band in seven short years of their activity. WSB Radio's Eric Von Haessler joins us to highlight these two influential albums in this week's podcast. Love Me DoThe very first single released by the Beatles was this track and the lead-off track from the Red album. John Lennon and Paul McCartney provide duet vocals on this song, and Lennon is the harmonica player. While it is credited as a Lennon-McCartney song, John Lennon provides the bridge, and has stated that it was a McCartney song before they began working together.Tomorrow Never KnowsThe concluding track from "Revolver" is the concluding track for the Red album, and shows how far the Beatles have taken their music in four short years. They are utilizing techniques like looped drums, reverse guitar, and processed vocals that were new to the music scene at the time.Strawberry Fields ForeverThis track opens the blue album. The inspiration for this song was a park in which Lennon played as a child, and evokes a childlike innocence. The music style was a departure from the Beatles' previous style, and is considered the introduction of the psychedelic genre.Let It BeA profound piece after the psychedelic period, "Let It Be" is often considered the swan song for the Beatles, because it was the final single released before McCartney announced his intention to leave the band. The inspiration of the song was a dream Paul McCartney had about his mother. ENTERTAINMENT TRACK:Knocking on Heaven's Door by Bob Dylan (from the motion picture “Pat Garrett and Billy the Kid”)This western movie had a revisionist history and starred a number of celebrities, including James Coburn, Kris Kristofferson, and Bob Dylan himself. STAFF PICKS:Kodachrome by Paul SimonBruce starts out the staff picks with the lead single from Simon's third studio album "There Goes Rymin' Simon." While it did well in the US, it received little airplay in the UK due to strict rules the BBC had in place regarding product endorsements. The idea of the song is that we fit our memories to our worldviews like we frame shots in a camera.Money by Pink FloydRob brings us the lead single from the monster album "Dark Side of the Moon." A rare song in 7/4 time with a 4/4 guitar bridge, the lyrics describe the desire and material trappings that cause people to chase after riches. Peaceful Easy Feeling by the EaglesLynch features an iconic song from the Eagles. It was written long before this time by Jack Tempchen, a prolific singer-songwriter, but appeared on the Eagles debut album. Glen Frey is on lead vocals, and the harmonies are provided by Bernie Leadon and Randy Meisner. Right Place, Wrong TIme by Dr. John Eric finishes the staff picks with a funky tune from New Orleans-influenced Dr. John. It was the first single from "In the Right Place," Dr. John's sixth studio album, and was also his biggest commercial hit, reaching number 9 on the Billboard Hot 100. COMEDY TRACK:The Cover of "Rolling Stone" by Dr. Hook & the Medicine ShowWayne presents the comedy single this week, as Dr. Hook seeks validation by appearing on the cover of Rolling Stone magazine. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow ...
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    37 分
  • 1974 - May: Billy Joel "Piano Man"

    1974 - May: Billy Joel "Piano Man"
    2024/12/30
    When you think of rock music anchored by piano, there are only a few standouts. But outside of Elton John, perhaps the best known rock pianist is New York's Billy Joel. Born in the Bronx and growing up in Long Island, Joel got his start early (at age 4) with piano lessons and dropped out of high school to pursue music full time. After joining a couple of short-lived bands, Joel started his solo career and released his debut album, "Cold Spring Harbor" in 1971.It was his second album which would be remembered as his true nationwide debut. Piano Man was his first release from Columbia Records, and came out while Joel was still dealing with legal issues from his former label. Many of the tracks exhibit a story telling approach common in the early 70's. Although Joel was in his mid-20's when the album was released, it had a maturity about it that made it do well both on the pop and adult contemporary charts. Despite this being his breakthrough album, Joel would struggle to find success in his follow-up albums. He was in danger of being dropped by the record label when he hit it big once again in 1977 with "The Stranger." From that time on, Billy Joel would be an A-list performer, capping off a long career with a decade-long residency at Madison Square Garden.Wayne takes us through this breakthrough album for this week's podcast. Piano ManThe title track was written while Billy Joel was working at The Executive Room piano bar in Los Angeles, and is loosely based on the patrons that came through the bar told from the perspective of the piano player. It would become both his signature song and synonymous with Joel. "Son, can you play me a memory...I'm not really sure how it goes, but it's sad, and it's sweet, and I knew it complete when I wore a younger man's clothes."You're My HomeThis song was the B-side of the "Piano Man" single, so it did get some air play. The song has a country feel, and was written for Joel's first wife. He could not afford to buy her anything while in California between record deals, and he wrote it as a Valentine's present. The Ballad of Billy the KidIf the last song was country, this next song is the Western. This is an epic that pays tribute to a fictionalized Billy the Kid, telling a story of an outlaw in the Wild West. The last verse switches to modern times, with Billy Joel taking the place of Billy the Kid, looking forward to new exploits. Captain JackAn early live radio performance of this song is what got the attention of Columbia Records in the first place. Joel wrote the song when living in Oyster Bay, Long Island, in an apartment from which he could see drug deals going down. "Captain Jack" is the local drug dealer, and the song reflects the sadness that comes from a life in the grip of heroin. ENTERTAINMENT TRACK:Gypsy Woman by Bill Dean (from the motion picture "The Lords of Flatbush")This movie starred Henry Winkler and Sylvester Stallone before they became famous for playing The Fonz and Rocky respectively. STAFF PICKS:For the Love of Money by the O'JaysBruce starts the staff picks with a well known funk tune that went to number 9 on the Billboard Singles chart. This song takes its title from I Timothy 6:10, "For the love of money is a root of all kinds of evil, for which some have strayed from the faith in thier greediness, and pierced themselves through." It also was Donald Trump's WWE entrance music.Benny and the Jets by Elton JohnLynch brings us another piano artist, singing about a fictional glam-rock band. "Oh, but they're weird and they're wonderful. Oh, Bennie, she's really keen. She's got electric boots, a mohair suit, you know I read it in a magazine." The lyrics are told from the perspective of a fan at a concert.Rikki Don't Lose that Number by Steely DanRob's staff pick is the lead track to Steely Dan's third album, "Pretzel Logic." It is also their most commercially successful single, peaking at number 4 on the Billboard Hot 100. The inspiration for this jazz-infused rock song was a New York writer and artist named Rikki Ducornet. Future Eagles alum Timothy B. Schmit provides backing vocals.Bad Company by Bad CompanyWayne features a song that is from the self-titled album AND the self-titled group. The inspiration for this song was a Clint Eastwood western, and it is both a lament and a celebration. "Rebel souls, deserters we are called. Chose a gun, and threw away the sun...". INSTRUMENTAL TRACK:Tubular Bells by Mike OldfieldWe close out to a song that was both a hit at the time, and would be immortalized in the horror film "The Exorcist." Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like ...
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    48 分
  • 1987 - June: Elton John "Live in Australia with the Melbourne Symphony Orchestra"

