Even though we know that some past episodes have probably spent too much time talking about awards, our latest chat begins with some thoughts on—well, awards. With Nebulas, Hugos, Shirley Jackson, Ignyte, World Fantasy, etc., there are just too many to ignore.

We soon drift off into other topics. Gary is looking forward to hosting a panel discussion at the Locus Awards, and is fascinated by Kemi Ashing-Giwa’s 2023 novel The Splinter in the Sky, which leads into a discussion of how space opera-like stories have evolved over generations, what else we’ve read lately, how short story contracts have changed lately, whether there is a dearth of core SF or just an explosion of fantasy, and why Murderbot feels more like classic SF than many franchise properties.

As usual, a laser-like focus on nothing in particular.

This week we are joined by an old friend of the podcast, the distinguished Canadian novelist Guy Gavriel Kay, whose wonderful new novel Written on the Dark is out this month.

As always, we not only touch upon some details of the novel— which takes place in Kay’s own version of an alternate 15th century France, featuring a Parisian tavern poet loosely based on the historical François Villon—but on the perennial question of Kay’s unique mix of history, fiction, and the fantastic.

This leads to a broader discussion of his fiction, the role of art and artists in his work, how fictional events from centuries ago can still resonate with events today, and even a bit on what it means to be a Canadian writer. Guy is as wise and articulate as always, and we never fail to learn valuable insights that leave us with much to ponder.

• Episode 600: The Coode Street Advent Calendar: Guy Gavriel Kay (2022)
• Coode Street Roundtable 5: Guy Gavriel Kay’s Children of Earth and Sky (2016)
• Episode 216: Guy Gavriel Kay and the Legend of the Lost Podcast (2015)

This week it’s just Jonathan and Gary again, in what some listeners might view as an either a classic ramble or a series of rabbit holes from which we never fully escape. We start with a discussion of some current trends such as cozy fantasy and SF, romantasy, and dark academia, noting that these had all been around for decades before getting their present labels, and briefly consider Paul Kincaid’s contention that “coziness” seems antithetical to what SF really does.

We later touch upon what we’re reading, mentioning some forthcoming books by Nicola Griffith, Alix E. Harrow, and R.F. Kuang and the spectacular success of the latest novel by Coode Street goest Joe Abercrombie. Somewhere in there we start chatting about collectible editions, how many copies of a book do you really need, historical fantasy, and even a bit on Robert Holdstock.

Most important, though, is Coode Street’s first commercial. Jonathan and Gary’s common home in SF has long been Locus magazine, and we want to encourage our listeners to take a look at some of the neat perks being offered by this year’s IndieGoGo fundraiser and to make a contribution if you can.

This week Jonathan and Gary are joined by Silvia Park to discuss her exciting debut novel, Luminous, which started life as a children's novel and connects to the Reactor/Tordotcom novelette "More Real Than Him".

We chat about artificial intellligence, writing about robots and how we use them as surrogates in fiction, different perspectives on fiction and how Luminous might be read by US and Korean audiences.

As always, we'd like to thank Silvia for making time to talk to us and hope you enjoy the episode.

In celebration of the thirtieth anniversary of Tachyon Publications, we invited publisher Jacob Weisman to join us in a fascinating exploration of the independent publisher whose list of authors includes classic tales from Stanley Weinbaum, A.E. Van Vogt, and even Mary Shelley, as well as major work from contemporary writers like Peter S. Beagle, Patricia McKillip, Michael Swanwick, Terry Bisson, Jane Yolen, Ellen Klages, Eileen Gunn, Joe Lansdale, Nalo Hopkinson, James Morrow, Lavie Tidhar, and Daniel Pinkwater, and newer writers such as Mary Thompson, Austin Habersahw, Martin Cahill, and Josh Rountree.

We touch upon the challenges of building an independent press in a rapidly changing marketplace, the importance of anthologies in identifying and preserving trends in the field, and what to expect next from Tachyon.

This week Gary and Jonathan are joined by long time friend of the podcast, Joe Abercrombie. We last spoke to Joe during the pandemic when he was working on The Age of Madness series. He joins us this week to discuss his brand new novel The Devils, which launches a new series and a new set of characters.

As always, we'd like to thank Joe for making time to join us, and we hope you enjoy the episode.

• Gollancz (UK Publisher)
• Waterstones
• Waterstones Special Edition
• WH Smith

• Tor (US Publisher)
• Barnes and Noble
• IndieBound
• Lit Escalates Special Editions

Pre-order The Devils in Australia

• Booko

With Peter Beagle's 86th birthday upon us, we thought we'd re-share a discussion we had with him last year about writing and story. We wish Peter a happy birthday and hope you enjoy the discussion!

Sunday Apr 14, 2024

This week we are joined by the legendary author of The Last Unicorn, Peter S. Beagle, who discusses his new novel I'm Afraid You've Got Dragons (published next month by Saga Press & Gollancz), as well as his storied career, his pals from childhood, influential writers such as Robert Nathan and Avram Davidson, and last year’s important retrospective collection The Essential Peter S. Beagle.

As always, our thanks to Peter for making time to talk to us, and we hope you enjoy the podcast.

As we try to return to some sort of regular schedule, we’re delighted to welcome back Joe Monti, vice president and editorial director of Saga Press, to discuss the current state of the publishing business, the effects (if any) of the current economic stresses, and what to look forward to in the coming months (Joe is particularly optimistic about SF and space opera).

Along the way we touch on the trend toward glitzy “special editions” of new novels, and various corners of the publishing world, from horror to romantasy and cozy fantasy to audiobooks, ebooks, and what makes a book a breakout bestseller.