『The QuackCast』のカバーアート

The QuackCast

The QuackCast

著者： Michael Morris
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 The QuackCast features Ozoneocean, Banes, Tantz Aerine, and Pitface, talking about writing, movies, webcomics, art, politics, philosophy, sexuality, and everything else! We're the hosts of the oldest webcomic host on the net, Drunkduck.com, aka theduckwebcomics. 20 years this year!WOWIO, Inc. アート
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  • Quackcast 739 - Deferring to Experts

    Quackcast 739 - Deferring to Experts
    2025/05/13
    Artwork from Key of Dreams When you're working on a project with other people, a comic collaboration for example, it's usually best to decide on different roles for everyone according to what they're best at (writer, artist, layout design, pencils, inks, colour, backgrounds lettering etc), and let them handle it. You don't micromanage and make decisions for them. Basically they're the “experts” on those things now so you wait and see what they do. The idea for this Quackcast came to me after someone defended the super clunky Star Wars prequels with the old argument that George Lucas created them and he also created the original Star Wars so he must know best and certainly better than any “haters”. In reality though the prequels are an excellent example of why you MUST defer to people who know better. The original trilogy of Star Wars movies were created at a time when George was still a small fish in a big pond, he wasn't powerful or rich enough to have much control in the industry at that stage. He came up with great ideas (Star Wars, Indiana Jones etc), but had to rely on the studio system to get them made, which meant he had to collaborate with people who's job it was to make great movies: directors, script editors, Foley artists, casting directors, concept designers, model makers etc. As well as studio execs and producers. He had to compromise on what was feasible. But after the massive success of the movies, making a mint off of the sale of IP and merchandising, and his SFX studio Industrial Light and Magic being the industry standard, many years later when Luca worked on the prequels he had unrivalled power. He didn't have to defer to anyone anymore, he didn't have to collaborate or make compromises. He was the last word and he knew best… Except he didn't. In the years since he made those initial movies he hadn't directed much or written many scripts and the Prequels show that all too well with bad dialogue, clunky direction, bad plot choices etc. He even got rid of his expert model makers and all the work they did and used CGI instead because it gave him more control. TL,DR: The original Star Wars were good because they were made as collaborative projects by very experienced people while the prequels were mainly controlled by a guy who lacked a lot of expertise and it shows. The Dunning Kruger effect makes us think we're experts in things we only know a little about, ALL of us suffer from it constantly, even me, but when you've had some success in a field: that gives you confirmation bias that “proves” you really ARE an expert. This was Lucas's position during the prequels. I've worked in 2 collabs recently, Bottomless Waitress with Banes and Key of Dreams with Tantz and Banes. On both those projects we all have distinct roles and we stuck with them very easily! We worked within them and didn't ever bump into each other or try and take over anyone's role and so these are good examples of smooth collaborations which produce results people like. Bands are great examples of collaborative projects, especially when they're working with people who all get the chance to shine and handle their own roles. This is why I love Led zeppelin so much: back in the day Jimmy Page was the band leader and lead guitarist but he let each member handle what they were best at in their own way so it worked as a group of collaborative experts and you can really hear that in the sound! I ramble because I'm tired and I have a headache but I think this is an interesting point: You can't be an expert at everything so when you work with others let them handle what they do best and you do what you do best. There are many examples of great collaborative projects where many people working on them are great at what they do and come together to produce something magical. Some of my faves are Jeff Wayne's War of the Worlds (rock opera), Led Zeppelin, The Life of Brian, The Empire Strikes Back and more… What are yours? This week it's another best off from Gunwallace! The Jacket Comic - Wiry, punk, gritty, shiny and cool, this one jangles in on lyrical chords, sounding indie-rock with an almost Arabian flavour at times as the strings howl and echo up and down the scales. A rocky tune it for the coolest jacket in the world. Topics and shownotes Links Featured comic: Highly Devolved - https://www.theduckwebcomics.com/news/2025/may/06/featured-comic-highly-devolved/ Featured music: The Jacket Comic - https://www.theduckwebcomics.com/The_Jacket_Comic/ - by RTHaldeman, rated M. Special thanks to: Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/ Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Banes - https://www.theduckwebcomics.com/user/Banes/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your ...
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  • Quackcast 738 - Ensemble casts

    Quackcast 738 - Ensemble casts
    2025/05/06

    Ensemble casts is the topic for today! But what do we mean by that? The way I'm defining it for THIS Quackcast is that you have a group of main characters where any of them can function in a chief protagonist role for part of the story, they're all on the same side and they can work together in smaller groups or in one big group. This is a common structure for modern sitcoms and a lot other things like The Avengers, Star Trek the Next Generation, or Lord of the Rings for example. They're not just a group, but a group made up of “main characters”.

