Horror writing isn’t just about throwing some blood and guts on the page – it’s about diving deep into the darkest corners of your mind and seeing what creepy creatures crawl out. That’s exactly what the folks on the Twisted 50 Volume 3 podcast showed us when they got together to chat about their spine-chilling anthology.

The podcast brought together quite the crew – you had Chris Jones hosting, Kate Bemis wearing her editor hat, and three authors (James, Paul, and Lewis) who weren’t afraid to get their hands dirty in the horror genre. Kate kicked things off by admitting she had to wade through 150 stories, which is enough to make anyone’s eyes cross! She joked about needing her glasses, but you could tell she was totally up for the challenge.

Things got really interesting when the authors started spilling the beans about their stories. Paul dove into his tale about a serial killer (because who doesn’t love a good murder story, right?), while James took us on a twisted journey through the mind of a psychopath on a date – talk about dinner conversation! Lewis brought something different to the table with his zombie apocalypse story, which actually came from a pretty personal place dealing with depression. It’s pretty amazing how writers can take their dark experiences and turn them into something creative.

The whole gang got really deep when they started talking about where they get their inspiration from. It turns out writing horror can be kind of therapeutic – who knew? Lewis really opened up about how feeling out of control in his own life led to his zombie story, saying “I felt I had no control over my own self and the whole outside world is controlling me.” That’s the kind of raw honesty that makes horror stories hit home.

One of the coolest things about Twisted 50 is how they handle feedback. Instead of the usual “this is great” or “this sucks,” they’ve got this whole community vibe going on where writers help each other out. James mentioned how easy it is to get lost in your own story and how having fresh eyes on your work can be a game-changer. The editing process sounds more like a writing workshop than a scary editorial chopping block.

The conversation took an exciting turn when they started talking about possibly turning some of these stories into movies. I mean, who wouldn’t want to see these twisted tales on the big screen? Paul was practically bouncing off the walls with excitement about the film potential, and honestly, a horror anthology film sounds pretty sweet.

The cherry on top was all the advice they dished out for aspiring horror writers. Kate dropped this gem: “The less you care, the better the writing almost always is.” It’s like she’s telling us to stop overthinking and just let our inner Stephen King run wild. They wrapped everything up by inviting writers to submit to Volume 4, basically saying “come on in, the water’s bloody… I mean, fine!”

For anyone thinking about dipping their toes into horror writing, this podcast showed that it’s not just about scaring people – it’s about finding your voice, sharing your darkness, and maybe making some friends who are just as twisted as you are. Whether you’re writing about zombies, psychopaths, or things that go bump in the night, there’s room for everyone in this creepy little corner of the literary world.

• Podcast hosted by Chris Jones discussing Talent Campus from the London Screenwriters Festival.
• Guest Delanne shares her success stories after attending Talent Campus 7 in 2019.
• Delanne highlights her experience at Talent Campus as a whirlwind of activities and networking.
• Discusses her movie "Father Christmas is Back," which she wrote while recovering from flu, leading to her first paid writing job.
• Emphasizes the importance of being prepared for opportunities, even in unexpected situations.
• Talks about her book "The Box of Silver Stars," originally pitched at Talent Campus, which she self-published after challenges with traditional publishing.
• Plans to rally the community to support her book's launch for a potential bestseller status.
• Delanne's future projects include writing short films and features, focusing on storytelling rather than mainstream success.
• Encouraged by her daughter to attend Talent Campus, which she credits for her growth as a writer.
• ScreenSkills funded a project, which was welcomed news.
• Balancing a creative career with adult responsibilities (bills, children) is challenging.
• Persistence is key; keep pursuing creative dreams despite setbacks.
• Teaching can help focus on writing.
• Writing is essential for personal happiness and creativity.
• Ideas often come unexpectedly and need time to develop.
• It's important to finish projects to avoid psychological discomfort from open loops.
• Completing projects allows for closure and the opportunity to revisit them later.
• The conversation ended with a hopeful note about future connections and success.

Ever wondered what it's like to get your horror story published? The Twisted50 podcast gives us a fascinating peek behind the curtain, featuring three writers who made it into their third anthology. It's pretty cool to hear how different their stories are - from creepy social media hauntings to mysterious midnight visitors and spooky swimming pool encounters.

The really interesting thing about these writers is that they're just like many of us - people who love writing but maybe haven't taken that big leap into publishing before. Take Ben, for example, who's been writing for years but kept it as his personal hobby. He actually submitted his story at the last minute (talk about cutting it close!) and ended up getting published. That's the kind of success story that makes you think, "Hey, maybe I could do this too!"

What really stands out is how supportive everyone is in this community. It's not like those scary writing competitions where you submit your work into a black hole and never hear back. These writers talk about getting tons of helpful feedback from other writers, and how that actually made their stories better. Susan mentions how everyone genuinely wants to help make each story the best it can be - which is pretty refreshing in what can sometimes be a competitive field.

