March 25-31, 1995

This week Ken welcomes old friend, favorite person, and TV Writer (Only Murders in the Building, Silicon Valley), Rob Turbovsky.

Ken and Rob discuss Rob's time in Boston, moving to LA, Thai food, Ken catching Rob on his failing into retirement journey, getting to write for your heroes, Martin Short doing a Clifford impression JUST for you, The Oscars, David Letterman, Forrest Gump and Pulp Fiction, cigarettes to Rx drugs, Ask TV Guide, how you used to have to ask questions about pop culture before the internet, placing Greg Barnes, Geraldo's legal background, Martin Landeau, Ed Wood, shows set in Boston, people stalking TV members, Tracy Gold in Ladykiller, Made for TV movies, weird horny Tylnol ads, male fragility, Chicago Hunk: Peter Berg, the odd 90s trend of barefoot celebrity photos, Aspen Extreme, celebrith recipies, using a sword to chop lettuce, Dave Couler's Swordfish with tomato sauce, Alex Trebek's dangerous frying style, Charles Grodin's talk show, Rob's oral history of Clifford for Vulture, SCTV, how Ken insists the Martin Short role in Captain Ron was written for Steve Martin, The Bob Hope Young Comedian's Special vs. The HBO Young Comedians Special, the memory hole of Backdraft, the lost era of movies, Taxi reruns, MST3k, Lawmower Man, Oscar counter programming, Cabin Boy, Raising Caine, the lost full musical cut of "I'll Do Anything", Phantom of the Paradise, Dead Pilots Society, the greatness of Mark McKinney, Exit 57, The Vacant Lot, Twilight Zone: The Movie, American Inventors Corp, a Tribute to Andy Kaufman, Unsolved Mysteries, Stormy Justice, Crime Story, being pranked by Tony Clifton, how turning to stand up is the worst thing ever, Major League, Midnight Run, how Beverly Hills Cop II is the better movie than Beverly Hills Cop, and loving John Waters.

September 10-16, 1966

This week Ken welcomes singer/songwriter/Dramarama frontman and fellow TV addict John Easdale to the show.

Ken and John discuss how weird it is to chat about normal and fun things in 2025, the introduction of color TV, the 1966 television season, being the envy of the block when your family has the first and only color TV, The Dramaram lp Color TV, being beneath the Zenith, how old TVs were massive pieces of furniture, how people always take convinience over quality, the new embrace of hi-fi audiophile culture, the all you can eat aspect of streaming, The Monkees, living with your band, when long haired rock groups were on every TV show, educating yourself on film, the inspiration of punk rock DIY spirit, dropping off paying attention to new media at a certain point, focusing on making things instead of consuming them, Nightmare on Elm St 4: The Dreamaster, "Anything, Anything", KROQ, Rodney on the ROQ's connection to The Monkees, WFNX, how Freddy Kruger unbroke up Dramarama, growing up in Wayne New Jersey, how Dramarama all went to high school together, relocating to L.A., Made-For-TV bands, the 80s Monkees reunion shows, Rhino Records, Lancelot Link Secret Chimp, knowing the horrors of animals on TV now, Canadian TV guide, Frankenstein Jr, The Impossibles, Mutual of Omaha's Wild Kingdom, NY Metro TV, Davey Jones on Ed Sullivan, Ken forgetting that Lidsville was Butch Patrick, Jack Wild on HR Puffnstuff, Ken's theory of rock n roll popularity tied to visual media innovation, The Monkees Head, Mike Nesmith, Repoman, lost media, tape wiping, loving digital comics, living in the future, Batman '66, burning out quickly, Bruce Lee, The Green Hornet, wanting to be Mickey Dolenz, Lost in Space, how Adam West was a beautifully strange guy, Milton Berle, how cartoons went into space when they lost all inspiration, and how Ken and John's pop culture filled minds may save history in the appocalypse.

This week Ken welcomes author of the absolutely life changing "Cult Movies" series of books, among lots of other great things, Danny Peary.

Ken and Danny discuss the massive volume of guests Ken has had on the show, wanting to expose people to art they never would have known about otherwise, growing up in the 1950s, loving Westerns, Danny's brother Gerald and his film criticism, loving television, Abbot and Costello and Jack and the Bean Stalk, Lone Ranger, foreign cinema, college campus cinema clubs, Hopalong Cassidy, Red Rider, Baseball, Igmar Bergman, seeing subtitled movies as a small child, The Harder They Come, Midnight Movies, NYC, seeing movies alone in the theater, Rocky Horror, word of mouth, why The Wizard of Oz is a cult movie, the niche cults, John Waters, the classics, the weird, and the wonderful, why horror isn't always cult, not just writing about plots, real film criticism, analysis, how you can't have a wrong insight into a movie, giving people something to think about. Eraserhead, doing research in the pre-internet days, Freaks, loving Val Lewton, how the flow of cult movies has damartically slowed in the 21st Century despite more movies than ever and more movies than ever trying to be cult movies, giving things time to build, how you can't make a cult movie on purpose, film festivals, The Substance, Basket Case, The Wasp Woman, The Alternative Oscars, Ken being baffled at how Speed Racer never developed a cult, Howard the Duck, Heaven's Gate, George Cukor, retiring, the lost Val Lewton movie, The Ghost Ship, making movies with zero heroic characters, I Walked with a Zombie, going to USC Film School, writing for Thundercats and Silverhawks, having a love of comedy, James Gray, the film Deep End, Phatom of the Paradise, and the early days of Brian DePalma.