
So I Watched... The Thunderbolts*
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Marvel delivers exactly what I have been craving in The Thunderbolts—something genuinely different for the post-Endgame MCU. This isn't just another superhero team-up; it's a surprisingly poignant exploration of damaged people finding connection through shared trauma.
Florence Pugh's Yelena emerges as the emotional core, building beautifully on her established longing for real family from Black Widow. She leads a cast of remarkable performances, with Lewis Pullman surprising everyone as the sympathetic yet disturbing Bob. Sebastian Stan's Bucky Barnes finds perfect positioning as a mentor figure who's walked the villain-to-hero path himself, while David Harbour's boisterous Alexei provides essential levity among a team of sarcastic loners. Julia Louis-Dreyfus finally gets substantial screen time as the manipulative Val, bringing layers to a character we've only seen in brief moments.
What sets Thunderbolts apart is its unflinching focus on mental health themes—guilt, regret, and loneliness aren't just character traits but the very foundation of the story. The film handles these elements with surprising depth, culminating in a climax that prioritizes emotional resolution over typical superhero spectacle. The Void effects create a visually striking metaphor for internal struggles, though the film's overall cinematography remains somewhat bland with muted colors.
The post climax reveal reveals these characters to be "The New Avengers" and changes everything, intentionally positioning them as underdogs compared to the original team. Meanwhile, the substantial post-credits scene meaningfully advances the larger MCU narrative toward Doomsday, suggesting Marvel has found its footing again after an uneven period. Whether you're a die-hard Marvel fan or just someone looking for a superhero film with emotional weight, Thunderbolts delivers something refreshingly human in a genre often dominated by world-ending threats.
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