The whole process sounds way less intimidating than you might think. Dylan (who actually won an award) keeps emphasizing how "brave" you need to be to just put your work out there. But he also points out that your odds of success are way better than in most other writing competitions. Plus, you get something valuable even if you don't make it into the anthology - actual feedback from real readers!

Getting published seems to be a total game-changer for these writers. Ben talks about how amazing it feels when friends and family contact you saying they've bought your book and read your story. That's got to be one of the coolest feelings ever - knowing that people are actually reading something you created. And it's not just about the publication; there's an awards ceremony too, which really makes the writers feel celebrated.

For anyone thinking about giving it a shot, these writers have some pretty encouraging words. They emphasize that you really can't lose - worst case scenario, you get some helpful feedback on your writing. Best case? You end up published in a horror anthology! The whole thing wraps up with a touching dedication to Ben's sister Amy, who helped get the project started, which just shows how personal and meaningful this whole experience can be.

This isn't just about writing horror stories - it's about finding your tribe, pushing your creative boundaries, and maybe even seeing your name in print. As Dylan puts it, "You can really push an idea. You can have fun with it... you can't really lose." That pretty much sums up what makes this whole thing special - it's a chance to do something creative in a supportive environment where everyone wants you to succeed.

In an era where digital connections often feel superficial, the Twisted50 horror writing project stands as a testament to the enduring power of genuine creative communities. Through an enlightening podcast conversation between Chris Jones, Leo from Norway, and Eimear from Ireland, we discover how a shared passion for storytelling can transcend geographical boundaries and transform aspiring writers into published authors.

The journey of these writers reveals a profound truth about the horror genre - it's not merely about violence or shock value, but rather a sophisticated medium for exploring deep-seated fears, societal issues, and personal transformations. As Eimear poignantly notes, "I had this idea that horror was very violent... But that's not what horror is about." This revelation challenges our preconceptions and invites us to explore the vast spectrum of horror literature with fresh eyes.

The collaborative nature of Twisted50 emerges as a powerful antidote to the isolation often experienced by writers. The project's structure, combining deadlines, peer feedback, and community support, creates an environment where creativity flourishes. Leo's observation that the community is "so important and unfortunately rare in the arts in general" underscores the unique value of this supportive ecosystem.

Perhaps most compelling is the project's role in combating imposter syndrome - that persistent doubt in one's abilities that plagues so many creative individuals. Through structured feedback and encouragement, writers find their voice and confidence. The transformation is particularly evident in Eimear's experience, as she progressed from being hesitant about horror to producing multiple short stories and discovering the genre's unexpected mental health benefits.

The success of Twisted50 demonstrates that when writers are given the right platform, support, and community, they can overcome their creative barriers and produce compelling work. Leo's experience with his first story about a sadistic job interview shows how the project encourages writers to push boundaries and explore challenging themes while maintaining a supportive environment.

For anyone considering joining a writing community or exploring the horror genre, the experiences shared in this podcast make a compelling case for taking that leap. The combination of structured support, diverse perspectives, and genuine encouragement creates an environment where writers can grow, challenge themselves, and ultimately find their unique voice in the vast landscape of horror literature.

Recorded at the first Make It Reel event.

Marcus kicked off his talk by connecting ancient Greek theater to modern democracy.

It's not just some history lesson - he's showing us how storytelling has always been at the heart of how societies figure themselves out. "You cannot have theatre without eventually leading to democracy."

But here's where it gets really interesting - Marcus drops this stat about diversity that had everyone reconsidering. Nearly 97% of us could be considered "diverse" in some way. It totally flips the script on how we usually think about diversity, right? It's not about ticking boxes or meeting quotas; it's about actually representing the real world we live in.

The challenging stories unfolded when Marcusr opens up about his role at the Film & TV Charity. The mental health stats he shared are honestly pretty scary - over a third of people in the industry having suicidal thoughts. The charity's work in supporting industry professionals through their tough times shows just how desperately needed these services are.

He talks about being an "angry Black man" in the industry, "Working twice as hard to get half as far is not just tiring. The unfairness of it creates anger." He's not just sharing his feelings; he's backing it up with hard facts about the challenges Black-led businesses face. It's the kind of truth-telling that makes people uncomfortable but needs to be said.

What really stuck with me was how Marcus emphasized the importance of community and friendship in surviving the industry. His speaks aboput how his success came from building strong networks, especially with other people of color.

The way he wrapped it all together was inspiring. Instead of just leaving us with problems, he gave us hope through action.

His message about building supportive relationships isn't just nice advice - it's a survival strategy. And it's not just about individual success; it's about changing the whole industry from the inside out. He showed us that behind every diversity statistic, there's a real person with real experiences trying to make it in this industry. That's the kind of perspective that actually changes minds and leads to real change.

