Guitarist and composer Anthony Wilson has long been celebrated for his versatility and creative reach, both as a solo artist and through his longtime role in Diana Krall’s quartet, where his warm tone and subtle swing have made him an essential collaborator on stage and in the studio. His latest project, House of the Singing Blossoms, released in August 2025 on Sam First Records, finds him returning to the sweeping textures of his acclaimed Nonet. Recorded live at Los Angeles’ Sam First, the album captures the immediacy and excitement of performance. The Nonet blends the intimacy of a small group with the power of a larger ensemble, with lush arrangements and Wilson’s lyrical guitar, the album reaffirms his status as one of jazz’s most original voices.

(E 86) “Deluge” and Reggie Workman

Reggie Workman, born in Philadelphia in 1937, is one of jazz’s most versatile and influential bassists. Best known for his work with John Coltrane he helped shape some of the most important recordings of the 1960s, balancing hard bop drive with avant-garde exploration. His collaborations with innovators like Cecil Taylor, Sam Rivers, and Archie Shepp reveal a fearless curiosity, while his leadership of ensembles such as Trio Three and his acclaimed albums Summit Conference and Cerebral Caverns highlight his compositional imagination. Beyond performance, Workman has been a crucial educator, mentoring generations of musicians at The New School. His artistry was recognized in 2020 when he was named an NEA Jazz Master. Wayne Shorter’s composition Deluge, recorded on Juju (1964), reflects the Coltrane-inspired synergy of Workman, McCoy Tyner, and Elvin Jones. Built on recurring rhythmic hits and modal harmonies, it blends structure and freedom, making it a modern jazz classic.

Wayne Shorter

Ari Hoenig Trio

Jazz Real Book Playlist

Fred Hersch, born in Cincinnati in 1955, is a renowned American jazz pianist, composer, and educator whose career spans over four decades. A prodigy who began piano at age four and composing by eight, he studied at the New England Conservatory with Jaki Byard before emerging as a distinctive voice in jazz. Hersch was the first pianist to play weeklong solo engagements at New York’s Village Vanguard and has released over fifty albums as a leader or co-leader. His honors include multiple Jazz Pianist of the Year awards, seventeen Grammy nominations, and recognition as a Doris Duke Artist. As an educator, he has shaped generations of pianists through his work at Juilliard, NEC, and the Manhattan School of Music.

Openly gay, Hersch has spoken candidly about his experiences living with HIV since the mid-1980s, surviving multiple health crises, and enduring bouts of depression. His memoir and interviews detail how these struggles have shaped his music, deepened his emotional range, and informed his commitment to authenticity on and off stage. He has become a role model for resilience in both the LGBTQ+ community and the jazz world, using his art to explore vulnerability, perseverance, and self-expression.

His two most recent releases reflect the breadth of his artistry. Silent Listening (ECM, 2024) is an intimate solo piano album produced by Manfred Eicher, featuring poetic, nocturnal improvisations that balance lyricism and abstraction. The Surrounding Green (ECM, 2025) marks his return to the trio format after seven years, with bassist Drew Gress and drummer Joey Baron. Together, these works affirm Hersch’s place among jazz’s most expressive modern pianists.