    1987 - June: Elton John "Live in Australia with the Melbourne Symphony Orchestra"
    2024/12/23
    The mid-80's were a tough time for Elton John. The singer and pianist who had been a stellar success in the 70's was deep in the clutches of drug addiction, and struggling to perform due to throat issues. His studio album, "Leather Jackets" had failed to produce a single to reach the top 40. It seemed that he was finding more controversy in the British tabloids than he was success in the music industry.In the midst of this, however, he produced a stellar live album. Live in Australia with the Melbourne Symphony Orchestra was John's twenty-eighth official album release, focusing on some of the performers earlier hits. In the last two months of 1986, Elton John did a series of concerts as a part of his tour of Australia and New Zealand which contained two sets. The first set was a traditional concert with John and his 14-piece band. The second set had the band backed by the 88-piece Melbourne Symphony Orchestra with John dressed as Mozart in front of the grand piano. The Live album captured this symphonic second set.The album was a success, hitting number 24 on the Billboard 200 and certifying gold by January 1988.This concert also marked a change. It was the last in which Elton John appeared in his elaborate stage costumes. He also underwent throat surgery in January 1987 which - while successful - permanently altered his voice. His next few albums would be somewhat more successful, but he would sober up in the early 90's and release his highly successful "The One" album in 1992.Bruce presents this live symphonic hit for this week's podcast. Burn Down the MissionThis song is the concluding track of John's third album, "Tumbleweed Connection." That was a concept album with the theme of Western Americana. The lyrics are a bit vague, but the story tells of a poor community oppressed by some kind of powerful force. The singer has taken direct action to remedy the situation, and is defending his action of burning down the mission as the only way to defend his family. Sorry Seems to Be the Hardest WordHailing from his "Blue Moves" studio album, this sad song is characterized by lyricist Bernie Taupin as "that whole idealistic feeling people get when they want to save something from dying when they basically know deep down inside that it is already dead." Take Me to the PilotOriginally from John's self-titled second album, this song contains lyrics which both John and Taupin admit are nonsensical, but just contain words that sound good together. Six of the 14 tracks on this live album are from Elton John's second album. Candle In the WindThis song from the "Goodbye Yellow Brick Road" album was never released as a single in the US until it was released in this live version. Taupin used Marilyn Monroe as an archetype of the famous artist cut down in the prime of life. He was initially inspired by hearing Clive Davis using the phrase "candle in the wind" in tribute to Janis Joplin. ENTERTAINMENT TRACK:Theme from the motion picture SpaceballsMel Brooks is at it again, this time with his classic spoof on Star Wars. May the Schwartz be with you! STAFF PICKS:Throwing It All Away by GenesisLynch kicks off the staff picks with this single from the Invisible Touch album that went to number 4 on the Billboard Hot 100. Genesis guitarist Mike Rutherford wrote the song and lyrics. The upbeat music is quite different from the melancholy lyrics about a love who is leaving the singer.Don't Let Me Die Young by Andy TaylorRob brings us a solo single from Duran Duran's guitarist. The video for the song depicts at-risk youth engaged in dangerous activities at night from crime and cars to drugs. Taylor's album "Thunder" came out in the midst of the hair metal band's height. This single also features Steve Jones of the Sex Pistols.Alone Again Or by The DamnedWayne features a cover song originally recorded in 1967 by the group Love. The Damned began as a punk group, and moved to post-punk, somewhat goth rock over time. Love was an inspiration for the Damned, which encouraged them to cover this song. The horns give the track a Spanish feel.Housequake by PrinceBruce closes out the staff picks with a party song from the double album "Sign O' The Times." It was the B-side for the single "U Got the Look." Prince used pitch-shifted vocals to create a higher, more feminine voice for this track. It was originally going to be on an androgynous alter persona album called "Camille" before it was folded into this double album. INSTRUMENTAL TRACK:21st Century Common Man, Pt. 1 by Tangerine DreamThis jazz group closes out our podcast this week. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what...
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    42 分
  • Christmas Songs that Rock Part VII!

