In 1922 a commission made up of prominent citizens—six Black men and six white men appointed by the governor of Illinois—issued a report about the 1919 Race Riot entitled The Negro in Chicago: A Study on Race Relations and a Race Riot. Eve Ewing’s dazzling poetry collection, 1919, excerpts small bits from the report as epigraphs for each poem, comments like “…the presence of Negroes in large numbers in our great cities is not a menace in itself,” and “the sentiment was expressed that Negro invasion of the district was the worst calamity that had struck the city since the Great Fire.” Today the Chicago Race Riot of 1919 Commemoration Project (CRR19) aims to ignite conversations about white supremacy in Chicago and around the country and the world. Formally launched on the 100th anniversary of the riot, CRR19 remembers the worst incident of racial violence in the city’s history, and the events that swept the city and set the framework for racial segregation to this very day. We’re joined by Franklin Cosey Gay and Peter Cole, co-directors of CRR19 on the eve of their annual commemoration and slow-rolling south-side bike tour.

If you were ever an enthusiastic reader of “Calvin and Hobbes,” “Peanuts,” “Blondie,” “Doonesbury,” or the “Boondocks,” you have a treat coming your way: “Mafalda,” a six-year-old comic book character created by the artist Quino in Argentina, is now available in English in a dazzling translation by Frank Wynne. Mafalda is a precocious kid—Frank describes her as “six going on sixty”—who observes the world around her with fresh eyes, and then asks the kind of queer questions that the grown-ups in her life can’t or won’t answer. Mafalda’s concerns focus on humanity and world peace, and her innocence shines a bright light on the conflict between what adults claim to value, and how they actually live. Think of her as a socialist “Nancy.” We’re joined from London by Frank Wynne, a former Chair of the Judging Panel of the International Booker Prize and the award-winning author, translator, and editor of two major anthologies, Found in Translation: 100 of the finest stories every translated, and QUEER: LGBTQ Writing from Ancient Times to Yesterday.

Big time college sports have distorted the intellectual mission of colleges and universities for decades—and we’re in a particularly volatile period as athletes organize themselves into unions and demand a share of the riches that they’ve created with their labor, as well as the fashioning of a system that makes intercollegiate athletics increasingly indistinguishable from professional sports. The “Transfer Portal,” the “Name/Image/Likeness” deals that athletes sign with third parties, and now direct payments to athletes on top of their scholarships (which typically cover tuition, housing, and health care) create a Brave New World for universities, perhaps a kind of crossing-the-Rubicon moment. We’re joined by Rus Bradburd, a writer who spent 14 seasons coaching college basketball, followed by16 years as a university professor, in conversation about his subversive and hilarious novel, Big Time, as well as the state of the field.