The path to creating a compelling screenplay isn't just about putting words on paper - it's about falling head over heels in love with your story. That's one of the key takeaways from an enlightening masterclass with screenwriter Rowan, who compares writing to marriage: you've got to love it deeply because only that love will get you through the tough times. It's refreshing to hear a professional admit that writing isn't always sunshine and rainbows, but the passion makes it worthwhile.

Getting started with a screenplay is like preparing for a long jump - the run-up is actually more important than the jump itself. Rowan emphasizes that before diving into the actual script, writers need to spend time developing their idea, testing it with trusted listeners, and refining it until it sparkles. He suggests creating a 3-5 page document that captures your story's essence, which is way more manageable than diving straight into a full script.

One of the most fascinating aspects of Rowan's approach is his "floating" technique - a clever way to handle those darling ideas that you love but might not fit perfectly in your story. Instead of killing them off completely (as the old writing advice goes), he suggests keeping them in a sort of creative limbo. They might find their perfect place later, or they might inspire something entirely new. It's like having a safety net for your creative ideas.

The relationship between content and structure comes across as a kind of dance in Rowan's explanation. You need both partners - the what (content) and the how (structure) - to create something meaningful. He breaks down the essential elements that make a story work: a compelling hook, solid turning points, and most importantly, a character's quest that makes the audience genuinely care. His memorable quote, "If you haven't got a quest, the most important thing about your character is what do they want? And why do I give a shit whether they get it or not?" really drives this point home.

Theme emerges as another crucial element in Rowan's toolkit. He introduces the concept of a "dramatic argument" - distilling your entire story into one powerful statement. But what's really cool is his two-winged approach to theme: it needs to work both as an abstract message and as something concrete within the narrative. It's like having a philosophical idea that actually plays out in real (story) life.

Throughout the masterclass, Rowan maintains this perfect balance between practical advice and inspirational wisdom. He's not just teaching techniques; he's sharing a mindset about how to approach the craft of screenwriting. His emphasis on taking responsibility for your own creative journey while embracing the freedom that comes with it is particularly powerful. When he says, "The more responsibility you take for your own life, the more freedom you will have," it feels like he's talking about more than just writing - it's about the whole creative journey.

What makes this masterclass particularly valuable is how Rowan weaves his personal experiences throughout his teaching. He openly shares his struggles and successes with current projects (referred to as Project A and Project N), making the whole process feel more real and achievable. It's like getting a behind-the-scenes look at how a professional writer actually works, complete with all the messy, human moments that make the journey authentic.

For anyone serious about screenwriting, the key message seems to be that success lies in the preparation, the passion, and the persistence to keep refining your work. It's not about waiting for inspiration to strike or hoping for a lucky break - it's about putting in the hard work while maintaining that "insane passion" that got you started in the first place.

Ever wondered what it takes to put together a horror anthology? Well, the recent chat between Chris Jones and Kate, the masterminds behind Twisted50 Volume 3, gives us a fascinating peek behind the curtain. Kate, who edited this latest volume, brought her A-game to the table, wading through a whopping 170 horror stories to find the cream of the crop.

One of the coolest things they discussed was how they tackled the technical side of getting the book onto Amazon. Chris was pretty nervous about the whole thing, which is totally relatable if you've ever dealt with publishing platforms. It's like trying to solve a puzzle while wearing a blindfold - you know what you want to do, but the process can be super tricky.

Kate dropped some serious knowledge bombs about what makes a horror story work. She's big on keeping things tight and snappy - no meandering sentences that leave readers scratching their heads. As she put it, "Something that happens when you have a lot of really long sentences all put together is it gets jumbled and you don't really process anything." That's solid gold advice right there for any writer looking to keep readers hooked.

Here's something interesting - they're not just looking for great stories; they want engaged authors too. The Twisted50 team actually keeps tabs on how involved writers are with the community. So if you're thinking about submitting to future volumes, don't just fire off your story and ghost them. Get in there, mix it up with other writers, and show them you're serious about being part of the Twisted50 family.

When it comes to screenplays (yeah, they take those too!), Kate emphasized how different they are from regular stories. Every word has to earn its place on the page, and dialogue needs to sound natural when read aloud. It's like the difference between writing a letter and having a conversation - they might tell the same story, but they need different approaches.

The whole conversation wrapped up with some killer advice for aspiring Twisted50 contributors. My favorite bit was when they said, "Don't be afraid to get really, really weird." In a world of horror stories, being unique is your secret weapon. The Twisted50 community seems super supportive too, which is pretty rare in the publishing world.

For anyone thinking about diving into horror writing, this podcast basically laid out a roadmap. Keep it tight, stay engaged, don't be afraid to get weird, and remember - you're not just submitting a story, you're potentially joining a community of horror enthusiasts who are all about helping each other succeed. The door's open for Twisted50 Volume 4, and based on what we heard, it sounds like an awesome opportunity for writers ready to embrace their dark side.