🔥 300 EPISODES OF THE BLIND RAGE PODCAST! 🔥 Hold onto your entrails, horror hounds, because The Blind Rage Podcast has just notched its 300th episode since clawing its way into existence in 2020! We’ve delved into the macabre madness of RE-ANIMATOR, survived the cursed production of CUT, and braved the demonic festivities of KILLER PARTY. If it’s twisted, terrifying, or just plain bizarre, we’ve dissected it with gory glee. To commemorate this blood-soaked milestone, we’re drilling into SLUMBER PARTY MASSACRE III (1990). In this cult classic, a group of friends’ innocent sleepover spirals into a nightmare as a deranged killer crashes the party with his trusty power drill. Expect gruesome kills, questionable fashion choices, and all the campy slasher goodness that makes the ’90s unforgettable. But don’t think we’re hanging up our machetes just yet. The future is drenched in crimson with more cult classics, obscure gems, and spine-chilling tales on the horizon. To our die-hard listeners who’ve been with us through every scream and scare, we raise a blood-filled chalice in your honor—THANK YOU! And to the fresh meat among us, there’s a treasure trove of episodes waiting to haunt your dreams.

Some podcasts talk about love. Some talk about horror. THE BLIND RAGE PODCAST talks about both. This week, we take a look at LOVE AND HUMAN REMAINS (1993), a darkly introspective film that explores sex, loneliness, and the search for meaning in an increasingly disconnected world. Thomas Gibson leads the cast as David, a former TV actor turned waiter, navigating life alongside his best friend Candy (Ruth Marshall), who longs for something more. As their paths intertwine with those around them—including a mysterious and dangerous presence in the city—the film unfolds with an eerie sense of dread. Blurring the line between drama and thriller, this Canadian production doesn’t just ask hard questions; it forces you to sit with the answers. We break it all down on THE BLIND RAGE PODCAST, where we tackle the unsettling, the unspoken, and the unforgettable.

The Blind Rage Podcast is back, and this week, we’re tapping into the eerie world of LISTEN (1996)—a thriller where curiosity might just be fatal. Sarah Ross (Brooke Langton) is starting fresh in San Francisco, moving into the same apartment building as her boyfriend Jake (Gordon Currie). While Jake struggles with writer’s block, Sarah develops a bad habit—she likes to listen in on other people’s phone calls, thanks to some cordless phone interference. One night, she overhears an intimate conversation between a woman and a stranger. Soon after, the woman turns up dead. As Sarah starts connecting the dots, she realizes someone out there knows what she heard—and they’ll do whatever it takes to keep her quiet. The deeper she digs, the more tangled the web becomes, leading to shocking betrayals, hidden truths, and a final revelation that changes everything. Is Sarah just in the wrong place at the wrong time, or is someone pulling the strings? More importantly, who else has been listening?

Linda Rodgers has been through hell. After a brutal assault, she’s left struggling to recover, but the trauma won’t let go. When her neglectful husband (Harry Reems—yes, *that* Harry Reems) leaves her alone, paranoia sets in. She’s convinced masked intruders are stalking her… and when they finally appear, she’s ready to fight back. But is Linda truly in danger, or is something far more unhinged happening? This time on The Blind Rage Podcast, we take a look at DEMENTED (1980), a grimy little revenge flick that’s as sluggish as it is sleazy. It doesn’t get the attention of I SPIT ON YOUR GRAVE or Ms. 45, but does it deserve to be forgotten? Let’s just say there’s plenty to dissect—whether you want to or not.

Before smartphones and social media, all you needed was a roaring fire, a few friends, and some blood-curdling urban legends to keep you up at night. This horror anthology follows a group of stranded teens as they swap terrifying tales—each one more twisted than the last. But as the night unfolds, they realize some stories hit a little too close to home… Join us as we revisit this '90s horror gem packed with eerie atmosphere, brutal twists, and a cast that includes Christine Taylor, James Marsden, Amy Smart, and the late Glenn Quinn.

MIRAGE (1990)– Where the road ends, the terror begins! Sun, sand, and senseless slaughter! A group of friends head into the desert for a carefree getaway, but their fun is short-lived when an ominous black truck starts tailing them. One by one, they’re picked off by an unseen maniac with a vendetta—and an impressive ability to navigate the dunes with murderous precision. Jennifer McAllister leads this sweaty, sun-drenched nightmare that proves the desert isn’t just hot—it’s hostile. With plenty of blood, baffling decisions, and a killer who prefers their victims extra crispy, this little slice of vehicular horror keeps the body count high and the logic low.

The Blind Rage Podcast is making a splash with THE POOL a.k.a. SWIMMING POOL (2001), the rarely-seen slasher that dared to ask, “What if we trapped a bunch of rich, horny European teens in an Olympic-sized swimming pool and let a masked psycho go to town?” Oh, and did we mention a baby-faced James McAvoy is here to steal scenes (and maybe your heart)? Graduation should be a time for celebration, but for this group of private school brats, it’s more of a bloodbath. Someone in a weird mask has a serious grudge, and they’re taking their rage out with a variety of sharp objects. The body count rises, the plot makes… choices, and we question the decision to let this much chlorine mix with this much bad behavior.

Sharpen your puzzle skills and grab your art supplies, because this week on THE BLIND RAGE PODCAST, we’re tackling JIGSAW (2002)—no, not that one. This isn’t some sadistic game of survival with creepy dolls on tricycles. This is an ultra-low-budget slasher about an art class that bites off way more than it can chew when they’re tasked with assembling a “jigsaw man” for their final project. Bad idea? Absolutely. But it gets worse. Once Frankenstein’s discount cousin is complete, he decides to get creative…with murder. Heads roll (literally), the body count rises, and the acting is as questionable as the script, but does JIGSAW deserve a spot in the horror junkyard, or is it a weird little gem worth piecing together? We’re diving in with our usual dose of blood, sarcasm, and dark humor to find out.