Andal and the Gopis get to be with Krishna and are getting whatever they wanted from Him for the vow. The conch (produces the sacred 'Aum' sound, Narayana), Lamp (knowledge of the Lord), flags (sense of belonging to the Lord, Garuda), the Adisesha cover or pandal (enveloped in pure knowledge) and drums/parai (Vedas, symbolic of moksha, salvation).

Having seen Krishna, Andal sings that the gopis are overwhelmed by His presence and sing his glory and seek His company rather than get the Parai they originally sought from him

This pAsuram is one of the most auspicious one in ThiruppAvai. It sings the glory of Lord Narayana in the form of pallAndu!

On a lighter note, this could be a description of a hexathlete-

Long jump (ivvulagam aLandhaay), Archery ( then ilangai seRRaay, Ramavataram), Football (udhaiththaay), Discus throw (eRrindhaay), Weight lifting (edundhaay)and Javelin (Vel)

Andal invokes the Lion King of the World, Lord Narasimha, who protected his bhaktas and destroyed those who stood in the way of bhakti. The vision she paints is that of a majestic Lion waking up from restful slumber in its cave during a rainy season!

Approaching the Lord as Sharanagathas at His feet, Andal says bless us as we are like Arjuna, seeking only His presence

"Mattrar vazhi tholaitthu un vasarkan"- Your enemies turned devotees at your doorstep as they wait to be blessed by You. We Gopis too wait for you, having shed our egos, We totally surrender to You

Oh compassionate Lord who rescued the devas, Gajendra and others, won't you resuce us also from this Samsara

Using a traditional kutthu vilakku with its 5 faces/wicks as an analogy for 5 forms of the Lord, 5 knowledge sources, etc., Andal is pleading to Nappinnai and Krishna to wake up and bless them. They chide the piratti for not sharing the Lord's grace with them