Teddy Swims first won over the internet with his viral YouTube covers of hits like “You're Still The One” by Shania Twain and “I Can’t Make You Love Me” by Bonnie Raitt. But his success performing covers left him questioning whether he’d ever be capable of writing original songs that were just as good. Now, Teddy is one of the biggest artists in the world and he’s just released his debut album, “I've Tried Everything but Therapy.” Teddy sits down with Tom Power for a career-spanning conversation about how he finally found success when he stopped trying so hard to be relatable.

Alicia Moffet grew up being told she was going to be the next big thing. She was 12 when her covers started going viral on YouTube, 14 when she won the Canadian singing competition show “The Next Star,” and 16 when she placed second on another singing competition show, “La Voix.” But during that time, Alicia learned that if you’re not prepared for success, it can disappear just as quickly as it came. Now, she’s taking control of her career with her new album, “No, I'm Not Crying.” Alicia joins Tom Power to tell us about her new sound, and what she learned from her experience as a kid who got a lot of exposure at a young age. If you like this conversation, check out Tom’s chat with singer-songwriter Charlotte Cardin.

Hannah Moscovitch is a Governor General’s Award-winning Canadian playwright whose work often takes a sharp and uncompromising look at the internal lives of women. Her play “Red Like Fruit,” tells the story of Lauren, a journalist covering a high profile domestic violence case who starts to reexamine her own past experiences with men. Hannah tells Tom Power why she describes her work as “taking a knife” to herself, and why she viewed this play as an opportunity to uncensor parts of her own life.

The bestselling romance writer Uzma Jalaluddin is switching gears. Her new novel “Detective Aunty” is a murder mystery, set in a fictional neighbourhood in Scarborough, Ontario. Uzma tells Power how writing about love is similar to writing about murder, and why she always wanted to write a mystery.

Cynthia Erivo discusses her vulnerable new record “I Forgive You”, and all the big musical theatre roles that built her career. From her childhood obsession with Brandy to her performance as Elphaba in the movie musical Wicked, Erivo talks to Tom Power about her life as a singer, and all the surprises she encountered along the way.

Hailing from Saskatoon, Katie Tupper didn’t have a big queer community to help her find herself. Now, she’s embracing her bisexuality, and singing soulful songs about the kinds of love she always wanted. Katie Tupper sits down to talk to Tom Power about bi erasure, and how fans are responding to her music.

The Phoenician Scheme is Wes Anderson’s latest feature film. And if you are a fan of deadpan screw ball humour, meticulously shot and edited behind a colour pallet of muted earth tones, you will not be disappointed. But for his thirteenth feature film, Wes is leaning a little more into action and even violence to tell his new father daughter comedy. He joins Tom Power to talk about the evolution of his singular way of telling family stories.

Christopher Stowell is the new artistic director of the Royal Winnipeg Ballet – Canada's oldest ballet company and the longest continuously operating ballet company in North America. He’ll speak with Tom about why ballet is his “family business,” his career as a principal dancer and ballet leader, and what the future holds for the Royal Winnipeg Ballet.