    Christmas Songs that Rock Part VII!
    2024/12/16

    What the Riff!?! delves once again into the great (and not so great) Christmas songs to add a little cheer as you rock around the Christmas tree this year. WSB Radio host Eric Von Haessler joins us for the fun!

    “The Holly and the Ivy” by Jon Anderson
    Jon Anderson's fourth solo album came out in 1985, and was a mixture of traditional Christmas carols and original material. This is a traditional British folk Christmas carol. Though it can't be traced any further back than the 1800's, the association between holly and Christmas dates back to medieval times.

    “Please Come Home for Christmas” by the Eagles
    Don Henley, Glenn Frey, and the rest of the Eagles put out this popular sad Christmas track in 1978, though it was a cover originally performed by blues pianist Charles Brown in 1960, and co-written by Brown and Gene Redd.

    “The First Noel” by Crash Test Dummies
    Front man Brad Roberts puts his distinctive bass voice to work on this traditional Christmas tune. This carol originated in Cornwall, England and dates back to at least the early 1800's, using the French "Noel" as a synonym for the Christmas season

    “The 12 Days of Christmas” by Straight, No Chaser
    This acapella group from Indiana University puts some comedic musicianship to work on this Christmas round. We know you'll like it, sure as Kilimanjaro rises like Olympus from the Serengeti.

    “Nut Rocker” by Emerson, Lake & Palmer
    ELP puts a prog rock spin on the classic Nutcracker Suite. Russian composer Tchaikovsky wrote the original Nutcracker as a two-act ballet in 1892, and is a fantasy taking place at the foot of a Christmas tree.

    “Christmas All Over Again” by Tom Petty and the Heartbreakers
    This original song was penned by Tom Petty on a ukulele in 1992. It was used in the motion picture "Home Alone 2: Lost in New York," and also appeared in "Jingle All the Way." Jeff Lynne co-produced the song, played bells, bass, timpani, sang background vocals, and wishes for a Chuck Berry Songbook in the song.

    “The Christmas Song” by Weezer
    This is not the one you're familiar with. The more famous "The Christmas Song" was first performed by the Nat King Cole trio in 1946. Weezer did this introspective original song with the same name in 2000 on a fan club Christmas LP.

    “Minnie and Santa” by Cyndi Lauper
    Lauper released this light hearted Christmas song in 1998 which tells of a fling that Minnie (not the mouse!) had with old Kris Kringle. This may sound like a cover of a classic song, but it is an original written by Lauper and Jan Pulsford.

    “Have Yourself a Merry Little Christmas” by Frank Sinatra
    You can't go wrong with Old Blue Eyes and a crooner Christmas classic. This song originated in 1943 and was in the musical "Meet Me in St. Louis," where it was sung by Judy Garland.

    “God Rest Ye Merry, Gentlemen/We Three Kings” by Barenaked Ladies
    This Christmas medley also features fellow Canadian singer-songwriter Sara McLachlan joining in with the Barenaked Ladies.

    “Listen, The Snow is Falling” by Yoko Ono & the Plastic Ono Band
    Hear us out - this is an Ono piece that is actually quite good! It was released in 1971 as the B-side to the better known "Happy Xmas (War Is Over)," sung by John Lennon.

    “If It Doesn't Snow On Christmas” by Joe Pesci
    Chasing Macaulay Culkin isn't the only association Pesci has with Christmas. He put this cover of an old Gene Autry song out on his 1998 album "Vincent LaGuardia Gambini Sings Just for You."

    (and there might be a bonus ending related to the Beatles...)

    We at What the Riff?!? wish every one a blessed and Merry Christmas!

    Thanks for listening to “What the Riff?!?”

    NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

    Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

    Of course we'd love for you to rate the show in your podcast platform!

    **NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
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    49 分