    One of the advantages of an ensemble cast as opposed to just a group or a one or two main characters is that they can share the load story-wise and make it much easier to develop new storylines and work your way out of holes and blocks. This is because they all have advanced character development and so create stories and pathways just in how they interact with each other, their differing world views and how they approach situations very differently. It's harder to develop multiple main characters but it's easier to maintain a story in the long run, especially if it's a long running story.

    Banes and I have an ensemble cast in Bottomless Waitress consisting of the three waitresses, Polly, Jane, and Francis. There are other characters like Nicky the truck driver, Wilfred the scientist, or Craig the bus-boy but they're not as important or developed. Each of the three ladies can independently drive a storyline on their own, they can work in tandem confronting each other or together against other characters of situations, or all three can work as one. There are a lot of combinations and possibilities.

    Do you have an ensemble cast? Do you like it when stories use one as opposed to more of a group with a leader or just one or two main characters?

    This week Gunwallace gave us a theme inspired by Plague Rat - a very dark, heavy, and serious intro leads up and into a beat heavy, 80s inspired, cool dance number that just drags you along and up out of the doldrums of the post-apocalyptic disaster of a plague-ridden, sad world, into the coloured lights and cool vibes of the dance floor!


    Topics and shownotes

    Links

    Featured comic:
    The Starry Ladders - https://www.theduckwebcomics.com/news/2025/apr/29/featured-comic-the-starry-ladders/

    Featured music:
    Plague Rat - https://www.theduckwebcomics.com/Plague_Rat/ - by Rabbit_Dance_, rated T.

    Special thanks to:
    Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/
    Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
    Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
    Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei
    Banes - https://www.theduckwebcomics.com/user/Banes/

    VIDEO exclusive!
    Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks!
    - https://www.patreon.com/DrunkDuck
    Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts!

    Join us on Discord - https://discordapp.com/invite/7NpJ8GS
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    1 時間 1 分
  • Quackcast 737 - Why take over the world?

    Quackcast 737 - Why take over the world?
    2025/04/29

    People in stories, especially bad guys in stories usually want to take over the world, but why? What's really to gain? Even in reality it's a complex question. That's what we're talking about here.

    What's the real reason to want to be the boss of everything? Money isn't the objective because when you become the leader of everything money is irrelevant, you control all standards and commerce. Is greed a motivation? Well no because being the boss of everything eliminates the motivation for greed. Power is the only true objective: being the ultimate boss means you can control everything. It's a crap load of responsibility and work though.

    On a smaller scale, why do you want to be the leader, the CEO, the king, the boss, the emperor? It could be because you have an overinflated ego and you think you deserve it so you can show off to others (Trump). It could be that you want power and control over others. Maybe it's the only way to can achieve safety and security, by getting to the top and being in charge of everyone else? Or maybe you have a vision for the future or a passion for something and being the leader is the only way to can enact your vision or preserve it?

    A very small scale example: I rose up on this site and became its leader. I started out as a comicer like everyone else, joining in 2003, positing my comic in 2004. Dylan Squires, creator of the site (known as Volte6), was always the leader then. I became more involved in the community and was made a moderator. I was passionate about the site and wanted things to run well and do right by the community. Eventually I was made an administrator with power to run the site. I was part of a small group of fellow admins. As time passed they all left and it was just me in charge. Through negotiation I took control of the site from the owner at Wowio. I later established my own team to help me run things. Through all that my only motivation was to make sure the site stayed running so that people could post their comics as usual and get comments and engagement. I'd love if someone else could be in charge instead of me though but it's a very complex and expensive process.

    Why do you think people want to take over the whole world? Especially bad guys in stories?

    This week Gunwallace has given us a theme inspired by Degrengolada - Creepy, brooding, building, exciting, evocative. Something exciting and interesting is about to begin! This is a slow, measured dance that’s leading to something big!


    Topics and shownotes

    Links

    Featured comic:
    OLYMPIAN HEIGHTS - https://www.theduckwebcomics.com/news/2025/apr/21/featured-comic-olympian-heights/

    Featured music:
    Degrengolada - https://www.theduckwebcomics.com/Degrengolada/ - by Paulie Blade, rated A.

    Special thanks to:
    Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/
    Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/
    Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean
    Banes - https://www.theduckwebcomics.com/user/Banes/


    VIDEO exclusive!
    Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks!
    - https://www.patreon.com/DrunkDuck
    Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts!

    Join us on Discord - https://discordapp.com/invite/7NpJ8GS
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    1 時間 2 分

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